Empfehlungen basierend auf "The Benevolent Society of Ill-Mannered Ladies (THE ILL-MANNERED LADIES)"

A wildly charming and fast-paced mystery written with all the panache of the hardboiled classics, Fortune Favors the Dead introduces Pentecost and Parker, an audacious new detective duo for the ages.“Razor-sharp style, tons of flair, a snappy sense of humor, and all the most satisfying elements of a really good noir novel, plus plenty of original twists of its own.”—Tana French, bestselling author of The SearcherIt's 1942 and Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation.Three years later, Will and Lillian are on the Collins case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her home—her body slumped in the same chair where her steel magnate husband shot himself the year before. With rumors flying that Abigail was bumped off by the vengeful spirit of her husband (who else could have gotten inside the locked room?), the family has tasked the detectives with finding answers where the police have failed.But that's easier said than done in a case that involves messages from the dead, a seductive spiritualist, and Becca Collins—the beautiful daughter of the deceased, who Will quickly starts falling for. When Will and Becca's relationship dances beyond the professional, Will finds herself in dangerous territory, and discovers she may have become the murderer's next target.

As Enola searches for the missing Lady Blanchefleur del Campo, she discovers that her brother Sherlock is just as diligently searching for Enola herself?and this time he really needs to catch her! He is in possession of a most peculiar package, a message from their long-lost mother that only Enola can decipher. Sherlock, along with their brother Mycroft, must follow Enola into the reeking tunnels of London?s dark underbelly as they solve a triple mystery: What has happened to their mother? And to Lady Blanchefleur? And what does either have to do with Mycroft, who holds Enola?s future in his everso- proper hands? No one, not even Sherlock, is left unchanged or unsurprised in this brilliant conclusion to the Enola Holmes mystery series.

New York Times Bestseller • Soon to be a PBS MASTERPIECE Mystery! series premiering fall 2024!Bestselling author Anthony Horowitz brings back his famous literary detective Atticus Pund and Susan Ryeland, hero of Magpie Murders, in an inventive, labyrinthine story that is “catnip for classic mystery lovers” (Time magazine).Retired publisher Susan Ryeland is living the good life. She is running a small hotel on a Greek island with her long-term boyfriend Andreas. It should be everything she's always wanted. But is it? She's exhausted with the responsibilities of making everything work on an island where nothing ever does, and truth be told she's beginning to miss London.And then the Trehearnes come to stay. The strange and mysterious story they tell, about an unfortunate murder that took place on the same day and in the same hotel in which their daughter was married—a picturesque inn on the Suffolk coast named Farlingaye Hall—fascinates Susan and piques her editor’s instincts.One of her former writers, the late Alan Conway, author of the fictional Magpie Murders, knew the murder victim—an advertising executive named Frank Parris—and once visited Farlingaye Hall. Conway based the third book in his detective series, Atticus Pund Takes the Cake, on that very crime.The Trehearne’s, daughter, Cecily, read Conway’s mystery and believed the book proves that the man convicted of Parris’s murder—a Romanian immigrant who was the hotel’s handyman—is innocent. When the Trehearnes reveal that Cecily is now missing, Susan knows that she must return to England and find out what really happened.Brilliantly clever, relentlessly suspenseful, full of twists that will keep readers guessing with each revelation and clue, Moonflower Murders is a deviously dark take on vintage English crime fiction from one of its greatest masterminds.

"George explores her characters' dreams and fears with a penetrating grace that makes reading her books a joy."—Washington Post Book World"Elizabeth George reigns as queen of the mystery genre. The Lynley books constitute the smartest, most gratifyingly complex and impassioned mystery series now being published."—Entertainment WeeklyThe spellbinding new Inspector Lynley novel from Elizabeth George, New York Times bestselling author of Careless in Red and What Came Before He Shot Her.

In the newest entry into the Nero Award-winning Pentecost & Parker Mystery series ("my new favorite sleuthing duo"— Sarah Weinman, The New York Times Book Review), Lillian and Will are hot on the trail of a serial killer whose murders are stranger than fiction. From the author of Fortune Favors the Dead and Murder Under Her Skin.New York City, 1947: For years, Holly Quick has made a good living off of murder, filling up the pages of pulp detective magazines with gruesome tales of revenge. Now someone is bringing her stories to life and leaving a trail of blood-soaked bodies behind. With the threat of another murder looming, and reluctant to go to the police, Holly turns to the best crime-solving duo in or out of the pulps, Willowjean “Will” Parker and her boss, famed detective Lillian Pentecost. The pair are handed the seemingly-impossible task of investigating three murders at once without tipping off the cops or the press that the crimes are connected. A tall order made even more difficult by the fact that Will is already signed up to spend her daylight hours undercover as a guileless secretary in the hopes of digging up a lead on an old adversary, Dr. Olivia Waterhouse. But even if Will is stuck in pencil skirts and sensible shoes, she’s not about to let her boss have all the fun. Soon she’s diving into an underground world of people obsessed with murder and the men and women who commit them. Can the killer be found in the Black Museum Club, run by a philanthropist whose collection of grim murder memorabilia may not be enough to satisfy his lust for the homicidal? Or is it Holly Quick’s pair of editors, who read about murder all day, but clearly aren’t telling the full story?With victims seemingly chosen at random and a murderer who thrives on spectacle, the case has the great Lillian Pentecost questioning her methods. But whatever she does, she’d better do it fast. Holly Quick has a secret, too and it’s about to bring death right to Pentecost and Parker’s doorstep.

'Robin Stevens is Agatha Christie for children' - Katherine Rundell‘It’s hard to know where to start. There’s so much to say – about the murders, and the codes, and the spy, that I’m getting tangled up in the story already...'It's December 1941, and almost Christmas, when a bomb falls on Deepdean School for Girls. May and Nuala are whisked away from the chaos and sent to stay with May's big sister, Hazel Wong, who is working at Bletchley Park.Within seconds, they're thrown straight into their most dangerous case yet. A codebreaker has been shot in what appears to be a tragic accident - until a suspicious and top-secret message is discovered in his pocket. Was he a spy, working for the other side? Was the message planted on him? Most importantly - was this murder?Worst of all, Daisy's big brother, Bertie Wells, is being blamed. It’s up to May, Nuala and their friend Eric to prove Bertie's innocence and solve the mystery. But Bletchley is a strange and secretive place, full of Britain's most ingenious minds. They'll need to watch, listen, and puzzle out the incredible, unthinkable truth...The thrilling brand-new mystery from the million-copy-bestselling author of Murder Most Unladylike.Praise for Robin Stevens:'Absolutely thrilling' Louie Stowell'Superb' Observer'Funny, clever and warm . . . Such a delight' Louise O'Neill'Jolly gripping stuff' The Times'Spirited and fun . . . A must for young murder mystery fans' Bookseller'Triumphant . . . Deserves to be read for years to come' Guardian

Someone s getting crossed off the register. Nora Blackbird may have been to the manor borne, but these days money is so tight, she can t afford to lose her job as a society columnist. So when her new boss at the "Philadelphia Intelligencer" Australian tabloid editor Gus Hardwicke tells her to work the celebrity gossip beat or start checking the want ads, the choice is easy. Now Nora s writing a profile on billionaire fashion designer Swain Starr, who recently retired to build a high-tech organic farm with his new wife, Zephyr, a former supermodel. But before Nora can get the story, the mogul is murdered. And now Gus wants her to snap up an exclusive on who killed Starr before the cops do. But solving a celebrity murder isn t easy with a home life as colorful as Nora s. Her sort-of-husband, Mick, a former mobster, is associating once again with unsavory characters. Her sister Libby is on a mission to get her diabolical twins on stage or screen with the help ofan unscrupulous former child star. And the youngest Blackbird sister, Emma, just got kicked out of the house by Mick who refuses to explain why. If anything can bring the blue-blooded Blackbird sisters together, it s a murder investigation involving high-society events, glamorous people, and the disappearance of a genetically perfect pig that may or may not be basking in the sun at Blackbird Farm. They ll all have to pull together this time, because if Nora can t bring home the bacon, she might have to exchange her bucolic estate for a cramped walk-up."

"Crombie’s characters are rich, emotionally textured, fully human. They are the remarkable creations of a remarkable writer."—Louise Penny “Nobody writes the modern English mystery the way Deborah Crombie does—and A Bitter Feast is the latest in a series that is gripping, enthralling, and just plain the best.”   — Charles Todd, New York Times bestselling author of The Black Ascot and A Cruel Deception New York Times bestselling author Deborah Crombie returns with a mesmerizing entry in her “excellent” (Miami Herald) series, in which Scotland Yard detectives Duncan Kincaid and Gemma James are pulled into a dangerous web of secrets, lies, and murder that simmers beneath the surface of a tranquil Cotswolds village. Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, have been invited for a relaxing weekend in the Cotswolds, one of Britain’s most enchanting regions, famous for its rolling hills, golden cottages, and picturesque villages. Duncan, Gemma, and their children are guests at Beck House, the family estate of Melody Talbot, Gemma’s detective sergeant. The Talbot family is wealthy, prominent, and powerful—Melody’s father is the publisher of one of London’s largest and most influential newspapers. The centerpiece of this glorious fall getaway is a posh charity harvest luncheon catered by up-and-coming chef Viv Holland. After fifteen years in London’s cut-throat food scene, Viv has returned to the Gloucestershire valleys of her childhood and quickly made a name for herself with her innovative meals based on traditional cuisine but using fresh local ingredients. Attended by the local well-to-do as well as national press food bloggers and restaurant critics, the event could make Viv a star. But a tragic car accident and a series of mysterious deaths rock the estate and pull Duncan and Gemma into the investigation. It soon becomes clear that the killer has a connection with Viv’s pub—or, perhaps, with Beck House itself. Does the truth lie in the past? Or is it closer to home, tied up in the tangled relationships and bitter resentments between the staff at Beck House and Viv’s new pub? Or is it more personal, entwined with secrets hidden by Viv and those closest to her?

Jacqueline Winspear's marvelous and inspired debut, Maisie Dobbs, won her fans from coast to coast and raised her intuitive, intelligent, and resourceful heroine to the ranks of literature's favorite sleuths. Birds of a Feather finds Maisie Dobbs on another dangerously intriguing adventure in London "between the wars." It is the spring of 1930, and Maisie has been hired to find a runaway heiress. But what seems a simple case at the outset soon becomes increasingly complicated when three of the heiress's old friends are found dead. Is there a connection between the woman's mysterious disappearance and the murders? Who would want to kill three seemingly respectable young women? As Maisie investigates, she discovers that the answers lie in the unforgettable agony of the Great War.

Westfield's Men, the Elizabethan theater troupe at the heart of Edward Marston's intricate and popular series, are enjoying good fortune in their native London. Their talented playwright is at work on his next opus, set to open in a few short weeks, and the group's trusty stage manager and reliable problem-solver Nicholas Bracewell is looking forward to a productive and calm season. Unfortunately for Nicholas, his friendship with Frank Quilter, a young actor who's just joined the troupe, is about to cause him a lot of trouble. Frank's father has been arrested and accused of a murder he didn't commit, and before anyone can figure out what to do he's convicted and hanged for his crime. Destroyed, young Frank promises to avenge his father, at the expense of the play Westfield's Men have contracted to perform. Nicholas, who's loyalty is split between the company and his new friend, agrees to help Frank on condition that he fulfill his obligations as an actor. Enter an unlikely ally in the form of one Moll Comfrey, a comely young saleswoman with more to sell than meets the eye. She has the key to the whole mystery hidden somewhere on her person, and it's up to Nicholas to find out what she's hiding (by whatever means necessary) before the theater, not to mention Frank's life, goes dark.