Empfehlungen basierend auf "The Beginning of Spring"

An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics. Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery. In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Maurice, you might like Forster's A Room With a View, also available in Penguin Classics.

'If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.' Hemingway's memories of his life as an unknown writer living in Paris in the 1920s are deeply personal, warmly affectionate and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - literary 'stars' like James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald, Ezra Pound and Gertrude Stein - he recalls the time when, poor, happy and writing in cafes, he discovered his vocation.

“A century after its publication, it seems as relevant as ever.” –The Guardian Maurice is heartbroken over unrequited love, which opened his heart and mind to his own sexual identity. In order to be true to himself, he goes against the grain of society’s often unspoken rules of class, wealth, and politics. Forster understood that his homage to same-sex love, if published when he completed it in 1914, would probably end his career. Thus, Maurice languished in a drawer for fifty-seven years, the author requesting it be published only after his death (along with his stories about homosexuality later collected in The Life to Come). Since its release in 1971, Maurice has been widely read and praised. It has been, and continues to be, adapted for major stage productions, including the 1987 Oscar-nominated film adaptation starring Hugh Grant and James Wilby.

A classic coming-of-age story which has held generations of readers spellbound!Rusty, a sixteen-year-old Anglo-Indian boy, is orphaned, and has to live with his English guardian in the claustrophobic European part in Dehra Dun. Unhappy with the strict ways of his guardian, Rusty runs away from home to live with his Indian friends. Plunging for the first time into the dream-bright world of the bazaar, Hindu festivals and other aspects of Indian life, Rusty is enchanted … and is lost forever to the prim proprieties of the European community.Written when the author was himself seventeen, this moving story of love and friendship, with a new introduction and illustrations will be enjoyed by a whole new generation of readers.

FROM THE NUMBER ONE INTERNATIONALLY BESTSELLING AUTHOR OF THE OLIVE TREE AND THE SHADOW SISTER A heart-rending page turner which sweeps from war-torn Europe to Thailand and back again . . . As a child, Julia Forrester would linger in the hothouse of Wharton Park estate, where exotic flowers tended by her grandfather blossomed and faded with the seasons. Now, recovering from a family tragedy, she once more seeks comfort at Wharton Park, newly inherited by Kit Crawford, a charismatic man with a sad story of his own. But when a years-old diary is found during renovation work, the pair turn to Julia's grandmother to hear the truth about the love affair that turned Wharton Park's fortunes sour . . . And so Julia is plunged back in time, to the world of Olivia and Harry Crawford, a young couple torn apart by the Second World War - and whose fragile marriage is destined to affect the happiness of generations to come, including Julia's own. Outside the UK, this book is published under the title The Orchid House 'Atmospheric, heart-rending and multi-layered' Grazia

Ethan Allen Hawley has lost the acquisitive spirit of his wealthy and enterprising forebears, a long line of proud New England sea captains and Pilgrims. Scarred by failure, Ethan works as a grocery clerk in a store his family once owned. But his wife is restless and his teenage children troubled and hungry for the material comforts he cannot provide. Then a series of unusual events reignites Ethan’s ambition, and he is pitched on to a bold course where all scruples are put aside...Steinbeck’s searing examination of the evil influences of money, immorality, greed and ambition on American drew acclaim from the Nobel Committee who hailed him as an 'independent expounder of the truth'.

The magnificent final volume of one of the most widely acclaimed fictional masterpieces of the postwar era.Few books have been awaited as eagerly as Clea, the sensuous and electrically suspenseful novel that resolves the enigmas of the Alexandria Quartet. Some years and one world war was after his bizarre liaisons with Melissa and Justine, the Irish émigré Darley becomes enmeshed with the bisexual artist Clea. That affair not only changes the lovers, it transforms the dead as well, revealing new layers of duplicity and desire, perversity and pathos in Lawrence Durrell’s masterly construction.“A massive, marvelously concrete, deeply felt statement of faith. . . . His style glows with the mineral deposits of many cultures. One of the most important works of our time has come to an end.”—The New York Times Book Review“Clea rounds out the tetralogy with grace, beauty, and stunning impact. . . . This rich, exciting fare is Durrell’s finest writing style, a manner of writing few living authors can equal. . . . A magnificent achievement.”—The Detriot News“The reader is carried along on a current of superbly accomplished prose, as flexible and colorful as that of any contemporary writer. . . . What Durrell has given us is well worth having.”—San Francisco Chronicle

It is 1941 and Captain Antonio Corelli, a young Italian officer, is posted to the Greek island of Cephallonia as part of the occupying forces. Ostracised at first, he proves in time to be peace-loving, humorous - and a consummate musician. A burgeoning love with the local doctor's daughter, whose letters to her fiance - and members of the underground - go unanswered, seems inevitable. But can it survive as a war of bestial savagery gets closer and the lines are drawn between invader and defender?

Eleven-year-old Portia and her family return with cousin Julian to the site they visited the previous summer, this time to take possession of a large Victorian house, unoccupied for fifty years and full of treasures and secrets.

After a lonely boyhood, and the painful ordeal of his schooldays, Philip's yearning for adventure takes him to Germany and later Paris where he tries to make his mark as an artist before returning to London to study medicine. Here, a tortured and one-sided love affair with Mildred, a vulgar yet irresistible waitress, changes the course of his life for ever. Commenting later on the novel's autobiographical aspects, Maugham recalled how in writing the book he mingled fact and fiction and 'found myself free from the pains and unhappy recollections that had tormented me'.However, like Dickens' David Copperfield to which it is often compared, Of Human Bondage goes far beyond autobiography, and is Maugham's most ambitious and unsparing novel, revealing the author's undoubted gift for storytelling as he explores the timeless theme of human freedom - freedom to act, to think and to love.