Empfehlungen basierend auf "The Author of Himself: The Life of Marcel Reich-Ranicki"

Explores Hesse's life to discover what led to his absorption in certain themes and traces the author's impassioned quest for meaning in a fragmented era filled with crises that posed philosophical contradictions for the artist

An invaluable set of career-length interviews with the German genius hailed by François Truffaut as "the most important film director alive"Most of what we've heard about Werner Herzog is untrue. The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog's body of work is one of the most important in postwar European cinema.His international breakthrough came in 1973 with Aguirre, the Wrath of God, in which Klaus Kinski played a crazed Conquistador. For The Enigma of Kaspar Hauser, Herzog cast in the lead a man who had spent most of his life institutionalized, and two years later he hypnotized his entire cast to make Heart of Glass. He rushed to an explosive volcanic Caribbean island to film La Soufrière, paid homage to F. W. Murnau in a terrifying remake of Nosferatu, and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo. More recently, Herzog has made extraordinary "documentary" films, such as Little Dieter Needs to Fly. His place in cinema history is assured, and Paul Cronin's volume of dialogues provides a forum for Herzog's fascinating views on the things, ideas, and people that have preoccupied him for so many years.This revised edition features new interviews discussing Herzog's films up to From One Second to the Next (2013), as well as additional text from Herzog, his collaborator Herbert Golder, the physicist Lawrence Krauss, and the filmmaker Harmony Korine.

A son’s poignant letter to his father—from the author of The Metamorphosis and The Trial, and one of the most important writers of the twentieth century. • “One of the great confessions of literature.” —The New York Times Book ReviewFranz Kafka wrote this letter to his father, Hermann Kafka, in November 1919. Max Brod, Kafka’s literary executor, relates that Kafka actually gave the letter to his mother to hand to his father, hoping it might renew a relationship that had lost itself in tension and frustration on both sides. But Kafka’s probing of the deep flaw in their relationship spared neither his father nor himself. He could not help seeing the failure of communication between father and son as another moment in the larger existential predicament depicted in so much of his work. Probably realizing the futility of her son’s gesture, Julie Kafka did not deliver the letter but instead returned it to its author.

One of the great American iconoclasts holds forth on politics, war, books and writers, and his personal life in a series of conversations, including his last published interview.During his long career Kurt Vonnegut won international praise for his novels, plays, and essays. In this new anthology of conversations with Vonnegut—which collects interviews from throughout his career—we learn much about what drove Vonnegut to write and how he viewed his work at the end.From Kurt Vonnegut's last interviewIs there another book in you, by chance?No. Look, I’m 84 years old. Writers of fiction have usually done their best work by the time they’re 45. Chess masters are through when they’re 35, and so are baseball players. There are plenty of other people writing. Let them do it.So what’s the old man’s game, then?My country is in ruins. So I’m a fish in a poisoned fishbowl. I’m mostly just heartsick about this. There should have been hope. This should have been a great country. But we are despised all over the world now. I was hoping to build a country and add to its literature. That’s why I served in World War II, and that’s why I wrote books.When someone reads one of your books, what would you like them to take from the experience?Well, I’d like the guy—or the girl, of course—to put the book down and think, “This is the greatest man who ever lived.”

It is 1967, in a Viennese hospital. In separate wards: the narrator named Thomas Bernhard, is stricken with a lung ailment; his friend Paul, nephew of Ludwig Wittgenstein, is suffering fom one of his periodic bouts of madness. Bernhard traces the growth of an intense friendship between two eccentric, obsessive men who share a passion for music, a strange sense of humor, brutal honesty, and a disgust for bourgeois Vienna."[Wittgenstein's Nephew is] a meditative fugue for mad, brilliant voices on the themes of death, death-in-life and the artist's and thinker's role in society . . . oddly moving and funny at the same time."—Joseph Coates, Chicago Tribune"Mr. Bernhard's memoir about Paul Wittgenstein is a 'confession and a guilty homage to their friendship; it takes the place of the graveside speech he never delivered. In its obsessive, elegant rhythms and narrative eloquence, it resembles a tragic aria by Richard Strauss. . . . This is a memento mori that approaches genius.'"—Richard Locke, Wall Street Journal

These diaries cover the years 1910 to 1923, the year before Kafka’s death at the age of forty. They provide a penetrating look into life in Prague and into Kafka’s accounts of his dreams, his feelings for the father he worshipped and the woman he could not bring himself to marry, his sense of guilt, and his feelings of being an outcast. They offer an account of a life of almost unbearable intensity.From the Trade Paperback edition.The Diaries of Franz Kafka 1910-13 translated from the German by Joseph KreshThe Diaries of Franz Kafka 1914-23 translated from the German by Martin Greenberg with the cooperation of Hannah Arendt

This letter is the closest that Kafka came to setting down his autobiography. He was driven to write it by his father's opposition to his engagement with Julie Wohryzek. The marriage did not take place; the letter was not delivered. 'In his preface he [the translator Howard Colyer] states that he was most concerned to reproduce the raw "venting of feelings" in the letter as well as the extraordinary "momentum of the prose." In both these aims he succeeds. Unlike earlier, and fussier, versions, his translation catches the naked energy of the original.' -- New York Sun, Eric Ormsby The new edition includes the last letter Kafka wrote to his parents as he lay dying of tuberculosis near Vienna in 1924.

This is the first of a three-volume, definitive biography of Franz Kafka. Eighty years after his death in 1924, Kafka remains one of the most intriguing figures in the history of world literature. Now, after more than a decade of research, working with over four thousand pages of journal entries, letters, and literary fragments, Reiner Stach re-creates the atmosphere in which Kafka lived and worked from 1910 to 1915. These are the years of Kafka's fascination with early forms of Zionism despite his longing to be assimilated into the minority German culture in Prague; of his off-again, on-again engagement to Felice Bauer; of the outbreak of World War I; and above all of the composition of his seminal works-The Metamorphosis, Amerika, The Judgment, and The Trial. Kafka:The Decisive Years-at once an extraordinary portrait of the writer and an original contribution to the art of literary biography.

This is the acclaimed central volume of the definitive biography of Franz Kafka. Reiner Stach spent more than a decade working with over four thousand pages of journals, letters, and literary fragments, many never before available, to re-create the atmosphere in which Kafka lived and worked from 1910 to 1915, the most important and best-documented years of his life. This period, which would prove crucial to Kafka's writing and set the course for the rest of his life, saw him working with astonishing intensity on his most seminal writings--The Trial, The Metamorphosis, The Man Who Disappeared (Amerika), and The Judgment. These are also the years of Kafka's fascination with Zionism; of his tumultuous engagement to Felice Bauer; and of the outbreak of World War I. Kafka: The Decisive Years is at once an extraordinary portrait of the writer and a startlingly original contribution to the art of literary biography.

For much of his adult life, Saul Bellow was the most acclaimed novelist in America, the winner of, among other awards, the Nobel Prize in Literature, three National Book Awards, and the Pulitzer Prize. The Life of Saul Bellow, by the literary scholar and biographer Zachary Leader, marks the centenary of Bellow's birth as well as the tenth anniversary of his death. It draws on unprecedented access to Bellow's papers, including much previously restricted material, as well as interviews with more than 150 of the novelist's relatives, close friends, colleagues, and lovers, a number of whom have never spoken to researchers before. Through detailed exploration of Bellow's writings, and the private history that informed them, Leader chronicles a singular life in letters, offering original and nuanced accounts not only of the novelist's development and rise to eminence, but of his many identities--as writer, polemicist, husband, father, Chicagoan, Jew, American. The biography will be published in two volumes. The first volume, To Fame and Fortune: 1915-1964, traces Bellow's Russian roots; his birth and early childhood in Quebec; his years in Chicago; his travels in Mexico, Europe, and Israel; the first three of his five marriages; and the novels from Dangling Man and The Adventures of Augie March to the best-selling Herzog. New light is shed on Bellow's fellow writers, including Ralph Ellison, John Berryman, Lionel Trilling, and Philip Roth, and on his turbulent and influential life away from the desk, which was as full of incident as his fiction. Bellow emerges as a compelling character, and Leader's powerful accounts of his writings, published and unpublished, forward the case for his being, as the critic James Wood puts it, "the greatest of American prose stylists in the twentieth century."