Empfehlungen basierend auf "Telephone Ringing in the Labyrinth: Poems 2004-2006"

"The Walt Whitman of Los Angeles."—Joyce Carol Oates, bestselling author"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriterPlay the Piano introduces Charles Bukowski's poetry from the 1970s. He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.

America's enduring poet of conscience reflects on the proven and potential role of poetry in contemporary politics and life. Through journals, letters, dreams, and close readings of the work of many poets, Adrienne Rich reflects on how poetry and politics enter and impinge on American life. This expanded edition includes a new preface by the author as well as her post-9/11 "Six Meditations in Place of a Lecture."

WINNER OF THE NOBEL PRIZE IN LITERATUREA dreamlike collection from the Nobel Prize-winning poetA Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:All the roads in the village unite at the fountain.Avenue of Liberty, Avenue of the Acacia Trees―The fountain rises at the center of the plaza;on sunny days, rainbows in the piss of the cherub.―from "tributaries"Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines―expansive, fluent, and full―manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

Forty years of correspondence from one of America's most beloved authors, chronicling her life with compelling candor. The engrossing drama begun in May Sarton: Selected Letters 1916–1954 culminates in this gathering of 200 quintessential letters, culled from thousands. Copiously annotated, they propel the reader with passionate immediacy through the rich years of this beloved author's maturity and world-wide fame, to her death. "Sarton is one of the great letter writers of our time," Library Journal affirmed of the first volume. And here once again we see her in every aspect: the hard-pressed writer, the tormented lover, at her fiercest and most fond; the friend, confidante and passionate traveler, intensely engaged by public issues, ceaselessly searching for the elusive muse which made poetry and the creative transformation of life possible. In addition to longtime friends and intimates familiar from Volume One―Louise Bogan, Eva Le Gallienne, Bill Brown, Muriel Rukeyser and the Huxleys―the more than 150 recipients in this volume include Robert Frost and Elizabeth Bowen, Carolyn Heilbrun and Doris Grumbach, Madeleine L'Engle, Pat Carroll, and Marianne Moore."No topic escapes her," Susan Kenney wrote of the first volume, and in the breadth and amplitude of these vibrant missives to friends and strangers, poets and scientists, actors and scholars, teachers and editors from every corner of the States and throughout Europe, the reader will partake of her joys, and learn well her griefs; it is no coincidence she always capitalized Hell. Particularly rich are her letters to members of the religious community who were drawn to the spiritual center in her work; her magnificent letters of condolence; her fiery replies to critics; her trenchant, generous responses to the many young writers who touched her; and her life-enhancing responses to hordes of admirers. Here, too, we are privy to several intense love relationships, and live beside her through the landmark publications of Mrs. Stevens Hears the Mermaids Singing and her revolutionary Journal of a Solitude. We accompany her as she writes the celebrated lyric poems which, with missionary fervor, she brought alive in dynamic readings to standing-room-only audiences across America, as long as she could do so. And finally we are witness to the gradual diminishments of age as, with characteristic courage, she charges into her ninth decade, "ardent and alone." Selected Letters 1955–1995 offers new insights and throws fascinating sidelights on Sarton's multi-faceted character, presenting an awesome self-portrait―more revealing than anything yet published―of this truly singular woman who, faithful to her "vision of life"―and like the legendary phoenix which marks her grave ―never ceased to be reborn over and over again. As critic William Drake put it, "May Sarton always seems to be speaking to each one of us personally, as if we were a friend." In this richly moving and nourishing collection―the capstone of her literary legacy―this unforgettable woman speaks to each of us, as to each correspondent, once again in her timeless voice."Readers will find this volume a valuable companion to Sarton's other work; reading it put me back in touch with her keen intelligence, her restless but rich spirit, and I enjoyed it tremendously." ―Eleanor Dwight, author of Edith Wharton: An Extraordinary Life "In a century of cruel inhumanity, 'life-enhancing' poet, novelist and journal-keeper May Sarton showed us, most of all, how to be human. . . . That is why we find in her a friend, and will keep rereading these thoughtful letters and her books for clues about the journey ahead." ―Father John Dear, author of Living Peace "Those who know her journals will find here a Sarton willing to examine the underside of creativity, a Sarton who refuses to stay stuck in life or work. This book passes on that courage to readers." ―Alexandra Johnson, author of Leaving a Trace: On Keeping a Journal "A searingly honest

“Engaging and revealing, The Letters of Sylvia Plath offers a captivating look into the life and inner thinking of one of the most influential writers of the 20th century.” — Paul Alexander, Washington PostThe second volume in the definitive, complete collection of the letters of Pulitzer Prize-winning poet, Sylvia Plath, from the early years of her marriage to Ted Hughes to the final days leading to her suicide in 1963, many never before seen.One of the most talented and beloved poets, Sylvia Plath continues to fascinate and inspire the modern literary imagination. The tragedy of her untimely death at age thirty, almost fifty-five years ago, has left much unknown about her creative and personal life. In this remarkable second volume of the iconic poet and writer’s collected letters, the full range of Plath’s ambitions, talents, fears, and perspective is made visible through her own powerful words.As engaging as they are revealing, these remarkable letters cover the years from 1957 to 1963. They detail the last six tumultuous and prolific years of her life, covering her marriage to Ted Hughes, the births of her children Frieda and Nicholas, her early success, including the publication of the classic The Bell Jar, and her ongoing struggle with depression.The first compendium of its kind to include all of Plath’s letters from this period, The Letters of Sylvia Plath Volume 2 offers an intimate portrait of the writing life and mind of one of the most celebrated poets in literary history.

The Decent Of Alette is a rich odyssey of transformation in the tradition of The Inferno. Alice Notley presents a feminist epic: a bold journey into the deeper realms. Alette, the narrator, finds herself underground, deep beneath the city, where spirits and people ride endlessly on subways, not allowed to live in the world above. Traveling deeper and deeper, she is on a journey of continual transformation, encountering a series of figures and undergoing fragmentations and metamorphoses as she seeks to confront the Tyrant and heal the world. Using a new measure, with rhythmic units indicated by quotations marks, Notley has created a "spoken" text, a rich and mesmerizing work of imagination, mystery, and power.

“Certain lines had become like incantations to me, words I’d chanted to myself through sorrow and confusion” —Cheryl Strayed, Wild “The Dream of a Common Language explores the contours of a woman’s heart and mind in language for everybody—language whose plainness, laughter, questions and nobility everyone can respond to. . . . No one is writing better or more needed verse than this.”—Boston Evening Globe

Winner of the 1981 Yale Series of Younger Poets competition. "David Wojahn's poems concern themselves with emotive basics: leaving home, watching those we love age and die, the inescapable drone of our mortality. Yet as poems, they are far from usual. They help us welcome inside, again and again, the most personal of feelings." -Richard Hugo, Poet and Judge of the Competition

Richard Kenney's The Evolution of the Flightless Bird, the winning volume in the 1983 Yale Series of Younger Poets competition, was selected from among 650 entries in this annual competition. All of one species whose origin is the sonnet, Kenney's poems ring many changes through that form, reflecting, as they do, a personal evolution in the poet's life. "The Hours of the Day"--the first of four chapters--is a long meditative sequence set in Vermont; here the square-shaped poems become the crown glass windowpanes of the farmhouse itself. "First Poems" follows next, a group of eight lyrics, ending with the poem that titles the book. "Heroes," a narrative quartet, with two poems from history and two from life, concerns itself with the shaping of all tales, from source to first telling. Finally, "Notes from Greece" chronicles certain thoughts and adventures there, notably a visit to the Byzantine monastic communities that ring the peninsula of Mt. Athos. Born in Glens Falls, New York, in 1948, Richard Kenney received his B.A. from Dartmouth College in 1970. His poems have appeared in numerous magazines, including The New Yorker, The Atlantic Monthly, Hudson Review, American Scholar, Poetry, The Yale Review, Carolina Quarterly, and New England Review.

The winning volume in the 1994 Yale Series of Younger Poets competition is Living in the Resurrection by T. Crunk. As James Dickey, distinguished poet and judge of the competition, says in the foreword, "Here is that rare phenomenon, a writer of instinctive formal vision. His real reverence for the simple objects of the everyday world, their ability to present cup, tree, and hand both as they seem and as they are with a kind of mystical iconic starkness, is a quality uniquely Mr. Crunk's. That this starkness eventually begins to warp into the surreal and ultimately windows into the Luminous Beyond, is additional sanction for gratitude." Reliquaria1. Found Hand-Painted on a Tin Flue CoverRibbon of black crapedraped on a door knob like broken stringshanging from a loom with the words: Weep not.What do I need of this world? 2. S. P. Dinsmoor Describes His TombI have made myself a coffin with a glass lid.By the door of my grave house I have set a cement angel and a stone jug.When I see the host coming down, the lid will--fly open and I will sail out into the air like a locust.If I am called above, the angel will help me--on my way. If I have to go below, I will grab my jugand fill it with water somewhere on the road down. Meantime, every day I pray--O Lordteach me that I am but earth, a hollow vessel of clay, only a wisp of thy breath against my emptiness. 3.They have yet to figure out the name of the church two men diving in Barkley Lakearound Cain's Mill a few years ago found the whole steeple of cross and all half-buried in the mud shallows.