Empfehlungen basierend auf "Take Me With You"

"Mitch Albom has done it again with this moving memoir of love and loss. You can’t help but fall for Chika. A page-turner that will no doubt become a classic.” --Mary Karr, author of The Liars’ Club and The Art of MemoirFrom the #1 New York Times bestselling author of Tuesdays With Morrie comes Mitch Albom’s most personal story to date: an intimate and heartwarming memoir about what it means to be a family and the young Haitian orphan whose short life would forever change his heart.Chika Jeune was born three days before the devastating earthquake that decimated Haiti in 2010. She spent her infancy in a landscape of extreme poverty, and when her mother died giving birth to a baby brother, Chika was brought to The Have Faith Haiti Orphanage that Albom operates in Port Au Prince.With no children of their own, the forty-plus children who live, play, and go to school at the orphanage have become family to Mitch and his wife, Janine. Chika’s arrival makes a quick impression. Brave and self-assured, even as a three-year-old, she delights the other kids and teachers. But at age five, Chika is suddenly diagnosed with something a doctor there says, “No one in Haiti can help you with.”Mitch and Janine bring Chika to Detroit, hopeful that American medical care can soon return her to her homeland. Instead, Chika becomes a permanent part of their household, and their lives, as they embark on a two-year, around-the-world journey to find a cure. As Chika’s boundless optimism and humor teach Mitch the joys of caring for a child, he learns that a relationship built on love, no matter what blows it takes, can never be lost.Told in hindsight, and through illuminating conversations with Chika herself, this is Albom at his most poignant and vulnerable. Finding Chika is a celebration of a girl, her adoptive guardians, and the incredible bond they formed—a devastatingly beautiful portrait of what it means to be a family, regardless of how it is made.

"Startlingly talented . . . he survives the inevitable, apt comparisons to Kurt Vonnegut and writes in a tenderly mordant voice all his own." -Janet Maslin, The New York TimesIn this novel rich in character, Junior Thibodeau grows up in rural Maine in a time of Atari, baseball cards, pop Catholicism, and cocaine. He also knows something no one else knows-neither his exalted parents, nor his baseball-savant brother, nor the love of his life (she doesn't believe him anyway): The world will end when he is thirty-six. While Junior searches for meaning in a doomed world, his loved ones tell an all-American family saga of fathers and sons, blinding romance, lost love, and reconciliation-culminating in one final triumph that reconfigures the universe. A tour de force of storytelling, Everything Matters! is a genre-bending potpourri of alternative history, sci-fi, and the great American tale in the tradition of John Irving and Margaret Atwood.

“A remarkable novel. . . . A Prayer for Owen Meany is a rare creation. ... An amazingly brave piece of work ... so extraordinary, so original, and so enriching. . . . Readers will come to the end feeling sorry to leave [this] richly textured and carefully wrought world.” —STEPHEN KING, Washington PostI am doomed to remember a boy with a wrecked voice—not because of his voice, or because he was the smallest person I ever knew, or even because he was the instrument of my mother's death, but because he is the reason I believe in God; I am a Christian because of Owen Meany.In the summer of 1953, two eleven-year-old boys—best friends—are playing in a Little League baseball game in Gravesend, New Hampshire. One of the boys hits a foul ball that kills the other boy's mother. The boy who hits the ball doesn't believe in accidents; Owen Meany believes he is God's instrument. What happens to Owen after that 1953 foul ball is extraordinary.A PBS Great American Read Top 100 Pick

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships.I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

Tim Winton is Australia's most decorated and beloved novelist. Short-listed twice for the Booker Prize and the winner of a record four Miles Franklin Literary Awards for Best Australian Novel, he has a gift for language virtually unrivaled among writers in English. His work is both tough and tender, primordial and new - always revealing the raw, instinctual drives that lure us together and rend us apart.In The Shepherd's Hut, Winton crafts the story of Jaxie Clackton, a brutalized rural youth who flees from the scene of his father's violent death and strikes out for the vast wilds of Western Australia. All he carries with him is a rifle and a waterjug. All he wants is peace and freedom. But surviving in the harsh saltlands alone is a savage business. And once he discovers he's not alone out there, all Jaxie's plans go awry. He meets a fellow exile, the ruined priest Fintan MacGillis, a man he's never certain he can trust, but on whom his life will soon depend.The Shepherd's Hut is a thrilling tale of unlikely friendship and yearning, at once brutal and lyrical, from one of our finest storytellers.

Born into the beautiful bedlam of downtown New York in the eighties, iO Tillett Wright came of age at the intersection of punk, poverty, heroin, and art. This was a world of self-invented characters, glamorous superstars, and strung-out sufferers, ground zero of drag and performance art. Still, no personality was more vibrant and formidable than iO’s mother’s. Rhonna, a showgirl and young widow, was a mercurial, erratic glamazon. She was iO’s fiercest defender and only authority in a world with few boundaries and even fewer indicators of normal life. At the center of Darling Days is the remarkable relationship between a fiery kid and a domineering ma—a bond defined by freedom and control, excess and sacrifice; by heartbreaking deprivation, agonizing rupture, and, ultimately, forgiveness.Darling Days is also a provocative examination of culture and identity, of the instincts that shape us and the norms that deform us, and of the courage and resilience it takes to listen closely to your deepest self. When a group of boys refuse to let six-year-old, female-born iO play ball, iO instantly adopts a new persona, becoming a boy named Ricky—a choice iO’s parents support and celebrate. It is the start of a profound exploration of gender and identity through the tenderest years, and the beginning of a life invented and reinvented at every step. Alternating between the harrowing and the hilarious, Darling Days is the candid, tough, and stirring memoir of a young person in search of an authentic self as family and home life devolve into chaos.

One day after reading a book about a wilderness adventurer, David Pierce’s fifteen-year-old daughter Chera announced that she wanted to climb a mountain. What David heard behind that wish was a bold declaration: “I’m growing up, Dad–what are you going to do about it?” A few weeks later they bought matching backpacks. Over a three-year period they climbed five mountains and ran in two marathons. Together they suffered sore muscles, bitter cold, sprung knees, shin splints, and broken spirits. But they also reveled in blazing sunsets, glissaded on a glacier, and celebrated numerous victories great and small. And in the process, they built an unshakable father-daughter bond that will withstand the tests of time. As you read this wise, warmhearted, and often hilarious story of a daughter’s (and a father’s) coming of age, you’ll discover ways you too can create strong, loving relationships with the important people in your life, as you make your way through the valleys and over the summits of life together.

Anna has always been the clumsy one in the family. Somehow she can never do anything right! She bumps into tables, and she can't read the blackboard at her school. Her perfect brothers and sisters call her "Awkward Anna." When Papa announces that the family is moving from Germany to Canada, Anna's heart sinks. How can she learn English when she can't even read German? Nothing could be worse than this! But when the Soldens arrive in Canada, Anna learns that there is a reason for her clumsiness. And suddenly, wonderfully, her whole world begins to change.

In This Mountain finds Father Tim and Cynthia again living in Mitford, following their stint on Whitecap Island. In the little town that's become America's favorite home-away-from-home, life hums along. Dooley looks toward his career as a vet. Joe Ivey and Fancy Skinner fight a haircut price war that takes no prisoners. Percy steps out on a limb with a risky new menu item at the Grill. Uncle Billy feels new pressure to produce a sure-fire joke and the Man in the Attic returns to Mitford as the town holds its breath to see what happens. Alhough Father Tim dislikes change, he dislikes retirement even more. His wife wins awards, receives bouquets, and gets invited to tour the country. While he stares at a blank page in a proposed book of essays, and fills an occasional pulpit. When he decides to take on a unique and difficult ministry, he feels newly energized. He even begins to think he likes change, until an unexpected event propels him on a painful journey that shakes his faith, his marriage, and the whole town of Mitford. Once again, Jan Karon proves she's "a writer who reflects contemporary culture more fully than almost any living novelist" (Los Angeles Times). As always, she transports us with characters who step off the page and into our hearts, and cheers us with her great sense of fun and magnificent storytelling. So, come home to Mitford. And treat yourself to a rare event in this world: complete satisfaction. - mitfordbooks.com.

Lanie took out her journal and dated it April 12, 1928. She started the habit of writing down everything that happened to her when she was no more than eight years old, and now she had six journals completely full. She thought about the prize at school, almost prayed to win, but somehow she could not. "God," she finally said, "I'll do my best, and if you'll help me, that's all I ask."Fourteen-year-old Lanie Belle Freeman of Fairhope, Arkansas, has high hopes for her future. Happy on the five-acre family homeplace, she dreams of going to college and becoming a writer. And with her father launching a new business and her mother expecting the fifth baby, the bright days of an early Southern spring seem to herald expansive new beginnings for the Freeman family.But her mother isn't as strong as she should be, and it's going to take time for the business to pay back the mortgage. When unexpected tragedy strikes, it is left to Lanie to keep the family together and hold on to their home. In a world shaken by the Great Depression, it is faith in God and love in a tightly knit family that will help Lanie and her siblings overcome the odds and create a future that promises the fulfillment of love.The Homeplace offers a warmhearted and inspiring saga of a courageous young woman who holds her family together through the Depression era.