Empfehlungen basierend auf "Summertime Rendering Volume 1 (Hard Cover)"

The dramatic climax of "The Sea of Fertility" tetraology takes place in the late 1960s. Honda, now an aged and wealthy man, discovers and adopts a sixteen-year-old orphan, Toru, as his heir, identifying him with the tragic protagonists of the three previous novels, each of whom died at the age of twenty. Honda raises and educates the boy, yet watches him, waiting.

Tina Suzuki has just begun her first year of graduate study. Born and raised in San Francisco by her Japanese immigrant mother, Tina knows nothing about the rest of her family, and very little about her cultural heritage. But when her boyfriend's Japanese calligraphy teacher suffers a stroke, loses his ability to communicate, but continues to create magnificent calligraphic art, Tina knows she has stumbled across an ideal research subject. Getting people to cooperate with her research is an entirely different matter. The blank personal history presented by her mother is in fact a tightly wound scroll full of scandalous secrets. Tina's studies lead to revelations about her own family - secrets she would never have expected. Juxtaposed with Tina's story is that of the stricken calligraphy teacher as a young man in Kyoto, and the history of the ancient inkstone he carries with him.

Bringing together Yukio Mishima's finest stories, this selection shows his extraordinary ability to depict a wide variety of human beings in moments of significance. A moonlit journey to fulfil a wish; a mother lost in mourning; a night of infidelity; and a young lieutenant who ends his life. Filled with rich description and luxurious beauty, these hauntingly beautiful short stories from one of Japan's greatest writers show the pull between duty and desire, ecstasy and death. In the title story, 'Death in Midsummer', which is set at a beach resort, a triple tragedy becomes a cloud of doom that requires exorcising. In another, 'Patriotism', a young army officer and his wife choose a way of vindicating their belief in ancient values that is as violent as it is traditional; it prefigured his own death by seppuku in November 1970. There is a story in which the sad truth of the relationship between a businessman and his former mistress is revealed through a suggestion of the unknown, and another in which a working-class couple, touching in their simple love for each other, pursue financial security by rather shocking means.

The Pillow Book of Sei Shonagon is a fascinating, detailed account of Japanese court life in the eleventh century. Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, The Tale of Genji, fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, The Pillow Book is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.

Ten-year-old Manami did not realize how peaceful her family's life on Bainbridge Island was until the day it all changed. It's 1942, after the attack on Pearl Harbor, and Manami and her family are Japanese American, which means that the government says they must leave their home by the sea and join other Japanese Americans at a prison camp in the desert. Manami is sad to go, but even worse is that they are going to have to give her and her grandfather's dog, Yujiin, to a neighbor to take care of. Manami decides to sneak Yujiin under her coat and gets as far as the mainland before she is caught and forced to abandon Yujiin. She and her grandfather are devastated, but Manami clings to the hope that somehow Yujiin will find his way to the camp and make her family whole again. It isn't until she finds a way to let go of her guilt that Manami can reclaim the piece of herself that she left behind and accept all that has happened to her family.

Yasuko lives a quiet life, working in a Tokyo bento shop, a good mother to her only child. But when her ex-husband appears at her door without warning one day, her comfortable world is shattered.When Detective Kusanagi of the Tokyo Police tries to piece together the events of that day, he finds himself confronted by the most puzzling, mysterious circumstances he has ever investigated. Nothing quite makes sense, and it will take a genius to understand the genius behind this particular crime...

The daughter of a Chinese mother and a Japanese father, Gail Tsukiyama's The Samurai's Garden uses the Japanese invasion of China during the late 1930s as a somber backdrop for this extraordinary story.A 20-year-old Chinese painter named Stephen is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight.Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.

These translated poems were written by 2 ladies of the Heian court of Japan between the ninth and eleventh centuries A.D. The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

In "Memoirs of a Geisha," we enter a world where appearances are paramount; where a girl's virginity is auctioned to the highest bidder; where women are trained to beguile the most powerful men; and where love is scorned as illusion. Sayuri's story begins in a poor fishing village in 1929, when, as a nine-year-old with unusual blue-gray eyes, she is taken from her home and sold into slavery to a renowned geisha house. Through her eyes, we see the decadent heart of Gion -- the geisha district of Kyoto -- with its marvelous teahouses and theaters, narrow back alleys, ornate temples, and artists' streets. And we witness her transformation as she learns the rigorous arts of the geisha: dance and music; wearing kimono, elaborate makeup and hair; competing with a jealous rival for men's solicitude and the money that goes with it.But as World War II erupts and the geisha houses are forced to close, Sayuri, with little money and even less food, must reinvent herself all over again to find a rare kind of freedom on her own terms. "Memoirs of a Geisha" is a book of nuance and vivid metaphor, of memorable characters rendered with humor and pathos. And though the story is rich with detail and a vast knowledge of history, it is the transparent, seductive voice of Sayuri that the reader remembers.

“[A]n excellent book...” —The EconomistFinancial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan.Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people.The Financial Times“David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.”The Telegraph (UK)“Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.”Publishers Weekly (starred):"A probing and insightful portrait of contemporary Japan."