Empfehlungen basierend auf "Summer: Winner of the Orwell Prize for Fiction 2021 (Seasonal Quartet)"

An essential collection of classic stories that established Flannery O’Connor’s reputation as an American master of fiction―now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O’Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O’Connor’s unique view of life―infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic stories―including “The Life You Save May Be Your Own,” “Good Country People,” and “The Displaced Person,” among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story.

Classic literary journalism which defined, for many, the state of America during the upheaval of the Sixties Revolution "It was not a country in open revolution. It was not a country under enemy siege. It was the United States of America in the cold late spring of 1967, and the market was steady and the GNP high and a great many articulate people seemed to have a sense of high social purpose and it might have been a spring of brave hopes and national promise, but it was not..." "So physically small, so temperamentally unobtrusive, and so neurotically inarticulate" that people tended to forget that her presence ran counter to their best interests, Joan Didion slipped herself into the heart of the Sixties Revolution, only to slip out again with this savage masterpiece, which, since first publication in 1968, has been acknowledged as an unparalleled report on the state of America during those curious days. Now that some of the posturing and pronouncements of those times are being recycled, Didion's sobering reflections are timely once again: 'the future always looks good in the golden land, because no one remembers the past."

Lydia Davis is one of our most original and influential writers. She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance.The Collected Stories of Lydia Davis is an event in American letters.

A Library Journal Best Book of 2022 in Short StoriesA collection of twelve powerful and moving new stories from one of Ireland’s most celebrated writers.Tinged with melancholy but rooted in resiliency, the exquisite stories of Bernard MacLaverty’s Blank Pages display the perseverance of the human spirit. In “A Love Picture,” a middle-aged woman, already no stranger to loss, consults a World War II newsreel to determine the fate of her son. “Blackthorns” tells of a poor, out-of-work Catholic man who falls gravely ill in the sectarian Northern Ireland of 1942 but is brought back from the brink by an unlikely savior. The harrowing but transcendent “The End of Days” imagines life in another pandemic as artist Egon Schiele and his wife, both stricken with the Spanish flu, spend their final days together. And in the poignant title story, an elderly writer takes stock of what remains after losing his life partner.Blank Pages elegantly probes MacLaverty’s signature themes―domestic love, Catholicism, the Troubles, aging―with compassion and insight. A consummately gifted storyteller, MacLaverty uncovers the turbulent undertones of seemingly ordinary human interactions and explores endings of all kinds with tenderness, affection, and wry humor.Acclaimed for his extraordinary emotional range and “telescopic observational powers” (Sam Sacks, Wall Street Journal), MacLaverty captures the joys and sorrows of everyday existence in crystalline, precise prose. Each resonant story in Blank Pages reminds us again why he is regarded as one of the greatest living Irish writers.

This view of a life-altering moment in our history―captured from one photographer’s Brooklyn rooftop―is a testament to human hope and resilience, and what we’ve learned about living in community.The roof of a New York apartment building, like some New York neighbors, can be elusive―you could live there for years and never see it. The unique constraints of 2020’s quarantine drove photographer and Brooklyn transplant Josh Katz up to his Bushwick rooftop and introduced him to both. What he discovered there astonished him. Families, lovers, dogs, meditators, artists, exercise fanatics, daredevils, drinkers, dancers―in this strange time the world below had found a way to continue ticking on up above, subject to new patterns and distances. And then, there were the pigeon fanciers, who had been up there for decades, watching the neighborhood change around them. Josh reached for his camera.The project grew from a man’s attempt to cope with his own isolation to a tender portrait of his community―captured entirely from his own roof―and a resonant chronicle of how some of us found new hope and space in a life-altering year. Characters as heartfelt as any in the now-classic Humans of New York accompany Josh’s keen observations on urban space, human interaction, and new ways of city living we can bring down from the roof to apply in a post-quarantine world. 100+ color illustrations

In this collection of short stories, originally published in 1974, Grace Paley "makes the novel as a form seem virtually redundant" (Angela Carter, London Review of Books). Her stories here capture "the itch of the city, love between parents and children" and "the cutting edge of combat" (Lis Harris, The New York Times Book Review). In this collection of seventeen stories, she creates a "solid and vital fictional world, cross-referenced and dense with life" (Walter Clemons, Newsweek).

In this keenly awaited new collection, Zadie Smith brings her unique skills as an essayist to bear on a range of subjects which have captured her attention in recent years. She takes an exhilaratingly close look at artists Toyin Ojih Odutola, Kara Walker and Celia Paul. She invites us along to the movies, to see and to think about Tar, and to Glastonbury to witness the ascendance of Stormzy. She takes us on a walk down Kilburn High Road in her beloved North West London and invites us to mourn with her the passing of writers Joan Didion, Martin Amis, Hilary Mantel, Philip Roth and Toni Morrison. She considers changes of government on both sides of the Atlantic - and the meaning of 'the commons' in all our lives. Throughout this thrilling collection, Zadie Smith shows us once again her unrivalled ability to think through critically and humanely some of the most urgent preoccupations and tendencies of our troubled times.

This first collection of fifteen stories deals with the strategies of emotional survival and offers sharp, brittle, and intelligent looks at staying alive, at how to manage a life truly one's own, and how to resist becoming a victim

Indhold: A perfect day for bananafish ; Uncle Wiggily in Connecticut ; The laughing man ; Down at the Dinghy ; Just before the war with the Eskimos ; For Esmé - with love and squalor ; Pretty mouth and green my eyes ; De Daumier-Smith's blue period ; Teddy.

In her new essay collection, the beloved author of High Tide in Tucson brings to us out of one of history's darker moments an extended love song to the world we still have. From its opening parable gleaned from recent news about a lost child saved in an astonishing way, the book moves on to consider a world of surprising and hopeful prospects, ranging from an inventive conservation scheme in a remote jungle to the backyard flock of chickens tended by the author's small daughter. Whether she is contemplating the Grand Canyon, her vegetable garden, motherhood, adolescence, genetic engineering, TV-watching, the history of civil rights, or the future of a nation founded on the best of all human impulses, these essays are grounded in the author's belief that our largest problems have grown from the earth's remotest corners as well as our own backyards, and that answers may lie in those places, too. In the voice Kingsolver's readers have come to rely on—sometimes grave, occasionally hilarious, and ultimately persuasive—Small Wonder is a hopeful examination of the people we seem to be, and what we might yet make of ourselves.