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NATIONAL BESTSELLER • The story of Cynthia Ann Parker and the last days of the Comanche In 1836, when she was nine years old, Cynthia Ann Parker was kidnapped by Comanche Indians from her family's settlement.  She grew up with them, mastered their ways, and married one of their leaders. Except for her brilliant blue eyes and golden mane, Cynthia Ann Parker was in every way a Comanche woman. They called her Naduah—Keeps Warm With Us. She rode a horse named Wind. This is her story, the story of a proud and innocent people whose lives pulsed with the very heartbeat of the land. It is the story of a way of life that is gone forever.  It will thrill you, absorb you, touch your soul, and make you cry as you celebrate the beauty and mourn the end of the great Comanche nation.

The stunning first novel in Louise Erdrich's Native American series, Love Medicine tells the story of two families -- the Kashpaws and the Lamartines. Written in Erdrich's uniquely poetic, powerful style, it is a multigenerational portrait of strong men and women caught in an unforgettable drama of anger, desire, and the healing power that is love medicine.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

This richly imagined novel, set in Hawai'i more than a century ago, is an extraordinary epic of a little-known time and place---and a deeply moving testament to the resiliency of the human spirit. Rachel Kalama, a spirited seven-year-old Hawaiian girl, dreams of visiting far-off lands like her father, a merchant seaman. Then one day a rose-colored mark appears on her skin, and those dreams are stolen from her. Taken from her home and family, Rachel is sent to Kalaupapa, the quarantined leprosy settlement on the island of Moloka'i. Here her life is supposed to end---but instead she discovers it is only just beginning. With a vibrant cast of vividly realized characters, Moloka'i is the true-to-life chronicle of a people who embraced life in the face of death. Such is the warmth, humor, and compassion of this novel that "few readers will remain unchanged by Rachel's story" (mostlyfiction.com).

An interactive storybook featuring more than one hundred shiny stick-on "jewels" allows young readers to help Queen Josephine find a use for her colorful gems while building counting, color, and shape recognition skills.

In an open cart Elspeth Huxley set off with her parents to travel to Thika in Kenya. As pioneering settlers, they built a house of grass, ate off a damask cloth spread over packing cases, and discovered—the hard way—the world of the African. With an extraordinary gift for detail and a keen sense of humor, Huxley recalls her childhood on the small farm at a time when Europeans waged their fortunes on a land that was as harsh as it was beautiful. For a young girl, it was a time of adventure and freedom, and Huxley paints an unforgettable portrait of growing up among the Masai and Kikuyu people, discovering both the beauty and the terrors of the jungle, and enduring the rugged realities of the pioneer life.

Her name is Dinah. In the Bible, her fate is merely hinted at in a brief and violent detour within the verses of the "Book of Genesis" that recount the life of Jacob and his infamous dozen sons. The "Red Tent" is an extraordinary and engrossing tale of ancient womanhood and family honour. Told in Dinah's voice, it opens with the story of her mothers - the four wives of Jacob - each of whom embodies unique feminine traits, and concludes with Dinah's own startling and unforgettable story of betrayal, grief and love. Deeply affecting and intimate, "The Red Tent" combines outstandingly rich storytelling with an original insight into women's society in a fascinating period of early history and such is its warmth and candour, it is guaranteed to win the hearts and minds of women across the world. 'If you don't read it you'll be missing out' - Eve. 'I genuinely fell into this rich and colourful world and Dinah and Leah have stayed with me as ancestors and sisters brought to life by Anita Diamant's imaginative novel' - "Maureen Lipman".

The Earth does not belong to us. We belong to the Earth. The great American Indian Chief Seattle spoke these words over a hundred years ago. His remarkably relevant message of respect for the Earth and every creature on it has endured the test of time and is imbued with passion born of love of the land and the environment. Illustrated by award-winning artist Susan Jeffers, the stirring pen-and-color drawings bring a wide array of Native Americans to life while capturing the splendor of nature and the land. Children and parents alike will enjoy the timeless, poignant message presented in this beautifully illustrated picture book."Together, Seattle's words and Jeffers's images create a powerful message; this thoughtful book deserves to be pondered and cherished by all." (Publishers Weekly )Illustrated by Susan Jeffers.

Her name is Dinah. In the Bible, her life is only hinted at in a brief and violent detour within the more familiar chapters of the Book of Genesis that are about her father, Jacob, and his dozen sons.Told in Dinah's voice, this novel reveals the traditions and turmoils of ancient womanhood-the world of the red tent. It begins with the story of her mothers-Leah, Rachel, Zilpah, and Bilhah-the four wives of Jacob. They love Dinah and give her gifts that are to sustain her through a damaged youth, a calling to midwifery, and a new home in a foreign land. Dinah's story reaches out from a remarkable period of early history and creates an intimate, immediate connection.Deeply affecting, The Red Tent combines rich storytelling with a valuable achievement in modern fiction: a new view of Biblical women's society.

Laura and her family find a new home in Walnut Grove, Minnesota, where the nearby creek and swimming hole lure Laura with dangerous, yet thrilling adventures. Too soon, their life is threatened when prairie fires and other strange events jeopardize their crops.

The language and images of Carolyn Forché's poetry are so closely bound to the natural cycles of the seasons, of generations, of the body's functioning, that it is surprising to realize how many of her poems deal with uprootedness--hasty emigrations from Czechoslovakia and Kiev, the loss of grandparents and other elders, people leaving and being sent away. But this poetry is not a sentimental celebration of the goodness of nature, and harmony with the world is never something assumed. The harmony Forché seeks goes deeper than simple submission to natural processes or identification with an ethnic group, and it must be fought for with a tenuous faith, the balance that must be found between the ugliness, the harshness of her history--both natural and social--and its intense beauty, is what distinguishes Forché's poetry, gives it is depth and dimension.