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von Sappho

'Yes, we did many things, then - all Beautiful ...' Lyrical, powerful poems about love, sexuality, sun-soaked Greece and the gods. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Sappho (c.630-570 BCE). Sappho's Stung with Love is available in Penguin Classics.

von Charles Bukowski

"The Walt Whitman of Los Angeles."—Joyce Carol Oates, bestselling author"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriterPlay the Piano introduces Charles Bukowski's poetry from the 1970s. He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.

von Louise Glück

A major career-spanning collection from the inimitable Nobel Prize-winning poetFor the past fifty years, Louise Glück has been a major force in modern poetry, distinguished as much for the restless intelligence, wit and intimacy of her poetic voice as for her development of a particular form: the book-length sequence of poems. This volume brings together the twelve collections Glück has published to date, offering readers the opportunity to become immersed in the artistry and vision of one of the world's greatest living poets.From the allegories of The Wild Iris to the myth-making of Averno; the oneiric landscapes of The House on Marshland to the questing of Faithful and Virtuous Night - each of Glück's collections looks upon the events of an ordinary life and finds within them scope for the transcendent; each wields its archetypes to puncture the illusions of the self. Across her work, elements are reiterated but endlessly transfigured - Persephone, a copper beech, a mother and father and sister, a garden, a husband and son, a horse, a dog, a field on fire, a mountain. Taken together, the effect is like a shifting landscape seen from above, at once familiar and unspeakably profound.

von Louise Glück

WINNER OF THE NOBEL PRIZE IN LITERATUREA dreamlike collection from the Nobel Prize-winning poetA Village Life, Louise Glück's eleventh collection of poems, begins in the topography of a village, a Mediterranean world of no definite moment or place:All the roads in the village unite at the fountain.Avenue of Liberty, Avenue of the Acacia Trees―The fountain rises at the center of the plaza;on sunny days, rainbows in the piss of the cherub.―from "tributaries"Around the fountain are concentric circles of figures, organized by age and in degrees of distance: fields, a river, and, like the fountain's opposite, a mountain. Human time superimposed on geologic time, all taken in at a glance, without any undue sensation of speed.Glück has been known as a lyrical and dramatic poet; since Ararat, she has shaped her austere intensities into book-length sequences. Here, for the first time, she speaks as "the type of describing, supervising intelligence found in novels rather than poetry," as Langdon Hammer has written of her long lines―expansive, fluent, and full―manifesting a calm omniscience. While Glück's manner is novelistic, she focuses not on action but on pauses and intervals, moments of suspension (rather than suspense), in a dreamlike present tense in which poetic speculation and reflection are possible.

von Dylan Thomas

Luminous and intensely lyrical, Dylan Thomas' works have captivated generations of readers, inspiring artists like The Beatles, Bob Dylan, Igor Stravinsky, and Phoebe Bridgers. This selection includes some of his best poetry, celebrating both inner and outer landscapes in the face of mortality, decay, human weakness, and beckoning readers to 'rage, rage against the dying of the light.' Together, they exemplify his legacy as the greatest Welsh poet of the twentieth century.

von Raymond Carver

With this, his first collection, Carver breathed life into the short story. In the pared-down style that has since become his hallmark, Carver showed how humour and tragedy dwell in the hearts of ordinary people, and won a readership that grew with every subsequent brilliant collection of stories, poems and essays that appeared in the last eleven years of his life.

von Robin Robertson

A Painted Field - Robin Robertson's first collection was published in 1997. The poems in Slow Air describe the arc of loss, the search for grace, and the radiance and shadows of the natural world, the work pitching its embattled romanticism and lyric weight, against fear, grief and erasure.

von Charles Wright

The selected works of one of our finest American poetsThe thread that dangles us between a dark and a darker dark, Is luminous, sure, but smooth sided. Don’t touch it here, and don’t touch it there. Don’t touch it, in fact, anywhere—Let it dangle and hold us hard, let it flash and swing.—from “Scar Tissue”Over the course of his work—more than twenty books in total—Charles Wright has built “one of the truly distinctive bodies of poetry created in the second half of the twentieth century” (David Young, Contemporary Poets). Oblivion Banjo, a capacious new selection spanning his decades-long career, showcases the central themes of Wright’s poetry: “language, landscape, and the idea of God.” No matter the precise subject of each poem, on display here is a vast and rich interior life, a mind wrestling with the tenuous relationship between the ways we describe the world and its reality.The recipient of almost every honor in poetry—the Pulitzer Prize, the National Book Award, and the Bollingen Prize, to name a few—and a former poet laureate of the United States, Wright is an essential voice in American letters. Oblivion Banjo is the perfect distillation of his inimitable career—for devout fans and newcomers alike.

von Thomas Stearns Eliot

There is no more authoritative collection of the poetry that Eliot himself wished to preserve than this volume, published two years before his death in 1965. Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes The Love Song of J. Alfred Prufrock along with Four Quartets, The Waste Land, and several other poems.

von Robert Crawford

Young Eliot: From St. Louis to "The Waste Land" was hailed as “exceptional” and “assiduous” (The New York Times). Robert Crawford’s meticulous, incisive scholarship continues in Eliot After "The Waste Land", an invaluable record of the revolutionary modernist, visionary poet, and troubled man.After being kept from the public for more than fifty years, the letters between T. S. Eliot and his longtime love and muse Emily Hale were unsealed in 2020. Drawing on these intimate exchanges and on countless interviews and archives, as well as on Eliot’s own poetry and prose, the award-winning biographer Robert Crawford completes the narrative he began in Young Eliot. Eliot After “The Waste Land”, the long-awaited second volume of Crawford’s magisterial, meticulous portrait of the twentieth century’s most significant poet, tells the story of the mature Eliot during his years as a world-renowned writer and intellectual, including his complex interior life.Chronicling Eliot’s time as an exhausted bank employee after the publication of The Waste Land through the emotional turmoil of the 1920s and 1930s and his years as a firewatcher in bombed wartime London, Crawford shows us the public and personal experiences that helped inspire Eliot’s later masterpieces. Crawford describes the poet’s conversion to Anglo-Catholicism, his separation from Vivien Haigh-Wood and his happy second marriage to Valerie Fletcher, his editorship at Faber and Faber, his Nobel Prize, his great work Four Quartets, and his adventures in the theater.Crawford presents this complex and remarkable man not as a literary monument but as a human being: as husband, lover, and widower; as banker, editor, playwright, and publisher; and most of all as an epoch-shaping poet struggling to make art amid personal disasters.