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von Franny Choi
Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift PickOne of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"A Goodreads Readers Choice Award SemifinalistFrom acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.
von Ling Ma
A National Indie BestsellerWinner of the National Book Critics Circle Award, the Story Prize, and a Windham-Campbell Literature PrizeA Best Book of the Year at The New York Times, The New Yorker, Vogue, Houston Chronicle, Roxane Gay’s The Audacity, Mashable, Polygon, Kirkus Reviews, and Library JournalA New York Times Book Review Editor’s Choice“Uncanny and haunting . . . Genius.” ―Michele Filgate, The Washington Post“Dazzling.” ―Maureen Corrigan, NPR’s Fresh AirWhat happens when fantasy tears the screen of the everyday to wake us up? Could that waking be our end?In Bliss Montage, Ling Ma brings us eight wildly different tales of people making their way through the madness and reality of our collective delusions: love and loneliness, connection and possession, friendship, motherhood, the idea of home. A woman lives in a house with all her ex-boyfriends. A toxic friendship grows up around a drug that makes you invisible. An ancient ritual might heal you of anything―if you bury yourself alive.These and other scenarios investigate the ways that the outlandish and the ordinary are shockingly, deceptively, heartbreakingly alike.
von Ling Ma
Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance."A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." ―Michael Schaub, NPR.org“A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, ElleNAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review (Staff Favorites) * Refinery29 *Bustle *Buzzfeed *BookPage *Bookish * Mental Floss * Chicago Review of Books * HuffPost * Electric Literature * A.V. Club * Jezebel * Vulture * Literary Hub * FlavorwireWinner of the NYPL Young Lions Fiction Award * Winner of the Kirkus Prize for Fiction * Winner of the VCU Cabell First Novelist Award * Finalist for the PEN/Hemingway Award for Debut Novel * A New York Times Notable Book of 2018 * An Indie Next SelectionCandace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend.So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost.Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers?A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.
von Claire Lombardo
The New York Times bestselling author of The Most Fun We Ever Had (“wonderfully immersive…deliciously absorbing”—NPR) returns with another brilliantly observed family drama in which the enduring, hard-won affection of a long marriage faces imminent derailment from events both past and present.“Witty and insightful...a powerful exploration of marriage, motherhood, and self.”–Bonnie Garmus, bestselling author of Lessons in ChemistrySame As It Ever Was showcases the consummate style, signature wit, and profound emotional intelligence that made The Most Fun We Ever Had one of the most beloved novels of the past decade. Featuring a memorably messy family and the multifaceted marriage at its heart, Lombardo’s debut was dubbed “the literary love child of Jonathan Franzen and Anne Tyler” (The Guardian) and hailed as “ambitious and brilliantly written” (Washington Post). In this remarkable follow-up—another elegant and tumultuous story in the tradition of Elizabeth Strout, Ann Patchett, and Celeste Ng—Lombardo introduces us to an unforgettable cast of characters, this time by way of her singularly complicated protagonist.Julia Ames, after a youth marked by upheaval and emotional turbulence, has found herself on the placid plateau of mid-life. But Julia has never navigated the world with the equanimity of her current privileged class. Having nearly derailed herself several times, making desperate bids for the kind of connection that always felt inaccessible to her, she finally feels, at age fifty seven, that she has a firm handle on things.She’s unprepared, though, for what comes next: a surprise announcement from her straight-arrow son, an impending separation from her spikey teenaged daughter, and a seductive resurgence of the past, all of which threaten to draw her back into the patterns that had previously kept her on a razor’s edge.Same As It Ever Was traverses the rocky terrain of real life, —exploring new avenues of maternal ambivalence, intergenerational friendship, and the happenstantial cause-and-effect that governs us all. Delving even deeper into the nature of relationships—how they grow, change, and sometimes end—Lombardo proves herself a true and definitive cartographer of the human heart and asserts herself among the finest novelists of her generation.
von Lydia Davis
Lydia Davis is one of our most original and influential writers. She has been called “an American virtuoso of the short story form” (Salon) and “one of the quiet giants . . . of American fiction” (Los Angeles Times Book Review). Now, for the first time, Davis’s short stories will be collected in one volume, from the groundbreaking Break It Down (1986) to the 2007 National Book Award nominee Varieties of Disturbance.The Collected Stories of Lydia Davis is an event in American letters.
von Lucia Berlin
One of The New York Times Book Review's Ten Best Books of 2015One of Jezebel's Favorite Books of 2016A Manual for Cleaning Women compiles the best work of the legendary short-story writer Lucia Berlin.With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the Laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians.Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place."Perhaps, with the present collection, Lucia Berlin will begin to gain the attention she deserves." -Lydia Davis
von Toni Morrison
NATIONAL BESTSELLER • In "one of Morrison's most haunting works" (New York Times) the acclaimed Nobel Prize winner reveals what lies beneath the surface of slavery. But at its heart, like Beloved, it is the story of a mother and a daughter—a mother who casts off her daughter in order to save her, and a daughter who may never exorcise that abandonment.In the 1680s the slave trade in the Americas is still in its infancy. Jacob Vaark is an Anglo-Dutch trader and adventurer, with a small holding in the harsh North. Despite his distaste for dealing in “flesh,” he takes a small slave girl in part payment for a bad debt from a plantation owner in Catholic Maryland. This is Florens, who can read and write and might be useful on his farm. Rejected by her mother, Florens looks for love, first from Lina, an older servant woman at her new master's house, and later from the handsome blacksmith, an African, never enslaved, who comes riding into their lives.
von Yiyun Li
Winner of the 2023 PEN/Faulkner Award for FictionLong-listed for the 2023 Andrew Carnegie Medal for Excellence in FictionA New York Times Book Review Editors’ ChoiceA Slate Top Ten Book of the YearA TIME Best Fiction Book of 2022Named a Best Book of the Year by The New Yorker, NPR, Los Angeles Times, The Guardian, Los Angeles Review of Books, Financial Times, San Francisco Chronicle, LitHub, Buzzfeed, and more.A magnificent, beguiling tale winding from the postwar rural provinces to Paris, from an English boarding school to the quiet Pennsylvania home where a woman can live without her past, The Book of Goose is a story of disturbing intimacy and obsession, of exploitation and strength of will, by the celebrated author Yiyun Li.Fabienne is dead. Her childhood best friend, Agnès, receives the news in America, far from the French countryside where the two girls were raised―the place that Fabienne helped Agnès escape ten years ago. Now Agnès is free to tell her story.As children in a war-ravaged backwater town, they’d built a private world, invisible to everyone but themselves―until Fabienne hatched the plan that would change everything, launching Agnès on an epic trajectory through fame, fortune, and terrible loss.
von Jonathan Escoffery
FINALIST FOR THE 2023 BOOKER PRIZE. LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION.Finalist for the 2023 Pen/Faulkner Award, the DUBLIN Literary Award, the Southern Book Award, and the Gordon Burns Award. Nominated for the 2022 National Book Critics Circle John Leonard Prize, the 2023 Pen/Jean Stein Open Book Award, the 2023 Pen/Bingham Prize, the 2022 Story Prize, the Dublin Literary Prize, the 2023 Carnegie Medal for Excellence in Fiction, the 2023 Brooklyn Library Prize, and the 2023 Aspen Words Literary Prize. National Bestseller. IndieNext Pick. One of The New York Times Book Review's 100 Notable Books of 2022.“If I Survive You is a collection of connected short stories that reads like a novel, that reads like real life, that reads like fiction written at the highest level.” ―Ann PatchettA major debut, blazing with style and heart, that follows a Jamaican family striving for more in Miami, and introduces a generational storyteller.In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what the younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”Masterfully constructed with heart and humor, the linked stories in Jonathan Escoffery’s If I Survive You center on Trelawny as he struggles to carve out a place for himself amid financial disaster, racism, and flat-out bad luck. After a fight with Topper, Trelawny claws his way out of homelessness through a series of odd, often hilarious jobs. Meanwhile, his brother, Delano, attempts a disastrous cash grab to get his kids back, and his cousin Cukie looks for a father who doesn’t want to be found. As each character searches for a foothold, they never forget the profound danger of climbing without a safety net.Pulsing with vibrant lyricism and inimitable style, sly commentary and contagious laughter, Escoffery’s debut unravels what it means to be in between homes and cultures in a world at the mercy of capitalism and whiteness. With If I Survive You, Escoffery announces himself as a prodigious storyteller in a class of his own, a chronicler of American life at its most gruesome and hopeful.
von Zadie Smith
Howard Belsey, a Rembrandt scholar who doesn't like Rembrandt, is an Englishman abroad and a long - suffering Professor at Wellington College. He has been married for thirty years to Kiki, an American woman who no longer resembles the sexy activist she once was. Their three children passionately pursue their own paths, and faced with the oppressive enthusiasms of his children, Howard feels that the first two acts of his life are over and he has no clear plans for the finale. Then Jerome, Howard's oldest son, falls for Victoria, the stunning daughter of the right - wing icon Monty Kipps. Increasingly, the two families find themselves thrown together in a beautiful corner of America, enacting a cultural and personal war against the background of real wars that they barely register . . .