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For fans of Ottessa Moshfegh’s My Year of Rest and Relaxation, the classic Russian novel about an indolent aristocrat who spends most of his days in bedA Penguin ClassicWritten with sympathetic humor and compassion, this masterful portrait of upper-class decline made Ivan Goncharov famous throughout Russia on its publication in 1859. Ilya Ilyich Oblomov is a member of Russia’s dying aristocracy—a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends, and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the activity necessary to participate in the real world, Oblomov manages to avoid work, postpones change, and—finally—risks losing the love of his life. This superb translation by David Magarshack captures all the subtle comedy and near-tragedy of the original.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Bringing together six of Turgenev's best known stories in one volume, this collection includes "First Love," "Asya," "Mumu," "The Diary of a Superfluous Man," "Song of Triumphant Love," and "King Lear of the Steppes."

Little Clothbound Classics: irresistible mini editions of short stories, novellas, and essays from the world’s greatest writers, designed by the award-winning Coralie Bickford-SmithA Penguin Classics HardcoverFrom a writer widely considered to be one of greatest ever of the form, Anton Chekhov’s short stories offer unforgettable character, crystalline expression, and deep, powerful mystery. Collected here are five of his very best tales, “The Lady with the Little Dog,” “The House with the Mezzanine,” and the trilogy “The Man in the Case,” “Gooseberries,” and “About Love.”

Some stains and edge wear.

Andrey Tarkovsky, the genius of modern Russian cinema—hailed by Ingmar Bergman as "the most important director of our time"—died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre—most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

The first state in history to be based explicitly on atheism, the Soviet Union endowed itself with the attributes of God. In this book, David Satter shows through individual stories what it meant to construct an entire state on the basis of a false idea, how people were forced to act out this fictitious reality, and the tragic human cost of the Soviet attempt to remake reality by force.“I had almost given up hope that any American could depict the true face of Russia and Soviet rule. In David Satter’s Age of Delirium, the world has received a chronicle of the calvary of the Russian people under communism that will last for generations.”―Vladimir Voinovich, author of The Life and Extraordinary Adventures of Private Ivan Chonkin“Spellbinding. . . . Gives one a visceral feel for what it was like to be trapped by the communist system.”―Jack Matlock, Washington Post“Satter deserves our gratitude. . . . He is an astute observer of people, with an eye for essential detail and for human behavior in a universe wholly different from his own experience in America.”―Walter Laqueur, Wall Street Journal“Every page of this splendid and eloquent and impassioned book reflects an extraordinarily acute understanding of the Soviet system.”―Jacob Heilbrunn, Washington Times

Kievan Russia was originally published in a clothbound edition in 1948 as volume two in George Vernadsky’s comprehensive series, A History of Russia. It is now available for the first time in a paperbound edition. At the time of its publication Kievan Russia received the following reviews:“The account of this little-know chapter of Russian history is based on a formidable mass of Slavic Byzantine, Germanic, and Oriental (notably Arabic and Persian_ sources. Much of this material is new, and the thorough utilization of all primary and secondary literature accumulated since Kluchevsky wrote his great history easily makes this volume the definitive study of the Kievan period in the English language. There is hardly an aspect of the life of Russia at that time which remains untouched, and the scope of the author’s interests and erudition is indeed impressive….When all is said, Vernadsky’s filling a definite gap in American historical literature.”―The Annals“This volume is an outstanding contribution to the understanding of an important period of Russian history. It is bound to have a marked influence on Western opinion about the years in Russian history it treats in such masterly manner.”―American Historical Review“If Professor Vernadsky has not written the definitive work on Kievan Russia, no such book could be written without being indebted to Professor Vernadsky’s encyclopedic erudition.”―American Historical ReviewGeorge Vernadsky is professor emeritus of Russian history at Yale University and the author of numerous books on Russian history.

An anthology of Russian short fiction includes stories by Pushkin, Gogol, Turgenev, Dostoevsky, Chekhov, Nabokov, and Solzhenitsyn

The last Tsaritsa of Russia, Alexandra Fyodorovna, was murdered with her family on the night of 16-17 July 1918 by agents acting on behalf of the revolutionary Bolshevik government. The dramatic story of the demise of the Romanov dynasty has been recounted many times and has captivated the imagination of generations of readers throughout the world. The recently declassified 1918 diary of Alexandra - published here for the first time in its entirety - provides something no other account could do: a glimpse of the Tsaritsa's thoughts and activities from 1 January 1918 until the night of her death. As the granddaughter of Queen Victoria, Alexandra wrote in English, though her native language was German and she became fluent in Russian after her marriage to Nicholas. The 1918 diary takes us into her private world, revealing the care she lavished on her children during this period of revolutionary turmoil, how she felt toward her husband, Tsar Nicholas, and what she imagined about the profound struggle - between past and present, old and new worlds, the sacred and the profane - then occurring over the destiny of Russia. The diary reveals that even in her most intimate reflections, she remained the representative of a great system of belief that had prevailed for hundreds of years in Russia and that she and Nicholas hoped to perpetuate. We see in painful detail the tragic daily confrontation between this system of belief and the reality of the modern world that had, in every sense, broken free of her and Nicholas's control.

On the brink of the 100th anniversary of the Russian Revolution, read the most vivid, moving, and comprehensive history of the events that changed the world It is history on an epic yet human scale. Vast in scope, exhaustive in original research, written with passion, narrative skill, and human sympathy, A People's Tragedy is a profound account of the Russian Revolution for a new generation. Many consider the Russian Revolution to be the most significant event of the twentieth century. Distinguished scholar Orlando Figes presents a panorama of Russian society on the eve of that revolution, and then narrates the story of how these social forces were violently erased. Within the broad stokes of war and revolution are miniature histories of individuals, in which Figes follows the main players' fortunes as they saw their hopes die and their world crash into ruins. Unlike previous accounts that trace the origins of the revolution to overreaching political forces and ideals, Figes argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and that what had started as a people's revolution contained the seeds of its degeneration into violence and dictatorship. A People's Tragedy is a masterful and original synthesis by a mature scholar, presented in a compelling and accessibly human narrative.