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The Glass Bead Game is an ultra-aesthetic game which is played by the scholars, creamed off in childhood and nurtured in elite schools, in the province of Castalia. The Master of the Glass Bead Game, Joseph Knecht, holds the most exalted office in Castalia. He personifies the detachment, serenity and aesthetic vision which reward a life dedicated to perfection of the intellect. But can, indeed should, man live isolated from hunger, family, children, women, in a perfect world where passions are tamed by meditation, where academic discipline and order are paramount? This is Herman Hesse’s great novel. It is a major contribution to contemporary philosophic literature and has a powerful vision of universality, the inner unity of man’s cultural ideals and his search for personal perfection and social responsibility.

A second volume of collected short fiction—from the bestselling author and winner of the 2015 Rea Award for the Short StoryFew authors write with such sheer love of story and language as T.C. Boyle, and that is nowhere more evident than in his inventive, wickedly funny, and always entertaining short stories. In 1998, T.C. Boyle Stories brought together the author’s first four collections to critical acclaim. Now, T.C. Boyle Stories II gathers the work from his three most recent collections along with fourteen new tales previously unpublished in book form as well as a preface in which Boyle looks back on his career as a writer of stories and the art of making them.By turns mythic and realistic, farcical and tragic, ironic and moving, Boyle’s stories have mapped a wide range of human emotions. The fifty-eight stories in this new volume, written over the last eighteen years, reflect his maturing themes. Along with the satires and tall tales that established his reputation, readers will find stories speaking to contemporary social issues, from air rage to abortion doctors, and character-driven tales of quiet power and passion. Others capture timeless themes, from first love and its consequences to confrontations with mortality, or explore the conflict between civilization and wildness. The new stories find Boyle engagingly testing his characters’ emotional and physical endurance, whether it’s a group of giants being bred as weapons of war in a fictional Latin American country, a Russian woman who ignores dire warnings in returning to her radiation-contaminated home, a hermetic writer who gets more than a break in his routine when he travels to receive a minor award, or a man in a California mountain town who goes a little too far in his concern for a widow.Mordant wit, emotional power, exquisite prose: it is all here in abundance. T.C. Boyle Stories II is a grand career statement from a writer whose imagination knows no bounds.

The critically acclaimed novel that is now a major motion picture starring John Boyega and Olivia Cooke, coming to theaters August 6, streaming August 13!A Naked Singularity tells the story of Casi, a child of Colombian immigrants who lives in Brooklyn and works in Manhattan as a public defender--one who, tellingly has never lost a trial. Never. In the book, we watch what happens when his sense of justice and even his sense of self begin to crack--and how his world then slowly devolves. It’s a huge, ambitious novel clearly in the vein of DeLillo, Foster Wallace, Pynchon, and even Melville, and it's told in a distinct, frequently hilarious voice, with a striking human empathy at its center. Its panoramic reach takes readers through crime and courts, immigrant families and urban blight, media savagery and media satire, scatology and boxing, and even a breathless heist worthy of any crime novel. If InfiniteJest stuck a pin in the map of mid-90s culture and drew our trajectory from there, A Naked Singularity does the same for the feeling of surfeit, brokenness, and exhaustion that permeates our civic and cultural life today. In the opening sentence of William Gaddis’s A Frolic of His Own, a character sneers, "Justice? You get justice in the next world. In this world, you get the law." A Naked Singularity reveals the extent of that gap, and lands firmly on the side of those who are forever getting the law.

While Borges remained fascinated by books, doubles, strange heresies, magic and the occult, his last two collections broke new ground in their astonishing range of themes.By the 1970s, Borges was frail, blind and bereft, and The Book of Sand is deeply concerned with loss, approaching death, identities rooted in past events and recollected sexual passion. Yet these painful issues are treated with bemused acceptance as well as characteristic inventiveness and wit. Equally haunting are the tale of the scholar who mysteriously acquires Shakespeare's memory and the other evocative parables which make up his final work. To the last, Borges retained a unique ability to shock and surprise.

The Futurological Congress is the fourth satirical science fiction novel in the Memoirs of Ijon Tichy series from Kafka Prize–winning author Stanislaw Lem.“Nobody can really know the future. But few could imagine it better than Lem.”—Paris ReviewBringing his twin gifts of scientific speculation and scathing satire to bear on that hapless planet, Earth, Lem sends his unlucky cosmonaut, Ijon Tichy, to the Eighth Futurological Congress. Caught up in local revolution, Tichy is shot and so critically wounded that he is flashfrozen to await a future cure—a future whose strangeness exceeds anything the congress conjectured.Translated by Michael Kandel.“A vision of Earth’s future where the authorities dose the population with ‘psychemicals’ to make life in a desperately over-populated world worth living.”—Boston Globe

PULITZER PRIZE WINNER • NATIONAL BESTSELLER • A seminal collection from one of the true masters of the short story. Spanning the duration of Cheever’s long and distinguished career, these sixty-one stories chronicle and encapsulate the lives of what has been called “the greatest generation.”From the early wonder and disillusionment of city life in “The Enormous Radio” to the surprising discoveries and common mysteries of suburbia in “The Housebreaker of Shady Hill” and “The Swimmer,” these are tales that have helped define the form. Featuring a preface by the Pulizter Prize-winning author, The Stories of John Cheever brings together some of the finest short stories ever written."Cheever’s crowning achievement is the ability to be simultaneously generous and cynical, to see that the absurd and the profound can reside in the same moment, and to acknowledge both at the detriment of neither." —The Guardian

Framed as the confession of a tormented outcast who has murdered the only woman capable of understanding him, Ernesto Sabato's The Tunnel has been acclaimed as a masterpiece by writers such as Albert Camus and Graham Greene. This Penguin Classics edition is translated by Margaret Sayers Peden with an introduction by Colm Tóibín. Infamous for the murder of Maria Iribarne, the artist Juan Pablo Castel is now writing a detailed account of his relationship with the victim from his prison cell: obsessed from the first moment he saw her examining one of his paintings, Castel had become fixated on her over the next months and fantasized over how they might meet again. When he happened upon her one day, a relationship was formed which swiftly convinced him of their mutual love. But Castel's growing paranoia would lead him to destroy the one thing he truly cared about... Ernesto Sabato (1911-2011) was born in Rojas, a small town in Buenos Aires Province. He read physics at the Universidad Nacional de La Plata, attended the Sorbonne in Paris, and worked at the Curie Institute. After World War II, he lost faith in science and began writing fiction. If you enjoyed The Tunnel, you might like Albert Camus' The Outsider, also available in Penguin Modern Classics. 'Sabato captures the intensity of passions run into uncharted passages where love promises not tranquillity, but danger'Los Angeles Times 'An existentialist classic ... Retains a chilling, memorable power'The New York Times Book Review

Twenty of the finest science fiction short stories from one of the genre's greatest writers, Isaac Asimov. Isaac Asimov was the Grand Master of the Science Fiction Writers of America, the founder of robot ethics, and one of the world's most prolific authors of fiction and non-fiction. Asimov's short fiction has been enjoyed by millions for more than half a century. Many of the stories in this collection are classics of the genre, including 'Ring Around the Sun', which follows two self-declared best pilots on their journey from Earth to Venus, passing within twenty-two million miles of the Sun. The ever-expanding popularity of Asimov's stories with young and old readers alike is explained by their wit, zest and human interest.

"I'm not on good terms with the present day," Sigizmund Krzhizhanovsky once mused, "but posterity loves me." Virtually unknown during his lifetime and unpublishable under Stalin, he now draws comparisons to Beckett, Borges, Gogol, and Swift. This book presents three tales that encapsulate Krzhizhanovsky's gift for creating philosophical, satirical, and lyrical phantasmagorias. "Stravaging 'Strange'" details the darkly comic adventures of an apprentice magus: lovesick, he imbibes a magic tincture to reduce himself to the size of a dust mote, the better to observe the young lady in question. He stumbles across a talkative king of hearts, a gallant flea, a coven of vindictive house imps, and his romantic rival along the way to a cinematic dénouement. "Catastrophe" wryly parodies Kant's philosophy: an old sage decides to extract the essence from all things and beings in a ruthless attempt to understand reality--and chaos ensues. "Material for a Life of Gorgis Katafalaki," set in Berlin, Paris, London, and Moscow, recounts the absurd trials of an otherworldly outsider of uncertain nationality and unfixed profession with boundless curiosity but scant means. This book also includes excerpts from Krzhizhanovsky's notebooks--aphoristic glimpses of his worldview, moods, humor, and writing methods--and reminiscences of Krzhizhanovsky by his lifelong companion, Anna Bovshek, beginning with their first meeting in Kiev in 1920 and ending with his death in Moscow in 1950.

From the “most talented writer of his generation” (The New York Times), a lightning flash of a novel that is at once a gripping emotional drama and a brilliant examination of the devices, digital and literary, we use to store—or to erase—our memories.The narrator of Ben Lerner’s new novel has traveled to Providence, Rhode Island, where he is to conduct what will be the final published interview with Thomas, his ninety-year-old mentor and the father of his college friend, Max. Thomas is a giant in the arts who seems to hail “from the future and the past simultaneously” and who “reenchants the air” when he speaks. But the narrator drops his smartphone in the hotel sink. He arrives at Thomas’s house with no recording device, a fact he is mysteriously unable to confess.What unfolds from this dreamlike circumstance is both the unforgettable story of the triangle formed by Thomas, Max, and the narrator, and a brilliant meditation on those technologies that enrich or impoverish our connection to one another, that store or obliterate memory. Haunted by Kafka (there are echoes of “The Judgement” and “A Hunger Artist”), but utterly contemporary, Lerner combines trenchant insight with lyric mystery. Ultimately, Transcription demonstrates what only a work of fiction can record.