Empfehlungen basierend auf "Sorrow's Anthem"

Amazon.com ReviewEditors' pick:Brings together two of the smartest, wittiest investigators—a knife-throwing circus runaway and a PI with MS."—Vannessa Cronin, Amazon Editor

To the public, he€™s a hero: a brutal killer who targets sex offenders. To most of London€™s police force, he€™s the suspect in a gruesome, time-consuming case to be avoided. But to Detective Constable Maeve Kerrigan, he€™s a murderer€”no matter the sins of his victims€”and catching him is her job. Assigned to the case with the division€™s unreadable new DI, Josh Derwent, young and inexperienced Maeve is determined to prove she has what it takes to make it as a female in the tough world of the London police.But for a killer who strikes with such spectacle, this one is proving remarkably elusive. And when Maeve learns his motive might be about exacting revenge, his acts of incredible violence move from abstract justice to the intensely personal, and become all the more terrifying. Unsure whom she can trust even within her own department and knowing her life is at stake, Maeve will have to decide how far she€™s willing to go

Missouri native Allen Eskens' "stunning small-town mystery" (New York Times Book Review) is "a coming-of-age book to rival some of the best, such as Ordinary Grace." (Library Journal, starred review)A LIBRARY JOURNAL Mystery Pick of the MonthIn a small Southern town where loyalty to family and to "your people" carries the weight of a sacred oath, defying those unspoken rules can be a deadly proposition. After fifteen years of growing up in the Ozark hills with his widowed mother, high-school freshman Boady Sanden is beyond ready to move on. He dreams of glass towers and cityscapes, driven by his desire to be anywhere other than Jessup, Missouri. The new kid at St. Ignatius High School, if he isn't being pushed around, he is being completely ignored. Even his beloved woods, his playground as a child and his sanctuary as he grew older, seem to be closing in on him, suffocating him.Then Thomas Elgin moves in across the road, and Boady's life begins to twist and turn. Coming to know the Elgins -- a black family settling into a community where notions of "us" and "them" carry the weight of history -- forces Boady to rethink his understanding of the world he's taken for granted. Secrets hidden in plain sight begin to unfold: the mother who wraps herself in the loss of her husband, the neighbor who carries the wounds of a mysterious past that he holds close, the quiet boss who is fighting his own hidden battle.But the biggest secret of all is the disappearance of Lida Poe, the African-American woman who keeps the books at the local plastics factory. Word has it that Ms. Poe left town, along with a hundred thousand dollars of company money. Although Boady has never met the missing woman, he discovers that the threads of her life are woven into the deepest fabric of his world. As the mystery of her fate plays out, Boady begins to see the stark lines of race and class that both bind and divide this small town -- and he will be forced to choose sides.

In two previous New York Times bestselling novels, Jefferson Bass enthralled readers with ripped-from-the-headlines forensic cases, memorable characters, and plots that "rival Kathy Reichs and Patricia Cornwell" (Seattle Post-Intelligencer). Drawing on research at the Body Farm—three acres of land in the backwoods of Tennessee, where bodies are left to the elements to illuminate human decomposition—Bass has moved fiction to a fascinating new realm, with forensics expertise drawn from his five decades of work as the world's leading forensic anthropologist. But this latest novel cements Jefferson Bass as one of the finest writers of suspense working today, and in a work of drama, cunning, and heartbreak, thrills the reader with fiction that feels all too real. A woman's charred body has been found inside a burned car perched atop a hill in Knoxville. Is it accidental death, or murder followed by arson? Forensic anthropologist Bill Brockton's quest for answers prompts an experiment straight from Dante's Inferno: In the dark of night, he puts bodies to the torch, researching how fire consumes flesh and bone. In the meantime, Brockton is sent a mysterious package—a set of cremated remains that looks entirely unreal. With the help of a local crematorium, he investigates and discovers a truth too horrifying to believe: A facility in another state has not been disposing of bodies properly, instead scattering them all around the grounds.Little does Brockton know that his research is about to collide with reality—with the force of a lit match meeting spilled gasoline. En route to trial, his nemesis, medical examiner Garland Hamilton, has escaped from custody. What follows is a deadly game of cat and mouse, played for the ultimate stakes: Brockton's own life. With help from his loyal graduate assistant, Miranda, and ace criminalist Art Bohanan, Brockton eventually tracks Hamilton, but when the police arrive, they find only a smoldering ruin. Sifting through the ashes, Brockton finds the incinerated remains of Hamilton . . . or does he? The answer—along with Brockton's ultimate test—comes in a searing moment of truth.

An attack on Stony Man Farm results in the deaths of April Rose and Andrzej Konzaki, and Mack Bolan vows revenge.

In Murder One, bestselling author William Bernhardt thrusts idealistic Tulsa, Oklahoma, attorney Ben Kincaid into the most controversial courtroom challenge of his career . . . an explosive murder case that Kincaid will confront not only as a lawyer--but as a defendant.The crime is remarkably heinous: veteran police detective Joe McNaughton is found savagely slain, mutilated, and hung from a public fountain in downtown Tulsa. Scrawled across his chest in blood is the word FAITHLESS. The accused is a tabloid reporter's dream: stunning, nineteen-year-old Keri Dalcanton, a stripper involved in a kinky affair with the married McNaughton . . . and now cast by media, police, and public alike as a vengeful woman scorned. Powerful circumstantial evidence and the prosecution's deftly orchestrated attacks on the defendant's character have Kincaid's client all but convicted. Until a major technical blunder by overzealous cops overturns the case--and sets Keri Dalcanton free. Amid a firestorm of outrage, Ben maintains his client's innocence. But angry comrades of the victim are convinced otherwise--and vow to see "justice" done, by any means necessary.When a police raid on his office uncovers the bloody murder weapon, Ben gets a first-hand taste of the infamous Blue Squeeze. And as a new trial of Keri Dalcanton is launched, Ben faces his own day in court, charged with conspiracy and murder. What follows is a breathlessly twisting battle of legal wits--and lethal surprises--in which no holds are barred, no secrets are left unexposed, and ultimately, nothing is what it seems.With Murder One, the author of Silent Justice and Dark Justice breaks loose and surpasses his own acclaimed reputation for legal thrillers that are "engrossing" (Associated Press), "throat-grabbing" (New York Daily News), and "richly drawn" (Chicago Tribune). This is William Bernhardt's electrifying entrée into the front ranks of crime fiction.

A lawyer's race to reveal a wrongful conviction collides with the dark shadow of a murder in his own home in this propulsive and perfectly-plotted thriller from "one of our best crime writers at the top of his game" (William Kent Krueger, New York Times bestselling author). When Boady Sanden first receives the case of Elijah Matthews, he's certain there's not much he can do. Elijah, who believes himself to be a prophet, has been locked up in a psychiatric hospital for the past four years, convicted of brutally murdering the pastor of a megachurch. But as a law professor working for the Innocence Project, Boady agrees to look into Elijah's file. When he does, he is alarmed to find threads that lead back to the death of his colleague and friend, Ben Pruitt, a man shot to death four years earlier in Boady's own home. Ben's daughter, Emma, has lived with Boady and Boady's wife Dee ever since that awful night. Now fourteen years old, Emma has been growing distant, and soon makes a fateful choice that takes her far from the safety of her godparents. Desperate to bring her home, and to free an innocent man, Boady must do all he can to investigate Elijah's case while fighting to save the family he has deeply come to love. Written with energy, propulsion, and his characteristic pathos and insight, Eskens delivers another pitch-perfect legal thriller that reveals a twisted murder and explores faith, love, family, and redemption along the way. "Ambitious, absorbing, and deeply satisfying."―Kirkus Reviews (starred review) "Eskens brilliantly combines legal and personal drama." ―Publishers Weekly (starred review) "Superb . . . another Eskens novel to be savored." ―South Florida Sun-Sentinel

The New York Times hails David Mark's work as "in the honorable tradition of Joseph Wambaugh and Ed McBain." SORROW BOUND is the third installment of the internationally acclaimed Detective Sergeant Aector McAvoy series. The sweltering summer heat is pushing Detective Sergeant Aector McAvoy and the Serious and Organized Crime Unit to the brink as a sadistic new boss takes over the local drug trade and violent crime escalates. Then, McAvoy and DS Trish Pharaoh are distracted by something deadlier: a serial murderer with a taste for the macabre. McAvoy comes to suspect these are actually copycat murders, committed as revenge for mishandled police investigations conducted years ago. But when one of McAvoy's fellow police officers is blackmailed, McAvoy's life--and that of his wife, Roisin, and the couple's two young children--is suddenly in jeopardy. As the vicious monsters lurking in the shadows creep closer and closer to home, McAvoy must figure out a way to protect his family at all costs. David Mark's latest Detective Sergeant McAvoy novel, CRUEL MERCY, is on-sale February 2017.

A gripping historical thriller set in sixteenth-century England and centered on the highly secretive cult of Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral. London, summer of 1584: Radical philosopher, ex-monk, and spy Giordano Bruno suspects he is being followed by an old enemy. He is shocked to discover that his pursuer is in fact Sophia Underhill, a young woman with whom he was once in love. When Bruno learns that Sophia has been accused of murdering her husband, a prominent magistrate in Canterbury, he agrees to do anything he can to help clear her name. In the city that was once England's greatest center of pilgrimage, Bruno begins to uncover unsuspected secrets that point to the dead man being part of a larger and more dangerous plot in the making. He must turn his detective's eye on history--on Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral, and on the legend surrounding the disappearance of his body--in order to solve the crime. As Bruno's feelings for Sophia grow more intense, so does his fear that another murder is about to take place--perhaps his own. But more than Bruno's life is at stake in this vividly rendered, impeccably researched, and addictively page-turning whodunit--the stability of the kingdom hangs in the balance as Bruno hunts down a brutal murderer in the shadows of England's most ancient cathedral.

Bernhardt sticks to his tried-and-true formula in his 13th novel to feature Tulsa defense attorney Ben Kincaid. An odious criminal defendant is foisted on Kincaid's practice: Johnny Christensen, a hate-filled frat boy accused of beating a gay man to death outside a singles bar in a Chicago suburb. Despite Kincaid's reluctance to take the case (at first, he flat-out refuses, for reasons he keeps hidden), he and partner Christina McCall put up the best criminal defense they can, allowing Bernhardt to explore issues of justice and contemporary mores while keeping the tension high. The well-paced plot weaves the hate crime of the title together with an Oklahoma kidnapping, Kincaid's romantic past, another grisly unsolved murder and a detective gone bad. In between, Bernhardt introduces readers to a straight male prostitute named Charlie the Chicken, a poetry-reciting homicide cop, a Christian social organization that opposes homosexuality above all else and a gay activist group that dabbles in courtroom executions and terrorism. Bernhardt places a premium on the plot twists, and his characters sometimes act in unlikely ways in service to the surprise. It should also be noted that the primary villain proves as eager to provide exposition of the scheme once nabbed as the typical Scooby Doo bad guy. That said, Bernhardt offers another good read, full of courtroom fireworks, double-crosses and even a bit of romance.