Empfehlungen basierend auf "Sonnets for Michelangelo"

The first biography of an American masterThe Songs We Know Best, the first comprehensive biography of the early life of John Ashbery―the winner of nearly every major American literary award―reveals the unusual ways he drew on the details of his youth to populate the poems that made him one of the most original and unpredictable forces of the last century in arts and letters.Drawing on unpublished correspondence, juvenilia, and childhood diaries as well as more than one hundred hours of conversation with the poet, Karin Roffman offers an insightful portrayal of Ashbery during the twenty-eight years that led up to his stunning debut, Some Trees, chosen by W. H. Auden for the 1955 Yale Younger Poets Prize. Roffman shows how Ashbery’s poetry arose from his early lessons both on the family farm and in 1950s New York City―a bohemian existence that teemed with artistic fervor and radical innovations inspired by Dada and surrealism as well as lifelong friendships with painters and writers such as Frank O’Hara, Jane Freilicher, Nell Blaine, Kenneth Koch, James Schuyler, and Willem de Kooning. Ashbery has a reputation for being enigmatic and playfully elusive, but Roffman’s biography reveals his deft mining of his early life for the flint and tinder from which his provocative later poems grew, producing a body of work that he calls “the experience of experience,” an intertwining of life and art in extraordinarily intimate ways.

“Mary Oliver would probably never admit to anything so grandiose as an effort to connect the conscious mind and the heart (that’s what she says poetry can do), but that is exactly what she accomplishes in this stunning little handbook.”—Los Angeles TimesFrom the beloved and acclaimed poet, an ultimate guide to writing and understanding poetry.With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks readers through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind—a must-have for all poetry-lovers.

“I am large, I contain multitudes”A Penguin ClassicWhen Walt Whitman self-published his Leaves of Grass in July 1855, he altered the course of literary history. One of the greatest masterpieces of American literature, it redefined the rules of poetry while describing the soul of the American character. Throughout his great career, Whitman continuously revised, expanded, and republished Leaves of Grass, but many critics believe that the book that matters most is the 1855 original. Penguin Classics proudly presents that text in its original and complete form, with an introductory essay by the writer and poet Malcolm Cowley.“I celebrate myself, and sing myself,And what I assume you shall assume,For every atom belonging to me as good belongs to you.”For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"Sylvia Plath's last poems have impressed themselves on many readers with the force of myth. They are among the handful of writings by which future generations will seek to know us and give us a name." — The Critical QuarterlySylvia Plath's celebrated collection.When Sylvia Plath died, she not only left behind a prolific oeuvre but also her unpublished literary masterpiece, Ariel. Ted Hughes helped bring the collection to life in 1966, and its publication garnered worldwide acclaim. This collection showcases the beloved poet’s brilliant, provoking, and always moving poems, including "Ariel," "The Applicant," "Lady Lazarus," and "Edge", and once again shows why readers have fallen in love with her work over generations.

Though we know Vladimir Nabokov as a brilliant novelist, his first love was poetry. This landmark collection brings together the best of his verse, including many pieces that have never before appeared in English.These poems span the whole of Nabokov’s career, from the newly discovered “Music,” written in 1914, to the short, playful “To Véra,” composed in 1974. Many are newly translated by Dmitri Nabokov, including The University Poem, a sparkling novel in verse modeled on Pushkin’s Eugene Onegin that constitutes a significant new addition to Nabokov’s oeuvre. Included too are such poems as “Lilith”, an early work which broaches the taboo theme revisited nearly forty years later in Lolita, and “An Evening of Russian Poetry”, a masterpiece in which Nabokov movingly mourns his lost language in the guise of a versified lecture on Russian delivered to college girls.The subjects range from the Russian Revolution to the American refrigerator, taking in on the way motel rooms, butterflies, ice-skating, love, desire, exile, loneliness, language, and poetry itself; and the poet whirls swiftly between the brilliantly painted facets of his genius, wearing masks that are, by turns, tender, demonic, sincere, self-parodying, shamanic, visionary, and ingeniously domestic.

WINNER OF THE NOBEL PRIZE FOR LITERATUREA remarkable, graceful collection from one of Europe’s most prominent and celebrated poets.In these 100 poems, Wislawa Szymborska portrays a world of astonishing diversity and richness, in which nature is wise and prodigal and fate unpredictable, if not mischievous. With acute irony tempered by a generous curiosity, she documents life's improbability as well as its transient beauty.

For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.

Hardcover. Very good condition. From the collection of poet Gavin Ewart, with his name penned on F E P and dated February 1973. In unclipped dust jacket with tanning to spine, and slight shelf-wear front and back. Cover bumped to spine ends. Pages and text fine. RB

A year with the sensual, mysterious, and deeply spiritual poetry of Rumi, in a translation featuring 15 debut poems—365 poems for your daily dose of inspiration, spiritual healing, and deep self-reflectionThis stunning collection is a divine journey across each month of the year, offering 365 daily poetry reflections that with leave you both breathless and hopeful. Poet Coleman Barks has played a central role in making the Sufi mystic Rumi the most popular poet in the world, and in this volume, he brings Rumi’s words to life, allowing their beacon of light to allow us to reconnect with ourselves, and others, by recognizing the divine in the sublime, in the ordinary, and in us all.Full of contemplation and deeply moving and profound prose, these poems allow readers to start each day fully present and aware of all the beauty around us, and the innate power and strength we each hold—in every moment of every day. Take a moment for yourself with this daily dose of innate wisdom and positive affirmations for self-love, compassion, and trust in the divine power of the universe and our place in it.“The poetry feels like it belongs to all. When Rumi died in 1273, members of all religions came to the funeral. Wherever you stand, his words deepen your connection to the mystery of being alive.” – Coleman Barks 

In recognition of her long and lauded career as a master essayist, a landmark collection including her most beloved pieces and some rarely seen work, rigorously curated by the Pulitzer Prize-winning author herself. With a foreword by Geoff Dyer. “A writer who never seems tired, who has never plodded her way through a page or sentence, Dillard can only be enjoyed by a wide-awake reader,” warns Geoff Dyer in his foreword to this stellar collection. Carefully culled from her past work, The Abundance is quintessential Annie Dillard, delivered in her fierce and undeniably singular voice, filled with fascinating detail and metaphysical fact. The pieces within will exhilarate both admiring fans and a new generation of readers, having been “re-framed and re-hung,” with fresh editing and reordering by the author, to situate these now seminal works within her larger canon.The Abundance reminds us that Dillard’s brand of “novelized nonfiction” pioneered the form long before it came to be widely appreciated. Intense, vivid, and fearless, her work endows the true and seemingly ordinary aspects of life—a commuter chases snowball-throwing children through neighborhood streets, a teenager memorizes Rimbaud’s poetry—with beauty and irony, inviting readers onto sweeping landscapes, to join her in exploring the complexities of time and death, with a sense of humor: on one page, an eagle falls from the sky with a weasel attached to its throat; on another, a man walks into a bar.Including such classic essays as "Total Eclipse," "A Writer in the World" and "On Foot in Virginia's Roanoke Valley," The Abundance exquisitely showcases Annie Dillard’s enigmatic, enduring genius, as Dillard herself wishes it to be marked.