Empfehlungen basierend auf "Sluts The Truth about Sex Shame and What We Can Do to Fight It"

AN INSTANT NEW YORK TIMES BESTSELLERAn electric, searing memoir by the original rebel girl and legendary front woman of Bikini Kill and Le Tigre.Hey girlfriend I got a proposition goes something like this: Dare ya to do what you wantKathleen Hanna’s band Bikini Kill embodied the punk scene of the 90s, and today her personal yet feminist lyrics on anthems like “Rebel Girl” and “Double Dare Ya” are more powerful than ever. But where did this transformative voice come from?In Rebel Girl, Hanna’s raw and insightful new memoir, she takes us from her tumultuous childhood to her formative college years and her first shows. As Hanna makes clear, being in a punk “girl band” in those years was not a simple or safe prospect. Male violence and antagonism threatened at every turn, and surviving as a singer who was a lightning rod for controversy took limitless amounts of determination.But the relationships she developed during those years buoyed her, including with her bandmates Tobi Vail, Kathi Wilcox, JD Samson, and Johanna Fateman. And her friendships with musicians like Kurt Cobain, Ian MacKaye, Kim Gordon, and Joan Jett reminded her that, despite the odds, the punk world could still nurture and care for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her musical growth in her bands Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement, documenting with love its grassroots origins but critiquing its exclusivity.In an uncut voice all her own, Hanna reveals the hardest times along with the most joyful—and how they continue to fuel her revolutionary art and music.

'A roadmap for a new generation' VOGUE 'Radical, funny and fearless' VANITY FAIR 'Gripping' NYLON An electric, searing memoir by the original Riot Grrrl and legendary frontwoman of Bikini Kill and Le Tigre Kathleen Hanna's rallying cry to feminists echoed far and wide through the punk scene of the 1980s, '90s, and beyond. Her band, Bikini Kill, embodies this iconic time, and today their gutsy, radical lyrics of anthems like 'Rebel Girl' and 'Double Dare Ya' are more powerful than ever. But where did this transformative voice come from? In Rebel Girl, Hanna's raw and insightful new memoir, she takes us from her tumultuous childhood home, to her formative college years in Olympia, Washington, and on to her first years on tour, fighting hard for gigs and for her band. As Hanna makes blindingly clear, being in a 'girl band', especially a punk girl band, in those years was not a simple or a safe prospect. Male violence and antagonism threatened at every turn, and surviving as a band took limitless amounts of grit and bravery. But the relationships she developed during those years buoyed her - including with her bandmates Tobi Vail, Kathi Wilcox, and Billy Karren; her friendship with Kurt Cobain; and her introduction to Joan Jett - and they were a testament to how the true punk world nurtured and cared for its own. Hanna opens up about falling in love with Ad-Rock of the Beastie Boys and her debilitating battle with Lyme disease, and she brings us behind the scenes of her later bands, Le Tigre and The Julie Ruin. She also writes candidly about the Riot Grrrl movement and its decline, documenting with love its grassroots origins but critiquing its later exclusivity. In an uncut voice all her own, Hanna reveals the darkest, hardest times along with the most joyful - and how it all fuelled her revolutionary art, from the 1980s to today.

In this unusual, engaging, and intimate collection of personal essays, Lambda Literary Award finalist Tania De Rozario recalls growing up as a queer, brown, fat girl in Singapore, blending memoir with elements of history, pop culture, horror films, and current events to explore the nature of monsters and what it means to be different. Tania De Rozario was just twelve years old when she was gay-exorcised. Convinced that her boyish style and demeanor were a sign of something wicked, her mother and a pair of her church friends tried to “banish the evil” from Tania. That day, the young girl realized that monsters weren’t just found in horror tales. They could lurk anywhere—including your own family and community—and look just like you.  Dinner on Monster Island is Tania’s memoir of her life and childhood in Singapore—where she discovered how difference is often perceived as deviant, damaged, disobedient, and sometimes, demonic. As she pulls back the veil on life on the small island, she reveals the sometimes kind, sometimes monstrous side of all of us. Intertwined with her experiences is an analysis of the role of women in horror. Tania looks at films and popular culture such as Carrie, The Witch, and The Ring to illuminate the ways in which women are often portrayed as monsters, and how in real life, monsters are not what we think.  Moving and lyrical, written with earnest candor, and leavened with moments of humor and optimism, Dinner on Monster Island is a deeply personal examination of one woman’s experience grappling with her identity and a fantastic analysis of monsters, monstrous women and the worlds in which they live.

"Powerfully raw, deeply moving, and utterly authentic. Rachel Lloyd has turned a personal atrocity into triumph and is nothing less than a true hero.... Never again will you look at young girls on the street as one of 'those' women—you will only see little girls that are girls just like us." —Demi Moore, actress and activist  With the power and verity of First They Killed My Father and A Long Way Gone, Rachel Lloyd’s riveting survivor story is the true tale of her hard-won escape from the commercial sex industry and her bold founding of GEMS, New York City’s Girls Education and Mentoring Service, to help countless other young girls escape "the life." Lloyd’s unflinchingly honest memoir is a powerful and unforgettable story of inhuman abuse, enduring hope, and the promise of redemption.

“A fresh ode to sisterhood and sexual agency that crackles with verve and wit. I couldn't put it down.”—Gabriela Garcia, author of the New York Times bestseller and Good Morning America Pick Of Women and Salt "Clarke refuses to turn this story into a morality play. . . [and her] newly rich and famous [protagonist] doesn’t turn away from sex work. Instead, she uses her new freedom to imagine what sex work might look like if its practitioners were truly empowered and autonomous. Like Clarke’s debut, this is technically adventurous, politically relevant, and emotionally engaging." —Kirkus, Starred Review A page-turning feminist novel that tells the story of a poor scrappy girl from rural New Zealand who grows reluctantly into a sex icon, the face of a movement, and a mother, all at the same time. Kate Burns grows up wanting attention from her Ma, but her Ma wants only money and Kate learns how to get both. She and her childhood friend, Lacey, run kissing lessons for cash in the janitor’s closet of Fenbrook High, and just like that, they find themselves in the sex work industry. From there, they go on to work at The Purple Panther, a strip club in Auckland. When Ma dies of cancer, Kate discovers that the men her Ma was always inviting over to their home were, in fact, clients. Ma was no stranger to sex work either.  Following in Ma’s footsteps, Kate heads to Nevada where she picks up a job at America’s most prestigious brothel: The Hop. In her new life as a Bunny, Kate searches for an identity she can perform—the other Bunnies include a goth, a housewife, a cheerleader, a rebel, not to mention Betty, a trans beauty queen, Mia, a Japanese cosplayer, and Rain, a dominatrix. Kate becomes Lady Lane. The girls at The Hop are more fantasy than fact, and performance is always more perfect than the real. Kate is a natural and quickly rises through the ranks to become the bestselling Bunny and the owner, Daddy’s favorite. But when ten street hookers are killed in a nearby city, just bodies with no names, Lady joins her sister Bunnies in mourning and begins to see things in a new light. Lady’s success breeds scandal and unwanted fame, deeply affecting her, transforming her life and The Hop forever. Diana Clarke’s provocative second novel is subversive in the very best way, an unforgettable work of fiction with a radical message about women that couldn’t be more important.

LAMBDA LITERARY AWARD FINALIST A transgender reporter's "powerful, profoundly moving" narrative tour through the surprisingly vibrant queer communities sprouting up in red states (New York Times Book Review), offering a vision of a stronger, more humane America. Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she's a GLAAD Award-winning journalist happily married to another woman. A lot in her life has changed, but what hasn't changed is her deep love of Red State America, and of queer people who stay in so-called "flyover country" rather than moving to the liberal coasts. In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: "Something gay every day." Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more. Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.

Loba is a visionary epic quest for the reintegration of the femimine, hailed by many as the great female counterpart to Allen Ginsberg's Howl when the first half appeared in 1978. Now published for the first time in its completed form with new material, Loba, "she-wolf" in Spanish explores the wilderness at the heart of experience, through the archetype of the wolf goddess, elemental symbol of complete self-acceptance.

'Feverish, devouring and provocative' LUCY ROSE, author of The Lamb 'Dark, sexy, addictive and beautifully written' KATE DAVIES, author of In at the Deep End ‘Hot, hungry and aching with desire, this book will bite down into you and it won't let go’ TOBI COVENTRY, author of He’s the Devil Love can really eat you up Avni is done with the meaningless carousel of tame sex. Tender women repel her. Clumsy men disgust her. She wants to make her flesh electric; to fill the chasm inside her created by her mundane job, her ex who died in a bizarre tragedy, and her sick aunt, whose diseased brain is swallowing memories. Then there’s the sour fruit, the bad meat that she craves. She longs for something to make her feel full. Something beyond all the pointless sex and depravity. When she is sucked into the orbit of a couple who seem as unstitched as she is, Avni thinks she may have found what she is looking for. But each time she fulfils her darkest needs her appetite grows, and she begins to spiral into obsession. There's that bone-deep ache again. Is it love? Or a different kind of hunger? Uncompromising, unique and compulsively readable, SOUR FRUIT is the fearless debut of a major new talent.

Roof's ambitious, wide-ranging book links narrative theory, theories of sexuality, and gay and lesbian theory to explore the place of homosexuality, and specifically the lesbian, in the tradition of western narrative. According to Freud, perversions are the necessary obstacles in a heroic plot of normal heterosexual development; and homosexuality is the nineteenth century's classic case of perversion. Roof builds on Freud to illustrate that a structural understanding of narrative enforces a heterosexual paradigm, a sense of meaning that provides psychological stability for the reader. Looking at film, television, and lesbian novels, Roof explores how ideas of narrative and sexuality inform, determine, and reproduce one another. She identifies the paradigmatic lesbian story, its unvarying repetition, and how it might be recast. Understanding identification as a narrative practice, and narrative as typically heterosexual and reproductive, Roof shows how sexuality and narrative must be disentangled to alter oppressive social practices.Come As You Are marks a significant contribution to lesbian and gay studies, psychoanalytic theory, and feminism.

This landmark work is the most complete compilation of its kind, offering an enlightened view of a diverse and long-neglected genre. Arranged in thematic sections are a generous and wide range of selections--fiction, poetry, and essays from writers past and present, including Emily Dickinson, Carson McCullers, Christina Rossetti, and Rita Mae Brown.