Empfehlungen basierend auf "Sleeping with the Dictionary"

'songs Can Be Incredibly Prophetic . . . Like A Kind Of Useless Magic.' The Complete Lyrics By The Iconic Vocalist Of Florence + The Machine, Beautifully Interwoven With Poems, Sketches And Jottings From Her Never-before-seen Scrapbooks. This Is A Glimpse Into The Work And Creative Processes Of A Fearlessly Unique Musician - Packed Full Of Florence's On-the-page Musings And Reproductions Of The Art That Has Inspired Her Dramatic, Genre-defying Music.

In Just Kids, Patti Smith’s first book of prose, the legendary American artist offers a never-before-seen glimpse of her remarkable relationship with photographer Robert Mapplethorpe in the epochal days of New York City and the Chelsea Hotel in the late sixties and seventies. An honest and moving story of youth and friendship, Smith brings the same unique, lyrical quality to Just Kids as she has to the rest of her formidable body of work—from her influential 1975 album Horses to her visual art and poetry.

Poems New and Collected: 1957-1997 is the definitive, complete collection of poetry by Nobel Prize-winning poet Wislawa Szymborska.Described by Robert Hass as "unquestionably one of the great living European poets" and by Charles Simic as "one of the finest poets living today," Szymborska mesmerizes her readers with poetry that captivates their minds and captures their hearts.This is the book that her many fans have been anxiously awaiting, including 164 poems in all, as well as the full text of her Nobel acceptance speech of December 7, 1996, in Stockholm. Beautifully translated by Stanislaw Baranczak and Clare Cavanagh, who won a 1996 PEN Translation Prize for their work, this volume is a must-have for all readers of poetry.

An expansive work inspired by Japanese prose-poetry from a poet of “rigorous intelligence, fierce anger, and deep vulnerability” (Mark Doty). Kimiko Hahn, "a welcome voice of experimentation and passion" (Bloomsbury Review), takes up the Japanese prose-poetry genre zuihitsu―literally "running brush," which utilizes tactics such as juxtaposition, contradiction, and broad topical variety―in exploring her various identities as mother and lover, wife and poet, daughter of varied traditions.

A substantial selection of Tennyson's poetry, edited according to the principles of the Penguin English Poets series. This volume concentrates on the period characterized by "Maud"(1855) and "In Memoriam" (1850).

A year with the sensual, mysterious, and deeply spiritual poetry of Rumi, in a translation featuring 15 debut poems—365 poems for your daily dose of inspiration, spiritual healing, and deep self-reflectionThis stunning collection is a divine journey across each month of the year, offering 365 daily poetry reflections that with leave you both breathless and hopeful. Poet Coleman Barks has played a central role in making the Sufi mystic Rumi the most popular poet in the world, and in this volume, he brings Rumi’s words to life, allowing their beacon of light to allow us to reconnect with ourselves, and others, by recognizing the divine in the sublime, in the ordinary, and in us all.Full of contemplation and deeply moving and profound prose, these poems allow readers to start each day fully present and aware of all the beauty around us, and the innate power and strength we each hold—in every moment of every day. Take a moment for yourself with this daily dose of innate wisdom and positive affirmations for self-love, compassion, and trust in the divine power of the universe and our place in it.“The poetry feels like it belongs to all. When Rumi died in 1273, members of all religions came to the funeral. Wherever you stand, his words deepen your connection to the mystery of being alive.” – Coleman Barks 

This year's winner of the Yale Series of Younger Poets competition is Maurice Manning's Lawrence Booth's Book of Visions. These compelling poems take us on a wild ride through the life of a man child in the rural South. Presenting a cast of allegorical and symbolic, yet very real, characters, the poems have "authority, daring, and] a language of color and sure movement," says series judge W.S. Merwin. From Seven Chimeras The way Booth makes a love story: same as a regular story, except under one rock is a trapdoor that leads to a room full of belly buttons; each must be pushed, one is a landmine. The way Booth makes hope: thirty-seven acres, Black Damon, Red Dog. Construct a pillar of fire in the Great Field and let it become unquenchable. The way Booth ends the Jack-in-the-Box charade: shoot the weasel in the neck and toss it to the buzzards. The way Booth thinks of salvation: God holding a broken abacus, colored beads falling away.

Katherine Larson is the winner of the 2010 Yale Series of Younger Poets Competition. With Radial Symmetry, she has created a transcendent body of poems that flourish in the liminal spaces that separate scientific inquiry from empathic knowledge, astute observation from sublime witness. Larson's inventive lyrics lead the reader through vertiginous landscapes—geographical, phenomenological, psychological—while always remaining attendant to the speaker's own fragile, creaturely self. An experienced research scientist and field ecologist, Larson dazzles with these sensuous and sophisticated poems, grappling with the powers of poetic imagination as well as the frightful realization of the human capacity for ecological destruction. The result is a profoundly moving collection: eloquent in its lament and celebration.Metamorphosis [excerpt]We dredge the stream with soup strainers and separate dragonfly and damselfly nymphs-their eyes like inky bulbs, jaws snappingat the light as if the world was full oftiny traps, each hairpin mechanismtripped for transformation. Such a ricochetof appetites insisting life, life, life againstthe watery dark, the tuberous reeds.the watery dark, the tuberous reeds.the watery dark, the tuberous reeds.the watery dark, the tuberous reeds.the watery dark, the tuberous reeds.

Since the publication of Robert Creeley’s first book of poems, Le Fou, more than forty years ago, he has emerged as one of the most important and original voices in contemporary poetry. Tales Out of School selects five extended interviews that point to Creeley’s artistic influences and reveal the subjects that have preoccupied the poet’s imagination. The interviews cover a range of themes, including Creeley’s childhood and early writing, the influence of jazz on his work, the history of the Black Mountain School, the relationship of geography to the creative process, and the influences and friendship of other poets, including Pound, Williams, Ginsberg, Levertov, Duncan, and Olson. Taken together, the interviews provide an active context for and complement an understanding of this significant and prolific poet’s achievement.

"A remarkably adept, even facile craftsperson--I know of no poet who makes the most stunning verbal effects on the page look more effortless. Her critical assumptions, literary strategies and approach to the text clearly place her among the finest post-avant poets we now have."—Ron Silliman, author of The Age of Huts (compleat)