Empfehlungen basierend auf "Singing from the Well"

'The best kind of book: the one you didn't know you were craving until it appeared . . . self-interrogative, intricately perceptive. I absolutely inhaled it' JIA TOLENTINO 'A very richly interesting exploration of a complex subject. Begoña Gómez Urzaiz tells the stories with such intelligence and wit and generosity' TESSA HADLEY When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell ... what do these vastly different women have in common? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society's judgement and their own maternal instincts in order to leave their children. More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women. 'The best book I've read on the implications of motherhood and its opposites after Sheila Heti's Motherhood' CLAUDIA DURASTANTI

“Offers hope in the face of desperate odds” – ELLE Magazine, ELLE’s Most Anticipated Books of Summer 2020“[D]isturbing and unforgettable memoir…This wrenching story brings to vivid life the plight of the many families separated at the U.S.-Mexico border.” – Publisher’s Weekly, STARRED REVIEW“[The] haunting and eloquent…narrative of a Guatemalan woman's desperate search for a better life." -Kirkus, STARRED ReviewPEOPLE Magazine Best Books of Summer 2020TIME Magazine Best Books of Summer 2020PARADE Best Books of Summer 2020Compelling and urgently important, The Book of Rosy is the unforgettable story of one brave mother and her fight to save her family.When Rosayra “Rosy” Pablo Cruz made the agonizing decision to seek asylum in the United States with two of her children, she knew the journey would be arduous, dangerous, and quite possibly deadly. But she had no choice: violence—from gangs, from crime, from spiraling chaos—was making daily life hell. Rosy knew her family’s one chance at survival was to flee Guatemala and go north.After a brutal journey that left them dehydrated, exhausted, and nearly starved, Rosy and her two little boys arrived at the Arizona border. Almost immediately they were seized and forcibly separated by government officials under the Department of Homeland Security’s new “zero tolerance” policy. To her horror Rosy discovered that her flight to safety had only just begun.In The Book of Rosy, with an unprecedented level of sharp detail and soulful intimacy, Rosy tells her story, aided by Julie Schwietert Collazo, founder of Immigrant Families Together, the grassroots organization that reunites mothers and children. She reveals the cruelty of the detention facilities, the excruciating pain of feeling her children ripped from her arms, the abiding faith that staved off despair—and the enduring friendship with Julie, which helped her navigate the darkness and the bottomless Orwellian bureaucracy.A gripping account of the human cost of inhumane policies, The Book of Rosy is also a paean to the unbreakable will of people united by true love, a sense of justice, and hope for a better future.

From the award-winning, best-selling author of When I Was Puerto Rican, a powerful novel of family, race, faith, sex, and disaster that moves between Puerto Rico and the Bronx, revealing the lives and loves of five women and the secret that binds them togetherThey refer to themselves as “las Madres,” a close-knit group of women who, with their daughters, have created a family based on friendship and blood ties.Their story begins in Puerto Rico in 1975 when fifteen-year-old Luz, the tallest girl in her dance academy and the only Black one in a sea of petite, light-skinned, delicate swans, is seriously injured in a car accident. Tragically, her brilliant, multilingual scientist parents are both killed in the crash. Now orphaned, Luz navigates the pressures of adolescence and copes with the aftershock of a brain injury, when two new friends enter her life, Ada and Shirley. Luz’s days are consumed with aches and pains, and her memory of the accident is wiped clean, but she suffers spells that send her mind to times and places she can’t share with others.In 2017, in the Bronx, Luz’s adult daughter, Marysol, wishes she better understood her. But how can she when her mother barely remembers her own life? To help, Ada and Shirley’s daughter, Graciela, suggests a vacation in Puerto Rico for the extended group, as an opportunity for Luz to unearth long-buried memories and for Marysol to learn more about her mother’s early life. But despite all their careful planning, two hurricanes, back-to-back, disrupt their homecoming, and a secret is revealed that blows their lives wide open. In a voice that sings with warmth, humor, friendship, and pride, celebrated author Esmeralda Santiago unspools a story of women’s sexuality, shame, disability, and love within a community rocked by disaster.

Auntie Encarna's House Is The Queerest Boarding House In The World. For Camila, Who Grew Up As A Boy In A Small Town In Argentina, But Now Lives As A Woman, It Is Home. The Queens Around Her Are Her Family: Auntie Encarna, Who Is 178 Years Old; Maria, Who Can't Speak, And Has Feathers Growing Out Of Her Back; And A Host Of Other Glittering Characters. At Night, They Head Together To Sarmiento Park, In The Heart Of The City, A Large Green Lung With A Zoo And A Theme Park. Potential Johns Cruise By In Their Cars, Slowing Down To Inspect The Group Before Selecting One With The Wave Of An Arm. The Chosen Woman Answers Their Call. Night After Night, Nothing Changes. Until, One Freezing Night, Auntie Encarna Hears Crying Coming From The Bushes. A Baby Boy, Lost And Alone. Auntie Encarna Puts Him In Her Handbag And Brings Him Home, Determined To Protect Him. To Be A Mother. But The Forces Of Oppression, Prejudice And Fear Surround The Family And Their Foundling - And Soon The Happiness They Clutched At Begins To Seem Like An Impossible Fairy Tale. -- Source Other Than Library Of Congress.

GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the HeightsQuiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language.Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

"From pre-Columbian creation myths and the first European voyages of discovery and conquest to the Age of Reagan, here is 'nothing less than a unified history of the Western Hemisphere... recounted in vivid prose.'"--The New Yorker A unique and epic history, Eduardo Galeano's Memory of Fire trilogy is an outstanding Latin American eye view of the making of the New World. From its first English language publication in 1985 it has been recognized as a classic of political engagement, original research, and literary form.

Combining the haunting power of Toni Morrison’s Beloved with the evocative atmosphere of Phillippa Gregory’s A Respectable Trade, Dahlma Llanos-Figueroa’s groundbreaking novel illuminates a little discussed aspect of history—the Puerto Rican Atlantic Slave Trade—witnessed through the experiences of Pola, an African captive used as a breeder to bear more slaves. A Woman of Endurance, set in nineteenth-century Puerto Rican plantation society, follows Pola, a deeply spiritual African woman who is captured and later sold for the purpose of breeding future slaves. The resulting babies are taken from her as soon as they are born. Pola loses the faith that has guided her and becomes embittered and defensive. The dehumanizing violence of her life almost destroys her. But this is not a novel of defeat but rather one of survival, regeneration, and reclamation of common humanity.  Readers are invited to join Pola in her journey to healing. From the sadistic barbarity of her first experiences, she moves on to receive compassion and support from a revitalizing new community. Along the way, she learns to recognize and embrace the many faces of love—a mother’s love, a daughter’s love, a sister’s love, a love of community, and the self-love that she must recover before she can offer herself to another. It is ultimately, a novel of the triumph of the human spirit even under the most brutal of conditions. 

This in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change.   In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works.

'Your Face Tomorrow is already being compared with Proust and rightly so' Observer 'One of contemporary literature's major works ... you have to open this book' Ali Smith The concluding part in Javier Marías' spy trilogy masterwork Jacques Deza is back in London and once again working for the secret intelligence agency run by Bertram Tupra. Deza finds himself forced to watch Tupra's collection of incriminating videotapes of important public figures. The recordings document unconventional private lives - and horrific acts. The scenes enter him like a poison, contaminating everything good, yet he is powerless to counteract them. Set against a background of brutality, Poison, Shadow and Farewell asks whether violence can ever be justified and completes the extraordinary journey that has led us on a descent into hell and a re-emergence, not entirely unscathed, into life.

The second novel in the Pentagonia, this is a phantasmagoric novel of adolescent rebellion and political revolution."A beautiful, heartfelt book by a passionate and epic writer at the height of his powers." --Oscar Hijuelos