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The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread, " the fiddle tune "Bonaparte's Retreat, " the blues "Another Man Done Gone, " and the spiritual "Ain't No Grave Can Hold My Body Down, " these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by.Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse."Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts, " Wade shows how a single artist can make a difference within a democracy.Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.

A stunning and timely creative call-to-arms combining four extraordinary written pieces by Neil Gaiman illustrated with the striking four-color artwork of Chris Riddell.“The world always seems brighter when you’ve just made something that wasn’t there before.”—Neil GaimanDrawn from Gaiman’s trove of published speeches, poems, and creative manifestos, Art Matters is an embodiment of this remarkable multi-media artist’s vision—an exploration of how reading, imagining, and creating can transform the world and our lives.Art Matters bring together four of Gaiman’s most beloved writings on creativity and artistry: “Credo,” his remarkably concise and relevant manifesto on free expression, first delivered in the wake of the Charlie Hebdo shootings “Make Good Art,” his famous 2012 commencement address delivered at the Philadelphia University of the Arts “Making a Chair,” a poem about the joys of creating something, even when words won’t come “On Libraries,” an impassioned argument for libraries that illuminates their importance to our future and celebrates how they foster readers and daydreamersFeaturing original illustrations by Gaiman’s longtime illustrator, Chris Riddell, Art Matters is a stirring testament to the freedom of ideas that inspires us to make art in the face of adversity, and dares us to choose to be bold.

'The best book on the subject I've read. Quite brilliant' Tony Jordan, creator/writer, Life on Mars, HustleWe all love stories. But why do we tell them? And why do all stories function in an eerily similar way? John Yorke, creator of the BBC Writers' Academy, has brought a vast array of drama to British screens. Here he takes us on a journey to the heart of storytelling, revealing that there truly is a unifying shape to narrative forms - one that echoes the fairytale journey into the woods and, like any great art, comes from deep within. From ancient myths to big-budget blockbusters, he gets to the root of the stories that are all around us, every day.'Marvellous' Julian Fellowes'Terrifyingly clever ... Packed with intelligent argument' Evening Standard'The most important book about scriptwriting since William Goldman's Adventures in the Screen Trade' Peter Bowker, writer, Blackpool, Occupation, Eric and Ernie

From the silver screen to the Great White Way, small community theatres to television sets, the musical has long held a special place in America's heart and history. Now, in The Oxford Companion to the American Musical, readers who flocked to the movies to see An American in Paris or Chicago, lined up for tickets to West Side Story or Rent, or crowded around their TVs to watch Cinderella or High School Musical can finally turn to a single book for details about them all. For the first time, this popular subject has an engaging and authoritative book as thrilling as the performances themselves.With more than two thousand entries, this illustrated guide offers a wealth of information on musicals, performers, composers, lyricists, producers, choreographers, and much more. Biographical entries range from early stars Fred Astaire, Bing Crosby, Mary Martin, and Mae West to contemporary show-stoppers Nathan Lane, Savion Glover, and Kristin Chenoweth, while composers Irving Berlin, George Gershwin, Richard Rodgers, and Andrew Lloyd Webber all have articles, and the choreography of Bob Fosse, Tommy Tune, and Debbie Allen receives due examination. The plays and films covered range from modern hits like Mamma Mia! and Moulin Rouge! to timeless classics such as Yankee Doodle Dandy and Show Boat. Also, numerous musicals written specifically for television appear throughout, and many entries follow a work-Babes in Toyland for example-as it moves across genres, from stage, to film, to television. The Companion also includes cross references, a comprehensive listing of recommended recordings and further reading, a useful chronology of all the musicals described in the book, plus a complete index of Tony Award and Academy Award winners.Whether you are curious about Singin' in the Rain or Spamalot, or simply adore The Wizard of Oz or Grease, this well-researched and entertaining resource is the first place to turn for reliable information on virtually every aspect of the American musical.

A lavishly illustrated, rollicking account of the real people and events that inspired the Beatles' lyrics.Who was "just seventeen" and made Paul's heart go "boom"? Was there really an Eleanor Rigby? Where's Penny Lane? In A Hard Day's Write, music journalist Steve Turner shatters many well-worn myths and adds a new dimension to the Fab Four's rich legacy by investigating for the first time the ordinary people and events immortalized in the Beatles' music and now occupying a special niche in popular culture's collective imagination.Arranged chronologically by album, the book breaks new ground by exploring how private incidents influenced the group's writing and how their music evolved. Turner reveals that Lucy in the Sky with Diamonds was really a drawing by Julian Lennon of his childhood friend; Bungalow Bill was an all-American tiger hunter; Doctor Robert was a New York 'speech doctor'; and much more. A longtime Beatles admirer, Turner tracked down and interviewed the real-life subjects of the songs, probed public records and newspaper archives, and spoke in depth to the people closet to the Beatles to unearth tales that have never before been made public. The result is a book that chronicles an untold story of the Beatles themselves.Illustrated with over 200 photographs, A Hard Day's Write is a visually alluring and highly entertaining journey to the land stretching just beneath your conscious mind, mapped out with strawberry fields, fool-topped hills, and long and winding roads.

For nearly 20 years, designers and non-designers alike have been introduced to the fundamental principles of great design by author Robin Williams. Through her straightforward and light-hearted style, Robin has taught hundreds of thousands of people how to make their designs look professional using four surprisingly simple principles.Now in its fourth edition, The Non-Designer’s Design Book offers even more practical design advice, including: A new chapter on the fundamentals of typography. More quizzes and exercises to train your Designer Eye. Updated projects for you to try. New visual and typographic examples to inspire your creativity.Whether you’re a Mac user or a Windows user, a type novice, or an aspiring graphic designer, you will find the instruction and inspiration to approach any design project with confidence.THIS ESSENTIAL GUIDE TO DESIGN WILL TEACH YOU: The four principles of design that underlie every design project. How to design with color. How to design with type. How to combine typefaces for maximum effect. How to see and think like a professional designer. Specific tips on designing newsletters, brochures, flyers, and other projects.

Engaging and direct, Style: Lessons in Clarity and Grace is the guidebook for anyone who wants to write well.Engaging and direct, Style: Lessons in Clarity and Grace is the guidebook for anyone who wants to write well.

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable. Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn't exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

The Independent Directing Bible that will fit in your back pocket! (If you have an extremely large pocket...) Have you always wanted to direct a movie, but don't know how to start? Want to know how to get your first directing job? What do directors even do, anyway? Legendary director Lloyd Kaufman, creator of The Toxic Avenger, reveals 40 years worth of maverick cinematic know-how! Direct Your Own Damn Movie! will be your step-by-step roadmap on the journey through: * Scriptwriting * Pre-production * Casting * Managing your set * Post-production * Distribution Master the art of directing the easy way! There is no better way to become a director than by following the instruction and wisdom of an actual successful film director, not someone who just talks about it. Featuring expert advice from: Eli Roth (Grindhouse, Hostel) Jenna Fischer (LolliLove) Stan Lee (co-writer Spider-Man, Fantastic Four) Ron Jeremy (credits cannot be printed here) Stuart Gordon (Re-Animator) James Gunn (Dawn of the Dead, Slither) ...and many more! WARNING! Do not read this book if you suffer from motion sickness, or are about to operate heavy machinery. This book is not for the faint of heart, the good of taste, or those who might be pregnant.

Lloyd Kaufman, the writer/producer/director of such cult-classic films as The Toxic Avenger, Class of Nuke 'Em High, and Tromeo and Juliet, offers a guide to movie-making unlike any other available anywhere. In 25 years, Kaufman, along with partner Michael Herz, has built Troma Studios up from a company struggling to find its voice in a field crowded with competitors to its current--and legendary--status as a lone survivor, a bastion of true cinematic independence, and the world's greatest collection of camp on film.As entertaining and funny as it is informative and insightful, Make Your Own Damn Movie! places Kaufman's radically low-budget, independent-studio style of filmaking directly in the reader's hands. Thus we learn how to: develop and write a knock-out screenplay; raise funding; find locations and cast actors; hire a crew; obtain equipment, permits, and music rights (all for little or no money); make incredible special effects for $0.79 each; charm, schmooze, and network while on the film-festival circuit; and, finally, make a bad actor act so bad it's actually good.From scriptwriting and directing to financing and marketing, this book is brimming with utterly off-the-wall, decidedly maverick, yet consistently proven advice on how to fully develop one's idea for an independent film.