Empfehlungen basierend auf "Shift Sleepers (The Swiss List)"

More than just an account of his travels in Cairo, Beirut, and Constantinople in 1843, Gérard de Nerval’s Journey to the Orient is a quest for the unknown. If his narrator seems credulous in his retelling of legends of the origins of the pyramids and the mysteries of the Druzes, it is with this purpose in mind. While the Orientalists of his day were confident of having, in the words of Edward Said, “grasped, appropriated, reduced, and codified” the Orient, Nerval’s Orient remains elusive, impossible to grasp. Poignantly dramatized in the thematic centerpieces of the tales of the Queen of Sheba and the Caliph Hakim, what takes shape in this visionary travelogue, as the author’s hopes are alternately disappointed and rapturously renewed, is the story of the artist’s search for the ideal.

"I, Hasan the son of Muhammad the weigh-master, I, Jean-Leon de Medici, circumcised at the hand of a barber and baptized at the hand of a pope, I am now called the African, but I am not from Africa, nor from Europe, nor from Arabia. I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road, my country is the caravan, my life the most unexpected of voyages."Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.

Warned by a fortune-teller not to risk flying, the author – a seasoned correspondent – took to travelling by rail, road and sea. Consulting fortune-tellers and shamans wherever he went, he learnt to understand and respect older ways of life and beliefs now threatened by the crasser forms of Western modernity.William Shawcross in the Literary Review praised Terzani for ‘his beautifully written adventure story… a voyage of self-discovery… He sees fortune-tellers, soothsayers, astrologers, chiromancers, seers, shamans, magicians, palmists, frauds, men and women of god (many gods) all over Asia and in Europe too… Almost every page and every story celebrates the mystical and the unknowable. It is a fabulous story of renewal and change… Terzani is already something of a legend. He has written magnificently all his life. Never better than now.’Yes, the fortune-teller did save him from an air-crash in Cambodia. Looking back afterwards, Terzani reckoned that ‘I was marked for death and instead I was reborn.’

This travel memoir tells the true story of one man's struggle to help a desolate Saharan village lift itself from poverty and into self-sufficiency. "The stuff that dreams are made of--and it's all real." --Kirkus Reviews "Seasons of Sand entertains right through its surprise, disturbing ending, and leaves one with a sense of an exotic place and its people--everything that can be asked of a good travel book." --Brad Newsham, San Francisco Chronicler "Frank and humorous, filled with marvelous people and the details of his own daily life, Aebi's book tells an original tale." --Publishers Weekly "With the guts of Hemingway and the erudition of Sir Richard Burton, Aebi's writing is pure exhilaration. Amazing grace under pressure and a graceful zaniness pressed like wild flowers between so many pages, the result is deeply moving, wildly funny, and profoundly impressive." --Paul William Roberts, River in the Desert

In a small village on the southern coast of Crete, the narrator meets a young man who tells him a history of his journey which took him from Prague as far as to the Libyan sea. It is a voyage to uncover mysterious deaths of two brothers: one was murdered during the ballet performance, the body of the second one was found by Turkish fishermen at the Asia Minor shores.On the move, the amateur detective is accompanied by one of the brothers´ girlfriend. They have to work out a lot of traces, clues and rebuses – seemingly meaningless clusters of letters in the picture of a Hungarian painter, fragments of words created in the sea by bodies of phosphorescing worms, puzzling shapes of jelly sweets found in a small shop in Croatia or the plot of an American sci-fi thriller movie, which the protagonists watch in the cinema in Rome suburb.Such leads send the heroes from town to town, the plot takes part on night trains and many places in Europe - in Bratislava, Budapest, Lublan, on the islands of Mykon and Crete… With the search for the murderer of both the brothers many other stories are interconnected, and they take the readers to even more distant places of the Earth: Moscow, Boston, Mexico City…

A reissue of a twentieth-century classic in the acclaimed Tusk Ivories series A twentieth-century classic, Mount Analogue combines the author's poetic gifts and philosophical accomplishments in a manner that is both entertaining to read and profound to contemplate. The novel is a representation of the author's own spiritual quest, transposed into fictional form, and was published posthumously in 1952. This edition is newly translated by Carol Cosman, with an afterword by Vera Daumal. Among other things, this is an allegory for the journey of life, as well as a marvellous tale in which the narrator/author, one of an intrepid company of eight, sets sail in the yacht Impossible to search for Mount Analogue, the solid, geographically located, albeit hidden, peak that reaches inexorably towards heaven - as Mount Olympus reached to the home of the Greek gods, or Mount Sinai to the presence of Yahweh. Daumal, often described as one of the most gifted literary figures in twentieth century France, died before the novel was completed, providing an uncanny one-way quality to the journey that the reader cannot help but share.

'Cartarescu is one of the great literary voices of Central Europe' Olga Tokarczuk, Nobel Prize winner and author of Flights'A Danubian Narnia. . . his writing delivers a rainbow-hued riot of fantasy, imagination and invention' Boyd Tonkin, SpectatorA dreamlike novel of memory and magic, Nostalgia turns the dark world of Communist Bucharest into a place of strange enchantments. Here a man plays increasingly death-defying games of Russian Roulette, a child messiah works his magic in the tenements, a young man explores gender boundaries, a woman relives her youth and an architect becomes obsessed with the sound of his new car horn - with unexpected consequences.Blending reality and symbolism, time and myth, this is a cult masterwork from Romania's most celebrated writer.

Hesse's novel of two medieval men, one quietly content with his religion and monastic life, the other in fervent search of more worldly salvation. This conflict between flesh and spirit, between emotional and contemplative man, was a life study for Hesse. It is a theme that transcends all time. The Hesse Phenomenon "has turned into a vogue, the vogue into a torrent. . .He has appealed both to. . . an underground and to an establishment. . .and to the disenchanted young sharing his contempt for our industrial civilization."— The New York Times Book Review

At first, The Emigrants appears simply to document the lives of four Jewish emigres in the 20th century. But gradually, as Sebald's precise, almost dreamlike prose begins to work its magic, the four narrations merge into one overwhelming evocation of exile and losss.

An intricate, metaphysical, ambitious “psychogeography of the self” that both disrupts and elevates the 21st century vision of the novel.Our narrator is held in complete darkness and isolation. His endless thoughts are turned into the book we are reading—Schattenfroh—directed by none other than the narrator’s mysterious jailer by the same name. Undulating through explorations of Renaissance art, the German reformation, time-defying esoterica, the printing process in the 16th century, Kabbalistic mysticism, and beyond, Schattenfroh is a remarkable book that, in turn, asks the remarkable of its readers. Interruptions, breaks, and annotations both buoy and deceive, and endless historical references, literary allusions, and wordplay construct a baroque, encyclopedic quest. Schattenfroh’s publication in English marks a seminal moment in the history of the literary form.