Empfehlungen basierend auf "Shaun of the Dead"

The darkly magical new story about the monsters under the bed, from bestselling author of The Christmasaurus, Tom Fletcher.What silently waits in the shadows at night? What's under your bed, keeping just out of sight?Do you ever hear strange, creaking noises at night? Ever wonder what makes those noises?Lucy Dungston always did.Until, one morning, Lucy discovers that all the grown-ups have disappeared - as if into thin air. Chaos descends as the children in Lucy's town run riot. It's mayhem. It's madness. To most kids, it's amazing!But Lucy wants to find out the truth. Lucy lost her dad not long ago, and she's determined not to lose her mum too. She's going to get her back - and nothing is going to stop her . . .. . . except maybe the Creakers.

All My Friends Are Dead is both the saddest funny book and the funniest sad book you'll ever read.This witty and captivating tale offers a delightful primer for laughing at the inevitable: If you're a dinosaur, all your friends are dead. If you're a pirate, all your friends have scurvy. If you're a tree, all your friends are end tables. Showcasing the downside of being everything from a clown to a cassette tape to a zombie, each page of this illustrated humor book is laugh-out-loud funny.Simple yet effective comic-style imagery and short, hilarious quips come together to create an amusing adventure through a range of unique grievances and wide-eyed dilemmas, from the sock whose only friends have gone missing to the houseplant whose friends are being slowly killed by irresponsible plant owners (like you). Cute and dark all at once, this children's book for adults presents endlessly entertaining stories about life and existential predicaments.TALENTED TEAM: National bestseller All My Friends Are Dead and companion volume All My Friends Are Still Dead are written by Avery Monsen, an actor, artist, and writer and Jory John, a writer, editor, and journalist. They are friends, and neither is dead. Yet.READERS LOVE IT: With hundreds of five-star ratings, reviewers can't get enough of this book. One calls it "gloriously dark," and another says that "guests are drawn to it like a magnet."EDITORIAL RAVES: This uproarious book has garnered praise from several media outlets, including The Huffington Post: "Laugh out loud funny, and a tiny bit disturbing. In other words, perfect." and Paste magazine: "Finds humor in mortality."Perfect for: Fans of darkly comic or slightly inappropriate books Gift givers shopping for a fun birthday or retirement gift Anyone looking for a unique coffee table book or conversation starter Readers of Jory John's #1 New York Times bestselling books The Good Egg, The Sour Grape, and other titles in The Bad Seed series

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

A look into the paranormal legends, lore, mythology, and monsters featured on the hit television show Supernatural.From angels to demons, The Mythology of Supernatural explores the religious roots and the ancient folklore of the otherworldly entities that brothers Sam and Dean Winchester face on the hit television show Supernatural—and that have inhabited the shadows of human imagination across countless cultures and centuries.

WINNER OF THE AMERICAN LIBRARY ASSOCIATION’S BEST HORROR NOVEL OF THE YEAR“As much F. Scott Fitzgerald as Dean Koontz” (#1 New York Times bestselling author Patricia Briggs), Christopher Buehlman excels in twisting the familiar into newfound dread in his “genre-bending” (California Literary Review) novels. Now the acclaimed author of Those Across the River delivers his most disquieting tale yet...The secret is, vampires are real and I am one.The secret is, I’m stealing from you what is most truly yours and I’m not sorry...New York City in 1978 is a dirty, dangerous place to live. And die. Joey Peacock knows this as well as anybody—he has spent the last forty years as an adolescent vampire, perfecting the routine he now enjoys: womanizing in punk clubs and discotheques, feeding by night, and sleeping by day with others of his kind in the macabre labyrinth under the city’s sidewalks.The subways are his playground and his highway, shuttling him throughout Manhattan to bleed the unsuspecting in the Sheep Meadow of Central Park or in the backseats of Checker cabs, or even those in their own apartments who are too hypnotized by sitcoms to notice him opening their windows. It’s almost too easy.Until one night he sees them hunting on his beloved subway. The children with the merry eyes. Vampires, like him…or not like him. Whatever they are, whatever their appearance means, the undead in the tunnels of Manhattan are not as safe as they once were.And neither are the rest of us.

Vampire Queen Betsy Taylor continues her rule in Hell in the scorchingly funny finale to the Undead series from New York Times bestselling author MaryJanice Davidson.It had been a well-kept secret for centuries, but now the existence of vampires is all over the news, thanks to Betsy Taylor’s half sister (and the frustrated former Antichrist), Laura. Life for the undead will never be the same, and it’s up to Betsy to do some damage control. But her interview on the local news doesn’t exactly put out the fire. It more or less pours kerosene on it.   With all the added attention on supernatural beings, the werewolves are more than a little agitated (never a good thing) and demand that Betsy gets her interview skills, and her family, in order. And while things go from bad to worse in the world, Hell continues to be hell—especially when Betsy’s new parole program becomes about as complicated as you’d expect.   With a PR team launching a vampire-friendly campaign, the devil at large and out to make trouble, and mermaids on hand to see who falls—and how hard—the end isn’t just near. It’s here. And if anyone knows how to go out with a bang, it’s the queen of Hell.

Welcome to Dark River. Population 0.When Mika McKellen woke up in a stormwater drain while backpacking around Canada, she knew that her mother was right. If you made bad choices, you would end up dead in a ditch. But when she stumbled into Dark River, even her mother could never have dreamed up the residents of this small town in the middle of nowhere, Alberta.Oh, it had all the usual suspects. Quirky diner owners, untrustworthy outcasts and a Sheriff so hot he’d make any red-blooded woman with a heartbeat beg to be in cuffs in the back of his patrol vehicle. No, the really unusual thing about Dark River was that it was entirely populated by the Undead. Vampires to be specific. And so was Mika.As Mika adjusts to the life of a Vampire, a dark presence stalks her from the shadows. One of the residents of Dark River was her maker and her murderer. And they were determined to ensure that Mika never rested in peace. This is a reverse harem romance with a high heat factor.

A Netflix Original series! The first book in the New York Times, USA Today, and Wall Street Journal bestselling series, with over 7 million copies in print!"Terrifyingly fun! Delivers big thrills and even bigger laughs."--Jeff Kinney, author of the #1 New York Times bestseller Diary of a Wimpy Kid Ever since the monster apocalypse hit town, average thirteen year old Jack Sullivan has been living in his tree house, which he's armed to the teeth with catapults and a moat, not to mention video games and an endless supply of Oreos and Mountain Dew scavenged from abandoned stores. But Jack alone is no match for the hordes of Zombies and Winged Wretches and Vine Thingies, and especially not for the eerily intelligent monster known only as Blarg. So Jack builds a team: his dorky best friend, Quint; the reformed middle school bully, Dirk; Jack's loyal pet monster, Rover; and the fiercest girl Jack knows, June. With their help, Jack is going to slay Blarg, achieve the ultimate Feat of Apocalyptic Success, and be average no longer! Can he do it? Told in a mixture of text and black-and-white illustration, this is the perfect series for any kid who's ever dreamed of starring in their own comic book or video game. Covers may vary.

A Netflix Original series!The second book in the New York Times, USA Today, and Wall Street Journal bestselling series, with over 7 million copies in print!"Terrifyingly fun! Delivers big thrills and even bigger laughs."--Jeff Kinney, author of the #1 New York Times bestseller Diary of a Wimpy Kid   The zombies are disappearing. This might seem like a good thing, since zombies eat your brains, but normal human kid Jack Sullivan is suspicious. He keeps hearing an eerie shrieking noise that seems to be almost summoning the zombies—but to where, and for what (probably) foul purpose?   Jack, his three best friends (maybe the only people left on Earth), and their pet monster Rover need to get to the bottom of this. Along the way they encounter a lot more than they bargained for, including a giant Wormungulous, a pizza parlor monster hangout, an ancient evil who destroys worlds, and a stereo system that is totally the bomb. Can Jack figure out why the zombies are vanishing . . . before he and his friends are next?Told in a mixture of text and black-and-white illustration, this is the perfect series for any kid who's ever dreamed of starring in their own comic book or video game.

How to know a Psychotronic Movie:These films can commonly be identified by their use of exploitation elements and their interest in humanity's lower common demoninators.They occur throughout the world, but are particuarly common at midnight movie festivals and in video stores' cult sections, they are especially frequent at that beloved and dying institution, the drive-in.Their packaging is commonly deceptive. They almost always appear on videocassette.Among their kind are biker films, sci-fi series, quickie biopics, gimmick films, teen sex comedies, blaxploitation films, stalkers, slashers, snoozers, shrudderers, and anything starring Lynda Blair, david Carradine, Shannon Tweed or Drew Barrymore.And they're all here in the Psychotronic Video Guide.From Abby to Zontar, this book covers more than nine thousand amazing movies from the turn of the century right up to today's golden age of video, all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out the book, making it a treasure trove of cinematic lore and essential for every fan of filmdom's finest offerings.