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Fully restored edition of Anthony Burgess' original text of A Clockwork Orange, with a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews Edited by Andrew Biswell With a Foreword by Martin Amis 'It is a horrorshow story ...' Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean? A dystopian horror, a black comedy, an exploration of choice, A Clockwork Orange is also a work of exuberant invention which created a new language for its characters. This critical edition restores the text of the novel as Anthony Burgess originally wrote it, and includes a glossary of the teen slang 'Nadsat', explanatory notes, pages from the original typescript, interviews, articles and reviews, shedding light on the enduring fascination of the novel's 'sweet and juicy criminality'. Anthony Burgess was born in Manchester in 1917 and educated at Xaverian College and Manchester University. He spent six years in the British Army before becoming a schoolmaster and colonial education officer in Malaya and Brunei. After the success of his Malayan Trilogy, he became a full-time writer in 1959. His books have been published all over the world, and they include The Complete Enderby, Nothing Like the Sun, Napoleon Symphony, Tremor of Intent, Earthly Powers and A Dead Man in Deptford. Anthony Burgess died in London in 1993. Andrew Biswell is the Professor of Modern Literature at Manchester Metropolitan University and the Director of the International Anthony Burgess Foundation. His publications include a biography, The Real Life of Anthony Burgess, which won the Portico Prize in 2006. He is currently editing the letters and short stories of Anthony Burgess.

William Wallace saw his father and brother murdered by the English in the 13th century war against the Scots. As he grew up he became a leader of the Scottish people. He also had a brief romantic encounter with the English queen.

“one of the most important plays of our time” --Howard Taubman, The New York TimesIn Vichy France in 1942, eight men and a boy are seized by the collaborationist authorities and made to wait in a building that may be a police station. Some of them are Jews. All of them have something to hide—if not from the Nazis, then from their fellow detainees and, inevitably, from themselves. For in this claustrophobic antechamber to the death camps, everyone is guilty. And perhaps none more so than those who can walk away alive.In Incident at Vichy, Arthur Miller re-creates Dante's hell inside the gaping pit that is our history and populates it with sinners whose crimes are all the more fearful because they are so recognizable.

In Vichy France, 1942, a group of men sit outside an office, waiting to be interviewed. The reason they have been pulled off the street and taken there is obvious enough. They are, for the most part, Jews. But how serious an offence this is, and how they are to suffer for it, is not clear, and they hope for the best. But as rumours pass between them of trains full of people locked from the outside and furnaces in Poland, and although they reassure themselves that nothing so monstrous could be true, their panic rises. Arthur Miller's claustrophobic play of how the inconceivable becomes allowed to pass, Incident at Vichy is one of the most indispensable, moving pieces of art about the Holocaust.

From the bestselling author of Alone in Berlin, his acclaimed novel of a young couple trying to survive life in 1930s Germany'Nothing so confronts a woman with the deathly futility of her existence as darning socks'A young couple fall in love, get married and start a family, like countless young couples before them. But Lämmchen and 'Boy' live in Berlin in 1932, and everything is changing. As they desperately try to make ends meet amid bullying bosses, unpaid bills, monstrous mothers-in-law and Nazi streetfighters, will love be enough?The novel that made Hans Fallada's name as a writer, Little Man, What Now? tells the story of one of European literature's most touching couples and is filled with an extraordinary mixture of comedy and desperation. It was published just before Hitler came to power and remains a haunting portrayal of innocents whose world is about to be swept away forever. This brilliant new translation by Michael Hofmann brings to life an entire era of austerity and turmoil in Weimar Germany.

The international bestselling classic from the author of Animal Farm.Winston Smith rewrites history. It’s his job. Hidden away in the Record Department of the sprawling Ministry of Truth, he helps the Party, and the omnipresent Big Brother, control the people of Oceania.Winston knows what a good citizen of Oceania must do: show his devotion for Big Brother and the Party; abstain from all vices; and, most importantly, possess no critical thoughts of their own. The new notebook he’s begun to write in is definitely against the rules – in fact, the Thought Police could arrest him simply for having it. Yet, as Winston begins to write his own history, a seed of rebellion begins to grow in his heart – one that could have devastating consequences.In George Orwell’s final and most well-known novel, he explores a dystopian future in which a totalitarian government controls the actions, thoughts and even emotions of its citizens, exercising power through control of language and history. Its lasting popularity is testament to Orwell’s powerful prose, and is a passionate political warning for today

A rediscovered classic, originally published in 1938 and now an international bestseller. When it first appeared in Story magazine in 1938, Address Unknown became an immediate social phenomenon and literary sensation. Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe.A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous and enduring impact.

Originally published in 1941, Arthur Koestler's modern masterpiece, "Darkness At Noon," is a powerful and haunting portrait of a Communist revolutionary caught in the vicious fray of the Moscow show trials of the late 1930s. During Stalin's purges, Nicholas Rubashov, an aging revolutionary, is imprisoned and psychologically tortured by the party he has devoted his life to. Under mounting pressure to confess to crimes he did not commit, Rubashov relives a career that embodies the ironies and betrayals of a revolutionary dictatorship that believes it is an instrument of liberation. A seminal work of twentieth-century literature, "Darkness At Noon" is a penetrating exploration of the moral danger inherent in a system that is willing to enforce its beliefs by any means necessary.

'Listen, Švejk, are you really God's prize oaf?''Humbly report, sir,' Švejk answered solemnly. 'I am!'Drunkard, malingerer, oaf and possible genius - the story of Czech soldier Svejk and his misadventures in the First World War is one of the most hilarious and subversive satires on war ever written.A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.

Four individuals from a small town in Yugoslavia find themselves among drastically different fates during World War II. Two become Nazis, one joins the Partisans, and one is sent to a concentration camp.Set in Yugoslavia prior to and during World War II, this tale of devastation traces the lives of four friends born in the same small town. They went to school together, took dancing lessons, stole kisses, were taught German by an old maid who kept a diary. But when war comes, half-Jewish Vera is sent to a concentration camp while her German cousin becomes a Nazi; Serbian boyfriend Milinko joins the Partisans; and another classmate, also a Serb, becomes fascinated by the magic of killing. Tisma's portrayal of their situation is certainly poignant, but he belabors the obvious in overly melodramatic fashion.