Empfehlungen basierend auf "Scene of Crime"

FROM THE #1 BESTSELLING AUTHOR OF THE THURSDAY MURDER CLUBA brand new series.An iconic new detective duo.And a puzzling new murder to solve . . . --Steve Wheeler is enjoying retired life. He does the odd bit of investigation work, but he prefers his familiar habits and routines: the pub quiz, hi[Bokinfo].

Forensic archaeologist Ruth Galloway changed her life--until a convicted killer tells her that four of his victims were never found, drawing her back to the place she left behind.Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police's resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried--but only if Ruth will do the digging. Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths. Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?

The world's most famous murder story, newly adapted into a vibrant comic strip for new generations of thrill-seeking sleuths to enjoy. Just after midnight, a snowdrift stops the Orient Express in its tracks. The luxurious train is surprisingly full for the time of the year, but by the morning it is one passenger fewer. An American tycoon lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Isolated and with a killer in their midst, detective Hercule Poirot must identify the murderer - in case he or she decides to strike again. Famed for her crime masterpieces, Agatha Christie's books have become the best-selling in the world, appealing to readers young and old for their ingenious plots and immediately recognizable characters. The stories have also transcended the printed page, become bestselling audiobooks and award-winning films, plays and television series. Now words and pictures combine in an exciting new way of telling these stories - full-colour graphic novels which enhance the original stories and offer a completely new way of enjoying some of the world's most popular and exciting mysteries.

J is for Jaffe: Wendell Jaffe, dead these past five years. Or so it seemed until his former insurance agent spotted him in the bar of a dusty little resort halfway between Cabo San Lucas and La Paz. In truth, the facts about Wendell Jaffe had nothing to do with my family history, but murder is seldom tidy and no one ever said revelations operate in a straight line. It was my investigation into the dead man's past that triggered the inquiry into my own, and in the end the two stories became difficult to separate. Five years ago, when Jaffe's thirty-five-foot Fuji ketch was found drifting off the Baja coast, it seemed a sure thing he'd gone overboard. The note he left behind admitted he was flat broke, his business bankrupt, his real estate gambit nothing but a huge Ponzi scheme about to collapse, with criminal indictment certain to follow. When the authorities soon after descended on his banks and his books, there was nothing left: Jaffe had stripped the lot. Given my insatiable curiosity and my natural inclination to poke my nose in where it doesn't belong, it was odd to realize how little attention I'd paid to my own past. I'd simply accepted what I was told, constructing my personal mythology on the flimsiest of facts. But Jaffe wasn't quite without assets. There was the $500,000 life insurance policy made out to his wife and underwritten by California Fidelity. With no corpse to prove death, however, the insurance company was in no hurry to pay the claim. Dana Jaffe had to wait out the statutory five years until her missing husband could be declared legally dead. Just two months before Wendell Jaffe was sighted in that dusty resort bar, California Fidelity finally paid in full.Now they wanted the truth. And they were willing to hire Kinsey Millhone to dig it up. As Kinsey pushes deeper into the mystery surrounding Wendell Jaffe's pseudocide, she explores her own past, discovering that in family matters as in crime, sometimes it's better to reserve jud

Investigator Jeri Howard is fascinated by the beautiful horses and the zealous spectators at stylish Edgewater Downs. But behind the scenes, where the owners, trainers, jockeys, and grooms mingle, life is not so pretty. Someone is terrorizing owner-trainer Molly Torrance with sinister phone threats. Who would be so malicious? Jeri's money is on ambitious jockey Benita Pascal, whom Molly recently fired. But what about great horses suddenly losing races? Or the blonde Jeri spies betting a bundle on the longest of long shots? And what about . . . cold-blooded murder? For when death's dark horse hugs the rail, Jeri gallops to find a ruthless killer.

"Crombie’s characters are rich, emotionally textured, fully human. They are the remarkable creations of a remarkable writer."—Louise Penny “Nobody writes the modern English mystery the way Deborah Crombie does—and A Bitter Feast is the latest in a series that is gripping, enthralling, and just plain the best.”   — Charles Todd, New York Times bestselling author of The Black Ascot and A Cruel Deception New York Times bestselling author Deborah Crombie returns with a mesmerizing entry in her “excellent” (Miami Herald) series, in which Scotland Yard detectives Duncan Kincaid and Gemma James are pulled into a dangerous web of secrets, lies, and murder that simmers beneath the surface of a tranquil Cotswolds village. Scotland Yard Detective Superintendent Duncan Kincaid and his wife, Detective Inspector Gemma James, have been invited for a relaxing weekend in the Cotswolds, one of Britain’s most enchanting regions, famous for its rolling hills, golden cottages, and picturesque villages. Duncan, Gemma, and their children are guests at Beck House, the family estate of Melody Talbot, Gemma’s detective sergeant. The Talbot family is wealthy, prominent, and powerful—Melody’s father is the publisher of one of London’s largest and most influential newspapers. The centerpiece of this glorious fall getaway is a posh charity harvest luncheon catered by up-and-coming chef Viv Holland. After fifteen years in London’s cut-throat food scene, Viv has returned to the Gloucestershire valleys of her childhood and quickly made a name for herself with her innovative meals based on traditional cuisine but using fresh local ingredients. Attended by the local well-to-do as well as national press food bloggers and restaurant critics, the event could make Viv a star. But a tragic car accident and a series of mysterious deaths rock the estate and pull Duncan and Gemma into the investigation. It soon becomes clear that the killer has a connection with Viv’s pub—or, perhaps, with Beck House itself. Does the truth lie in the past? Or is it closer to home, tied up in the tangled relationships and bitter resentments between the staff at Beck House and Viv’s new pub? Or is it more personal, entwined with secrets hidden by Viv and those closest to her?

A body in the back of a taxi begins an elegantly constructed mystery, perhaps the finest of Marsh's 1930s novels. The season had begun. Débutantes and chaperones were planning their luncheons, teas, dinners, balls. And the blackmailer was planning his strategies, stalking his next victim. But Chief Detective Inspector Roderick Alleyn knew that something was up. He had already planted his friend Lord Robert Gospell at the scene. But someone else got there first...

"Diane Fallon has been working hard to put the past behind her, and she has established herself as the head of the River Trail Museum of Natural History. Late one night at the museum, Diane is shocked when terrified cries lead her to an injured man--a former coworker Diane recognizes from her time as a human rights activist in South America. Clutching a child's femur in his hands, he whispers to her, 'It was one of us--' and dies. Left with a body, a bone, and a cryptic message, Diane has to dig into her past with World Accord International--before the next human rights abused are hers."--P. [4] of cover.

In the shadow of Diane Fallon's new forensic lab in Georgia, a land survey crew has discovered three bodies hanging in an isolated patch of woods. The sensational case has aroused the interest of the media, unnerved the locals--and inspired a gruesome game between the killer and Diane. It begins with taunting e-mails and chilling phone calls. Where it leads is a dangerously personal investigation as each bizarre clue brings Diane closer to a heartless betrayal and a desperate man's obsession for justice--and revenge.

The New York Times bestselling author of Lethal Letters returns to the North Carolina Coast, where aspiring novelist and amateur sleuth Olivia Limoges discovers crime doesn’t take a vacation . . .   After Olivia and Chief Rawlings enjoy a brief honeymoon on Palmetto Island, they’re joined by the rest of the Bayside Book Writers for the Coastal Carolina Crime Festival. The festival’s highlight is Silas Black, celebrity screenwriter and television producer, who is currently working on a popular television show in North Carolina.   As the festival gets under way, a trickster seems to be bringing famous local ghost stories to life. But when the body of a woman close to Black is found on the beach, Olivia and her friends must deduce who on the island could resort to murder—before the sands of time run out for someone else…