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Renowned urban artist Shepard Fairey's new look for Orwell's classic dystopian tale One of Britain's most popular novels, George Orwell's Nineteen Eighty-Four is set in a society terrorised by a totalitarian ideology propagated by The Party. Winston Smith works for the Ministry of Truth in London, chief city of Airstrip One. Big Brother stares out from every poster, the Thought Police uncover every act of betrayal. When Winston finds love with Julia, he discovers that life does not have to be dull and deadening, and awakens to new possibilities. Despite the police helicopters that hover and circle overhead, Winston and Julia begin to question the Party; they are drawn towards conspiracy. Yet Big Brother will not tolerate dissent - even in the mind. For those with original thoughts they invented Room 101. . . Nineteen Eighty-Four is George Orwell's terrifying vision of a totalitarian future in which everything and everyone is slave to a tyrannical regime. The novel also coined many new words and phrases which regular appear in popular culture, such as 'Big Brother', 'thoughtcrime', 'doublethink' and 'Newspeak'.

Baie jare gelede was Oupa 'n bobaasvlieenier in die Tweede Wereldoorlog. Maar sedertdien is hy na die ouetehuis Twilight Towers toe gestuur waar die onheilspellende matrone Swine die septer swaai. Oupa en sy kleinseun, Jack, moet 'n waaghalsige plan beraam om te ontsnap. Min weet hulle dat die bose matrone hulle fyn dophou ...

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The Stranger is a rite of passage for readers around the world. Since its publication in France in 1942, Camus’s novel has been translated into sixty languages and sold more than six million copies. It’s the rare novel that’s as at likely to be found in a teen’s backpack as in a graduate philosophy seminar. If the twentieth century produced a novel that could be called ubiquitous, The Stranger is it.How did a young man in his twenties who had never written a novel turn out a masterpiece that still grips readers more than seventy years later? With Looking for “The Stranger”, Alice Kaplan tells that story. In the process, she reveals Camus’s achievement to have been even more impressive—and more unlikely—than even his most devoted readers knew.Born in poverty in colonial Algeria, Camus started out as a journalist covering the criminal courts. The murder trials he attended, Kaplan shows, would be a major influence on the development and themes of The Stranger. She follows Camus to France, and, making deft use of his diaries and letters, re-creates his lonely struggle with the novel in Montmartre, where he finally hit upon the unforgettable first-person voice that enabled him to break through and complete The Stranger.Even then, the book’s publication was far from certain. France was straining under German occupation, Camus’s closest mentor was unsure of the book’s merit, and Camus himself was suffering from near-fatal tuberculosis. Yet the book did appear, thanks in part to a resourceful publisher, Gaston Gallimard, who was undeterred by paper shortages and Nazi censorship.The initial critical reception of The Stranger was mixed, and it wasn’t until after liberation that The Stranger began its meteoric rise. As France and the rest of the world began to move out of the shadow of war, Kaplan shows, Camus’s book— with the help of an aggressive marketing campaign by Knopf for their 1946 publication of the first English translation—became a critical and commercial success, and Camus found himself one of the most famous writers in the world. Suddenly, his seemingly modest tale of alienation was being seen for what it really was: a powerful parable of the absurd, an existentialist masterpiece.Few books inspire devotion and excitement the way The Stranger does. And it couldn’t have a better biographer than Alice Kaplan, whose books about twentieth-century French culture and history have won her legions of fans. No reader of Camus will want to miss this brilliant exploration.

William Wallace saw his father and brother murdered by the English in the 13th century war against the Scots. As he grew up he became a leader of the Scottish people. He also had a brief romantic encounter with the English queen.

“one of the most important plays of our time” --Howard Taubman, The New York TimesIn Vichy France in 1942, eight men and a boy are seized by the collaborationist authorities and made to wait in a building that may be a police station. Some of them are Jews. All of them have something to hide—if not from the Nazis, then from their fellow detainees and, inevitably, from themselves. For in this claustrophobic antechamber to the death camps, everyone is guilty. And perhaps none more so than those who can walk away alive.In Incident at Vichy, Arthur Miller re-creates Dante's hell inside the gaping pit that is our history and populates it with sinners whose crimes are all the more fearful because they are so recognizable.

HarperCollins is proud to present its incredible range of best-loved, essential classics.Winston Smith rewrites history. It’s his job. Hidden away in the Record Department of the sprawling Ministry of Truth, he helps the Party, and the omnipresent Big Brother, control the people of Oceania.Winston knows what a good citizen of Oceania must do: show his devotion for Big Brother and the Party; abstain from all vices; and, most importantly, possess no critical thoughts of their own. The new notebook he’s begun to write in is definitely against the rules – in fact, the Thought Police could arrest him simply for having it. Yet, as Winston begins to write his own history, a seed of rebellion begins to grow in his heart – one that could have devastating consequences.In George Orwell’s final and most well-known novel, he explores a dystopian future in which a totalitarian government controls the actions, thoughts and even emotions of its citizens, exercising power through control of language and history. Its lasting popularity is testament to Orwell’s powerful prose, and is a passionate political warning for today.

Originally published in 1941, Arthur Koestler's modern masterpiece, "Darkness At Noon," is a powerful and haunting portrait of a Communist revolutionary caught in the vicious fray of the Moscow show trials of the late 1930s. During Stalin's purges, Nicholas Rubashov, an aging revolutionary, is imprisoned and psychologically tortured by the party he has devoted his life to. Under mounting pressure to confess to crimes he did not commit, Rubashov relives a career that embodies the ironies and betrayals of a revolutionary dictatorship that believes it is an instrument of liberation. A seminal work of twentieth-century literature, "Darkness At Noon" is a penetrating exploration of the moral danger inherent in a system that is willing to enforce its beliefs by any means necessary.

'Listen, Švejk, are you really God's prize oaf?''Humbly report, sir,' Švejk answered solemnly. 'I am!'Drunkard, malingerer, oaf and possible genius - the story of Czech soldier Svejk and his misadventures in the First World War is one of the most hilarious and subversive satires on war ever written.A new series of twenty distinctive, unforgettable Penguin Classics in a beautiful new design and pocket-sized format, with coloured jackets echoing Penguin's original covers.

Master spy Bernard Samson is back and in top form once again in bestselling author Len Deighton's new thriller trilogy.As the Berlin Wall Begins to crumble, Bernard Samson is caught up in an ever - changing situation and the devious squabbles that infest the service.And as cold - war loyalties shift in the freezing wind, Samson is forced back into the "game" he longs to leave, this time without the certainty that evil lurks only on the other side.Caught between his job and his ethics, his past and his future, and the two women he loves, trapped in a maze of deception and danger where nothing is what it seems any longer, Samson undertakes his most dazzling mission yet - one that leads him from the seeming innocence of rural Poland, to the dubious heart of civilization that is London Central.In the end, he has only himself to depend on, only hope to keep him from harm.