Empfehlungen basierend auf "Real Friends Talk About Race: Bridging the Gaps Through Uncomfortable Conversations"

'Not only a riveting tale of Black women's leadership of slave revolts but an equally dramatic story of the engaged scholarship that enabled its discovery' Angela Y. DavisWomen warriors planned and led slave revolts on slave ships during the passage across the Atlantic. They fought their enslavers throughout the Americas. And then they were erased from history.In Wake Rebecca Hall, a historian, a granddaughter of slaves, and a woman haunted by the legacy of slavery, tells their story. With in-depth archival research and a measured use of historical imagination, she constructs the likely pasts of women rebels who fought for freedom on slave ships bound to America, as well as the stories of women who led slave revolts in Colonial New York. Beneath both is Hall's own tale: of a life lived in the shadow of slavery and its consequences.Strikingly illustrated in black and white, Wake explores both a personal and a global legacy. Part graphic novel, part memoir, it is a powerful reminder that while the past is gone, we still live in its wake.

GUARDIAN MUST READ BOOKS OF 2019FINANCIAL TIMES BOOKS TO READ 2019NEW STATESMAN MUST READS 2019'A truly radical book, which manages to be unflinching and constantly entertaining'CAROLINE SANDERSON, THE BOOKSELLER BOOK OF THE MONTH APRIL 2019AFRICAN BOOKS ADDICT MOST ANTICIPATED BOOKS OF 2019***Who is a roadman really? What's wrong with calling someone a 'lighty'? Why do people think black guys are cool?These are just some of the questions being wrestled with in Black, Listed, an exploration of 21st century black identity told through a list of insults, insights and everything in-between.Taking a panoramic look at global black history, interrogating both contemporary and historical culture, Black, Listed investigates the ways in which black communities (and individuals) have been represented, oppressed, mimicked, celebrated, and othered. Part historical study, part autobiographical musing, part pop culture vivisection, it's a comprehensive attempt to make sense of blackness from the vantage point of the hilarious and insightful psyche of Jeffrey Boakye. Along the way, it explores a far reaching range of social and cultural contexts, including but not limited to, sport, art, entertainment, politics, literature, history, music, theatre, cinema, education and criminal justice, sometimes at the same time.

A Guardian and Lit Hub most anticipated book of 2024 An exhilarating biography of the iconic poet, essayist and activist Audre Lorde Read these chapters like a collection of poems that speak in chorus in all directions. Understand each word as an opportunity for Audre's fierce love, which is the same love that birthed the volcanoes and split the continents, to reach you, wherever you are. Audre Lorde was a survivor: of childhood disability injustice, of her best friend's suicide, of the atomic age. She was a college activist against nuclear arms. A mother who knew poetry could help her children survive a racist world. And, ultimately, a cancer survivor, who understood the war going on within her cells was connected to the struggle against oppression taking place all around her. This stunning new account of Lorde's life and work illuminates how, for Lorde, survival was not simply about getting through, or about resilience. It was about how to live on, and with, a planet in transformation. Lorde's commitment to justice was intimately connected to her deep engagement with the natural world; with the planetary dynamics of geology, meteorology, and biology. For Lorde, ecological images are not simply metaphors but rather literal guides to how to be on earth, and how to live fully as a Black feminist lesbian warrior poet. In Survival Is a Promise, Alexis Pauline Gumbs, the first researcher to explore the full depths of Lorde's manuscript archives, illuminates the eternal life of Audre Lorde. Her life and work swell to become a cosmic force, showing us the grand possibility of life together on earth.

The long-awaited guide to life for a generation of black British women inspired to make lemonade out of lemons, and find success in every area of their lives.Observer’s 18 for 2018: the talent and trends tipped for the topElle’s 12 addictive books you have to read to get through in 2018Metro’s best new books you have to get through in 2018BBC’s hotly anticipated debut authors for 2018Black women in 2018 are well past making waves – we’re currently creating something of a tsunami. From authors to politicians, to entrepreneurs to artists, black women in the UK continue to thrive against all odds and well outside of the world’s expectations. Women who look like us, grew up in similar places to us, talk like us, are shaping almost every societal sector, from the bottom and, finally, from all the way up at the top.Black women today are facing uniquely challenging experiences in all aspects of their lives. Yet when best friends Yomi Adegoke and Elizabeth Uviebinené’s searched for a book that addressed these challenges they realised none existed. So Slay in Your Lane – the lovechild of exasperation and optimism – was born.From education, to work, to dating, to representation, money and health, this inspirational, honest and provocative Black Girl Bible explores the ways in which being black and female affects each of these areas – and offers advice and encouragement on how to navigate them.Illustrated with stories from Elizabeth and Yomi’s own lives, and from interviews with dozens of the most successful black women in Britain – including Amma Asante, Charlene White, Jamelia, Denise Lewis, Malorie Blackman and Dawn Butler MP – Slay in Your Lane recognizes and celebrates the strides black women have already made, whilst providing practical advice and inspiration for those who want to do the same and forge a better, visible future.

An instant New York Times, Washington Post and USA Today Bestseller • AN OPRAH BOOK CLUB SELECTION • ONE OF THE ATLANTIC'S "GREAT AMERICAN NOVELS" • BARACK OBAMA'S FAVORITE BOOKS OF 2021 • WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR FICTIONA BEST BOOK OF THE YEAR: New York Times • Time • Washington Post • Oprah Daily • People • Boston Globe • BookPage • Booklist • Kirkus • Atlanta Journal-Constitution • Chicago Public LibraryFinalist for the PEN/Hemingway Award for Debut Novel • Longlisted for the National Book Award for Fiction • Finalist for the Kirkus Prize for Fiction • Nominee for the NAACP Image Award"Epic. . . . I was just enraptured by the lineage and the story of this modern African-American family. . . . I’ve never read anything quite like it. It just consumed me." —Oprah WinfreyThe NAACP Image Award-winning poet makes her fiction debut with this magisterial epic—an intimate yet sweeping novel with all the luminescence and force of Homegoing; Sing, Unburied, Sing; and The Water Dancer—that chronicles the journey of one American family, from the centuries of the colonial slave trade through the Civil War to our own tumultuous era.The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.

Beyond Respectability charts the development of African American women as public intellectuals and the evolution of their thought from the end of the 1800s through the Black Power era of the 1970s. Eschewing the Great Race Man paradigm so prominent in contemporary discourse, Brittney C. Cooper looks at the far-reaching intellectual achievements of female thinkers and activists like Anna Julia Cooper, Mary Church Terrell, Fannie Barrier Williams, Pauli Murray, and Toni Cade Bambara. Cooper delves into the processes that transformed these women and others into racial leadership figures, including long-overdue discussions of their theoretical output and personal experiences. As Cooper shows, their body of work critically reshaped our understandings of race and gender discourse. It also confronted entrenched ideas of how--and who--produced racial knowledge.

A National Book Critics Circle Finalist in Autobiography * Finalist for a Lambda Literary Award * Named one of the most anticipated books of the year by USA Today, Bitch Magazine, Parade, Salon and Ms. MagazineFrom a fierce and humorous new voice comes a relevant, insightful, and riveting collection of personal essays on the richness and resilience of black girl culture—for readers of Samantha Irby, Roxane Gay, Morgan Jerkins, and Lindy West.Shayla Lawson is major. You don’t know who she is. Yet. But that’s okay. She is on a mission to move black girls like herself from best supporting actress to a starring role in the major narrative. Whether she’s taking on workplace microaggressions or upending racist stereotypes about her home state of Kentucky, she looks for the side of the story that isn’t always told, the places where the voices of black girls haven’t been heard.The essays in This is Major ask questions like: Why are black women invisible to AI? What is “black girl magic”? Or: Am I one viral tweet away from becoming Twitter famous? And: How much magic does it take to land a Tinder date?With a unique mix of personal stories, pop culture observations, and insights into politics and history, Lawson sheds light on these questions, as well as the many ways black women and girls have influenced mainstream culture—from their style, to their language, and even their art—and how “major” they really are.Timely, enlightening, and wickedly sharp, This Is Major places black women at the center—no longer silenced, no longer the minority.

An exquisite meditation on the geographies we inherit and the metaphors we inhabit, from Pulitzer Prize winner and nineteenth U.S. poet laureate Natasha Trethewey "Searching and intimate, this impresses."--Publishers Weekly In a shotgun house in Gulfport, Mississippi, at the crossroads of Highway 49, the legendary highway of the Blues, and Jefferson Street, Natasha Trethewey learned to read and write. Before the land was a crossroads, however, it was a pasture: a farming settlement where, after the Civil War, a group of formerly enslaved women, men, and children made a new home. In this intimate and searching meditation, Trethewey revisits the geography of her childhood to trace the origins of her writing life, born of the need to create new metaphors to inhabit "so that my story would not be determined for me." She recalls the markers of history and culture that dotted the horizons of her youth: the Confederate flags proudly flown throughout Mississippi; her gradual understanding of her own identity as the child of a Black mother and a white father; and her grandmother's collages lining the hallway, offering glimpses of the world as it could be. With the clarity of a prophet and the grace of a poet, Trethewey offers up a vision of writing as reclamation: of our own lives and the stories of the vanished, forgotten, and erased.

“As timely as it is well-written, this clear-eyed collection is just what I need right now.” —Jacqueline Woodson, author of Brown Girl Dreaming“The intersectional feminist anthology we all need to read” (Bustle), edited by a feminist activist and writer who “calls to mind a young Audre Lorde” (Kirkus)Why do some women struggle to identify as feminists, despite their commitment to gender equality? How do other aspects of our identities – such as race, religion, sexuality, gender identity, and more – impact how we relate to feminism? Why is intersectionality so important?In challenging, incisive, and fearless essays – all of which appear here for the first time – seventeen writers from diverse backgrounds wrestle with these questions, and more. A groundbreaking book that elevates underrepresented voices, Can We All Be Feminists? offers the tools and perspective we need to create a 21st century feminism that is truly for all.Including essays by: Soofiya Andry, Gabrielle Bellot, Caitlin Cruz, Nicole Dennis-Benn, Brit Bennett, Evette Dionne, Aisha Gani, Afua Hirsch, Juliet Jacques, Wei Ming Kam, Mariya Karimjee, Eishar Kaur, Emer O’Toole, Frances Ryan, Zoé Samudzi, Charlotte Shane, and Selina Thompson

In The Heart of a Woman Maya Angelou leaves California with her son, Guy, to go to New York. There she enters the society and world of black artists and writers. Not since her childhood has she lived in an almost black environment, and she is surprised at the obsession her new friends have with the white world around them. She stays for a while with John and Grace Killens and begins to read her writing at the Harlem Writers Guild. She continues to sing, most notably at the Apollo Theatre in Harlem, but more and more she begins to take part in the struggle of black Americans for their rightful place in the world. She helps organize a benefit cabaret for the Southern Christian Leadership Conference, and then is appointed Martin Luther Kings Northern Coordinator.Shortly after that, through her friend Abbey Lincoln, she takes one of the lead parts in Genet's The Blacks (it was a remarkable cast, including Godfrey Cambridge, Roscoe Lee Brown, James Earl Jones, Cicely Tyson, Raymond St. Jacques, and Lou Gossett), and even writes music for the production.In the meantime her personal life has taken a tempestuous turn. She has left the New York bail bondsman she was intending to marry and has fallen in love with a South African freedom fighter named Vusumzi Make, who sweeps her off her feet and eventually takes her to London and then to Cairo, where, as her marriage begins to break up, she becomes the first female editor of the English-language magazine.The Heart of a Woman is filled with unforgettable vignettes of famous people, from Billie Holiday to Malcolm X, but perhaps most important is the story of Maya Angelou's relationship with her son. Because this book chronicles, finally, the joys and the burdens of a black mother in America and how the son she had cherished so intensely and worked for so devotedly finally grows to be a man.