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An astonishingly frank and deeply autobiographical account of homosexual relationships in an era when love between men was not only stigmatised, but also illegal, E.M. Forster's Maurice is edited by P.N. Furbank with an introduction by David Leavitt in Penguin Classics. Maurice Hall is a young man who grows up confident in his privileged status and well aware of his role in society. Modest and generally conformist, he nevertheless finds himself increasingly attracted to his own sex. Through Clive, whom he encounters at Cambridge, and through Alec, the gamekeeper on Clive's country estate, Maurice gradually experiences a profound emotional and sexual awakening. A tale of passion, bravery and defiance, this intensely personal novel was completed in 1914 but remained unpublished until after Forster's death in 1970. Compellingly honest and beautifully written, it offers a powerful condemnation of the repressive attitudes of British society, and is at once a moving love story and an intimate tale of one man's erotic and political self-discovery. In his introduction, David Leavitt explores the significance of the novel in relation to Forster's own life and as a founding work of modern gay literature. This edition reproduces the Abinger text of the novel, and includes new notes, a chronology and further reading. E. M. Forster (1879-1970) was a noted English author and critic and a member of the Bloomsbury group. His first novel, Where Angels Fear To Tread appeared in 1905. The Longest Journey appeared in 1907, followed by A Room With A View (1908), based partly on the material from extended holidays in Italy with his mother. Howards End (1910) was a story that centred on an English country house and dealt with the clash between two families, one interested in art and literature, the other only in business. Maurice was revised several times during his life, and finally published posthumously in 1971. If you enjoyed Maurice, you might like Forster's A Room With a View, also available in Penguin Classics.

'If you are lucky enough to have lived in Paris as a young man, then wherever you go for the rest of your life, it stays with you, for Paris is a moveable feast.' Hemingway's memories of his life as an unknown writer living in Paris in the 1920s are deeply personal, warmly affectionate and full of wit. Looking back not only at his own much younger self, but also at the other writers who shared Paris with him - literary 'stars' like James Joyce, Wyndham Lewis, Scott and Zelda Fitzgerald, Ezra Pound and Gertrude Stein - he recalls the time when, poor, happy and writing in cafes, he discovered his vocation.

THE INTERNATIONAL BESTSELLERIlja Leonard Pfeijffer’s moving and addictive masterpiece of European identity, nostalgia and the end of an era.‘A masterpiece: grandiose style, brilliant and rich. It will defy the ages’ Trouw (The Netherlands)‘The love of my life lives in my past. That is, despite the alliteration, a terrible sentence to write. I do not want to come to the conclusion that, as it is the case for the hotel where I am staying and the continent after which it is named, the best time is behind me and that I have little more to expect from the future than to live on my past.’A writer takes residence in the illustrious but decaying Grand Hotel Europa, to think about where things went wrong with Clio, with whom he fell in love in Genoa and moved to Venice. He reconstructs a compelling story of love in times of mass tourism, about their trips to Malta, Palmaria, Portovenere and the Cinque Terre and their thrilling search for the last painting of Caravaggio. Meanwhile, he becomes fascinated by the mysteries of Grand Hotel Europe and gets more and more involved with the memorable characters who inhabit it, and who seem to come from a more elegant time. All the while, globalisation seems to be grabbing hold even on this place frozen in time.Grand Hotel Europa is Ilja Leonard Pfeijffer’s masterly novel on the old continent, where so much history resides that there is no place left for a future and where the most realistic future perspectives are offered in the form of exploiting the past in the shape of tourism.

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Patrick Hamilton may be best known now for the plays Rope and Gaslight and for the classic Alfred Hitchcock and George Cukor movies they inspired, but in his heyday he was no less famous for his brooding tales of London life. Featuring a Dickensian cast of pubcrawlers, prostitutes, lowlifes, and just plain losers who are looking for love—or just an ear to bend—Hamilton’s novels are a triumph of deft characterization, offbeat humor, unlikely compassion, and raw suspense. In recent years, Hamilton has undergone a remarkable revival, with his champions including Doris Lessing, David Lodge, Nick Hornby, and Sarah Waters.Twenty Thousand Streets Under the Sky is a tale of obsession and betrayal that centers on a seedy pub in a run-down part of London. Bob the waiter skimps and saves and fantasizes about writing a novel, until he falls for the pretty prostitute Jenny and blows it all. Kindly Ella, Bob’s co-worker, adores Bob, but is condemned to enjoy nothing more than the attentions of the insufferable Mr. Eccles; Jenny, out on the street, is out of love, hope, and money. We watch with pity and horror as these three vulnerable and yet compellingly ordinary people meet and play out bitter comedies of longing and frustration.

In this final volume of The Forsyte Saga Galsworthy writes about the lives and loves of the Cherrell family, cousins of the Forsytes. For centuries, the Cherrell sons have left their home of Condaford Grange to serve the state as soldiers, clergymen and administrators, but the 1930s bring uncertainty in a world of rapidly altering morals and unemployment. Galsworthy’s portrayal of the effect of political change on individuals show him as a great social novelist as well as the author of one of the most gripping family sagas ever written.

The women of No. 13 Article Row know that joy is short lived in the London of 1941. It's a treacherous place, especially for the tender-hearted. As Valentine's Day approaches, the perils of war threaten life as they know it and all matters of the heart.

In the small university town of Salterton, Ontario, dreams are quietly taking shape, or falling apart.There's the Salterton Little Theatre Company, in which professional director Valentine Rich is tormented by the amateurish efforts of his actors. The families Vambrace and Bridgetower almost go to war over a fake notice of engagement in the local paper. And a family fortune is lavished on an aspiring singer because there is no male heir to claim it.Tracing the lives and incidents of a small community in the middle of the last century, "The Salterton Trilogy" peels off the public veneer of geniality and respectability to reveal the private passions churning beneath.

With the arrival of baby Gloria in the house, Frances feels that living with her parents is not as much fun as it used to be. So after dinner, she runs away under the dining room table. But when she overhears her parents talking about how much they miss her, she decides that she should go back home.

It is the summer of 1940, and all of England fears an invasion by Hitler's army. Norah lies in bed listening to the anxious voices of her parents downstairs. Then Norah is told that she and her brother, Gavin, are being sent to Canada. The voyage across the ocean is exciting, but at the end of it Norah is miserable. The rich woman who takes them in prefers Gavin to her, the children at school taunt her, and as the news from England becomes worse, she longs for home. As Norah begins to make friends, she discovers a surprising responsibility that helps her to accept her new country.