Empfehlungen basierend auf "Quentin Tarantino The iconic filmmaker and his work"

From one of the greatest rock guitarists of our era comes a memoir that redefines sex, drugs and rock 'n' roll.He was born in England, but raised in LA, spending an adolescence on the streets of Hollywood, discovering drugs, drinking, rock music and girls, all the while achieving notable status as a BMX rider. But everything changed the day when, aged 15, Slash first held the beat-up, one-string guitar his grandmother had discarded in a closet.The instrument became his voice and as soon as he could string chords and a solo together, Slash wanted to be in a band. He found that band in the form of four young men of equal minds: Axl Rose, Izzy Stradlin, Steven Adler and Duff McKagan. Together they became Guns N' Roses, one of the greatest rock 'n' roll bands of all time. Dirty, volatile and as authentic as the streets that weaned them, they fought their way to the top with ground-breaking albums such as the iconic Appetite for Destruction and Use Your Illusions 1 and 2.Here, for the first time ever, Slash tells the tale that has yet to be told: how the band came together, how they wrote the music that defined an era, how they survived insane, never-ending tours, how they rode the most excessive rock 'n' roll wave of a generation and, ultimately, how it all fell apart. This is a window into the world of the notoriously private guitarist and a seat on the rollercoaster ride that was one of history's greatest rock and roll machines: always on the edge of self-destruction even at the pinnacle of success.Slash is also an intensely personal account of struggle and triumph: as Guns N' Roses journeyed to the top, Slash battled his demons, escaping the overwhelming reality with women, heroin, coke, crack, vodka and whatever else came to mind.He survived it all: lawsuits, rehab, riots, notoriety, debauchery and destruction, and ultimately found his creative evolution. From Slash's Snakepit to his current band, the massively successful Velvet Revolver, Slash found an even keel by sticking to his guns.Slash is everything the man, the myth, the legend inspires: it's funny, honest, jaw-dropping and in a word... excessive.

The bestselling memoir from the greatest relief pitcher of all time. He is listed along with Ruth, Mantle, Gehrig, and DiMaggio as a top-five Yankee of all time. He is the man who has intimidated thousands of batters by merely opening a bullpen door. Rivera is also a man of God and family whose contributions to charity and community ensure a meaningful life long after his time as The Closer is over. Now he tells his full story in this widely acclaimed instant bestseller: the championships, the bosses (including The Boss), the rivalries, the struggles of being a Latino baseball player in the United States, and of maintaining Christian values in professional athletics. He discusses his drive to win, the secrets behind his legendary composure, what it's like to run up to that mound with the game--or the season--squarely on his shoulders.

The New York Times bestseller based on the Oscar nominated documentary film In June 1979, the writer and civil rights activist James Baldwin embarked on a project to tell the story of America through the lives of three of his murdered friends: Medgar Evers, Malcolm X and Martin Luther King, Jr. He died before it could be completed. In his documentary film, I Am Not Your Negro, Raoul Peck imagines the book Baldwin never wrote, using his original words to create a radical, powerful and poetic work on race in the United States - then, and today. 'Thrilling . . . A portrait of one man's confrontation with a country that, murder by murder, as he once put it, "devastated my universe"' The New York Times 'Baldwin's voice speaks even more powerfully today . . . the prose-poet of our injustice and inhumanity . . . The times have caught up with his scalding eloquence' Variety 'A cinematic séance . . . One of the best movies about the civil rights era ever made' Guardian 'I Am Not Your Negro turns James Baldwin into a prophet' Rolling Stone

The legendary Frank Zappa, one of the most influential, innovative and controversial musical artists for the past 20 years, takes us on a wild, funny trip through his life and times. Along the way, Zappa offers his inimitable views on many things such as art, politics and beer.

A lavishly illustrated tribute to the greatest entertainer of a generation. 'The world has lost one of the greats but his music will live on forever' - Madonna Michael Jackson was the undisputed King of Pop and his untimely death has provoked tributes from around the world. With a colourful life spanning from 1968 when Michael was a member of the Jackson 5 to his recent announcement of a final comeback tour at the O2 in London, nobody can dispute the achievements of the man who was arguably the greatest artist of the millenium. This fully illustrated book offers an insightful tribute to the man behind Thriller, the world's best selling album of all time. Including sections on Michael's early life and the Jackson 5, the making of Off the Wall and Thriller, and the troubled years leading right up to his announcement of a comeback tour, this will be a comprehensive and fitting tribute to a legendary pop star, the likes of which the world will never see again.

A revealing biography of Kanye West explores the artist—and the man.Kanye West is a star. His music has jumped from sensation to staple in the rap industry, while his personality, his philosophies, and his willingness to speak out for what he believes in regularly place him at the center of controversy. Kanye West: A Biography traces the star's life from his birth through the present day to paint a detailed picture of the artist and the man.Raised by a single mother who was an English professor in Chicago, West admits he came from "the wrong side of the mall" rather than the wrong side of the tracks. His name, his style, and the way he conducts his business are unique. His thoughtful reflections in interviews reveal a complex man few have taken the time to understand. This biography looks at that multifaceted star, exploring his career as singer and producer, but also looking at the forces that prepared him to chase his dreams—and chase off anyone who stood in his way.

This work examines the fascinating life and art of the African American painter Jean-Michel Basquiat (1960-1988).Jean-Michel Basquiat was barely out of his teens when he rocketed to the center of New York's art scene. He was 27 when he died of a heroin overdose. Always controversial, Basquiat is now established as a major contemporary painter whose unique work continues to enthrall.Jean-Michel Basquiat: A Biography covers the artist's Brooklyn childhood, his teenage years as a homeless graffiti painter, and his rise through the art world. Along with a discussion of his life and work, including his use of Afrocentric themes, the book offers background on related contemporary art movements. Special attention is given to Basquiat's friendship with Keith Haring and collaborations with Andy Warhol. The book also explores Basquiat's difficult relations with gallery owners and other authority figures, his problems with drug use, and his early death. A final chapter covers his continuing relevance and ongoing influence.

From the cofounder of Five Finger Death Punch, a fascinating inside account of one of the most successful heavy-metal bands of the past decade, and a revealing personal journey through the wild highs and terrifying lows of the rock and roll lifestyle—a wry and rollicking tale of music, addiction, and recovery.Hailed by the New York Times as one of the most unexpectedly consistently popular bands on the rock charts, Five Finger Death Punch has become the new heavyweight champ of the metal scene. In this high-energy memoir, Jeremy Spencer, the band’s cofounder and drummer, takes us onstage and behind the scenes, on tour and into the studio to tell the band’s story and his own.Death Punch’d is a detailed in-depth account of the group’s origins and influences, as well as the infighting and tensions that, when channeled properly, result in the music fans love. It is also the hard-charging, laugh-out-loud tale of how a mischievous boy rose from small-town Indiana to rock royalty—and how he nearly destroyed it all for a good time.Told in his unique, self-deprecating voice, filled with his twisted and humorous take on living the sex, drugs and rock ‘n’ roll dream turned nightmare, and including dozens of photos, Death Punch’d is a lively, no-holds-barred ride and an inspiring cautionary tale that offers lessons for us all.

"Jeff Pearlman breaks down Tupac's life like a veteran sportswriter examining a dynasty. This detailed look at his life is the work of a writer who understands the ego of greatness."--Chuck D "Pearlman delivers rich, engrossing, and fascinating new details about Shakur's life and legacy--not just once or twice--but throughout each lively page...This is the type of needed journalism, reporting, and biography that finally and deservedly provides the definitive historic account on Shakur."--Jonathan Abrams, author of The Come Up: An Oral History of the Rise of Hip-Hop Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac's story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured--his edges sanded down, his complexity numbed--by the competing agendas that surround his legacy. In Only God Can Judge Me, accomplished biographer and New York Times bestselling author Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac's life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like Juice and Poetic Justice to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure, Only God Can Judge Me also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music. Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac's life, the result offers a truly singular portrait of one of modern pop culture's most towering figures. Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.

On August 21, 1978, a year before his seventieth birthday, Samuel Steward (1909–93) sat down at his typewriter in Berkeley, California, and began to compose a remarkable autobiography. No one but his closest friends knew the many different identities he had performed during his life: as Samuel Steward, he had been a popular university professor of English; as Phil Sparrow, an accomplished tattoo artist; as Ward Stames, John McAndrews, and Donald Bishop, a prolific essayist in the first European gay magazines; as Phil Andros, the author of a series of popular pornographic gay novels during the 1960s and 1970s. Steward had also moved in the circles of Gertrude Stein, Thornton Wilder, and Alfred Kinsey, among many other notable figures of the twentieth century. And, as a compulsive record keeper, he had maintained a meticulous card-file index throughout his life that documented his 4,500 sexual encounters with more than 800 men. The story of this life would undoubtedly have been a sensation if it had reached publication. But after finishing a 110,000-word draft in 1979, Steward lost interest in the project and subsequently published only a slim volume of selections from his manuscript. In The Lost Autobiography of Samuel Steward, Jeremy Mulderig has integrated Steward’s truncated published text with the text of the original manuscript to create the first extended version of Steward’s autobiography to appear in print—the first sensational, fascinating, and ultimately enlightening story of his many lives told in his own words. The product of a rigorous line-by-line comparison of these two sources and a thoughtful editing of their contents, Mulderig’s thoroughly annotated text is more complete and coherent than either source alone while also remaining faithful to Steward’s style and voice, to his engaging self-deprecation and his droll sense of humor. Compellingly readable and often unexpectedly funny, this newly discovered story of a gay life full of wildly improbable—but nonetheless true—events is destined to become a landmark queer autobiography from the twentieth century.