Empfehlungen basierend auf "Quadraphonic Homicide"

*winner Of The Ian Fleming Steel Dagger Award For Best Thriller* *a Financial Times Best Thriller Book Of 2022* You'll Never Know My Name. But You Won't Forget My Number. Behind The Events You Know Are The Killers You Don’t. When Diplomacy Fails, We're The Ones Who Gear Up. Officially We Don’t Exist, But Every Government In The World Uses Our Services. We’ve Been Saving The World, And Your Ass, For One Hundred Years. Sixteen People Have Done This Job Before Me. I Am Seventeen. The Most Feared Assassin In The World. But To Be The Best, You Must Beat The Best. My Next Target Is Sixteen, Just As One Day Eighteen Will Hunt Me Down. It’s A Dog-eat-dog World And It Gets Lonely At The Top. Nobody Gets To Stay For Long. But While We're Here, All That Matters Is That We Win. Visceral, Cinematic And Wildly Addictive, Seventeen Will Keep You On The Edge Of Your Seat And Live Long In The Memory. Until Eighteen Comes Along…

John is a killer and he's a loner until he meets Sheila, the first person to see behind his mask, but when John goes up on a manslaughter charge, Sheila disappears.

In 1993 Marie Gesto disappeared after walking out of a supermarket. Harry Bosch worked the case but couldn't crack it, and the twenty-two-year-old was never found. Now, more than a decade later, with the Gesto file still on his desk, Bosch gets a call from the District Attorney. A man accused of two heinous murders is willing to come clean about several others, including the killing of Marie Gesto. Taking the confession of the man he has sought-and hated-for thirteen years is bad enough. Discovering that he missed a clue back in 1993 that could have stopped nine other murders may just be the straw that breaks Harry Bosch.

The cruel and bizarre slaying of a beautiful teen leads Detective Decker into the dark heart of an exotic subculture: the seamy, sometimes violent world of Southern California's rootless, affluent youth. But even the confession of a disturbed kid with cold "killer eyes" cannot soothe Decker's inner torment. For he knows in his gut this crime goes much deeper and higher than anyone expects -- and that true justice, brutal and complete, has yet to be done.

NEW YORK TIMES BESTSELLERAfter thirty-five riveting, internationally acclaimed novels of psychological suspense, #1 New York Times bestselling author Jonathan Kellerman returns with his most stunning thriller to date. Killer is a mesmerizing L.A. noir portrayal of the darkest impulses of human nature carried to shocking extremes. The City of Angels has more than its share of psychopaths, and no one recognizes that more acutely than the brilliant psychologist and police consultant Dr. Alex Delaware. Despite that, Constance Sykes, a sophisticated, successful physician, hardly seems like someone Alex needs to fear. Then, at the behest of the court, he becomes embroiled in a bizarre child custody dispute initiated by Connie against her sister and begins to realize that there is much about the siblings he has failed to comprehend. And when the court battle between the Sykes sisters erupts into cold, calculating murder and a rapidly growing number of victims, Alex knows he's been snared in a toxic web of pathology. Nothing would please Alex more than to be free of the ugly spectacle known as Sykes v. Sykes. But then the little girl at the center of the vicious dispute disappears and Alex knows he must work with longtime friend Detective Milo Sturgis, braving an obstacle course of Hollywood washouts, gangbangers, and self-serving jurists in order to save an innocent life. Killer is Kellerman—and Delaware—at their finest.Praise for Killer “As usual, the rapport between Alex and Milo is a show-stealer, and longtime fans . . . will love the well-executed flashbacks to Alex's professional past.”—Booklist “Kellerman kicks this one up to a whole new level.”—RT Book ReviewsPraise for Jonathan Kellerman “Jonathan Kellerman has justly earned his reputation as a master of the psychological thriller.”—People “Kellerman really knows how to keep those pages turning.”—The New York Times Book Review

For all fans of Michael Connelly and Dennis Lehane, The Killing House is the amazing first novel in a stunning new series by Chris Mooney, author of the popular CSI Darby McCormick thrillers. It introduces fallen angel and former profiler Malcolm Fletcher who is forced to take the law into his own hands in order to uncover the truth in his terrifying first case. Rule #1: Don't Scream Four years ago, Theresa Herrera's ten-year-old son Rico was abducted. The police found little evidence and the case went cold. Theresa's husband has told her to move on, but she won't give up hope. Rule #2: Don't call the police Today a mysterious woman invaded Theresa's home and told her that Rico is alive. Theresa talks on the phone to a young man who is, without question, her son. Rule #3: Don't run. Don't fight The woman promises to reunite Theresa with Rico only if she will follow the rules. But it is the last rule that fills Theresa with horror . . . Rule #4: Kill your husband and your son will live. . . Malcolm Fletcher - a former FBI profiler and now the nation's Most Wanted fugitive - arrives in Colorado to help Theresa and her husband find their son. But his arrival coincides with a dangerous and shocking twist in the case. Barely surviving his first encounter with a suspect, Fletcher embarks on his own secret investigation, with the police just behind him every step of the way. Join Fletcher on his hunt and discover Chris Mooney's charismatic new series character in one of this year's most impressive new thriller series. Behind every door in The Killing House, death awaits you . . . Praise for Chris Mooney: 'One of the best thriller writers working today' Lee Child 'Chris Mooney is a wonderful writer. Compelling, thrilling and touching' Michael Connelly 'It will keep you up past your bedtime' Karin Slaughter 'An exceptional thriller writer. I envy those who have yet to read him' John Connolly 'A scary, breakneck ride with thrills that never let up' Tess Gerritsen 'Harrowing, gripping, haunting' Harlan Coben

In his thrilling novels of suspense, William Bernhardt takes us into the fault lines of the criminal justice system, where one mistake, a twist of fate, or an explosive secret can mean the difference between justice and its cataclysmic undoing. InCapital Offense, attorney Ben Kincaid stands amid the chaos of a violent collision between vengeance and death–and it’s up to him to discover where the truth lies. Professor Dennis Thomas arrives at the law office of Ben Kincaid with a bizarre request: Thomas wants to know if Kincaid can help him beat a murder charge–of a killing yet to happen. The professor’s intended victim: a Tulsa cop who had refused to authorize a search for Thomas’s missing wife. For seven days, Joslyn Thomas had lain in the twisted wreckage of her car, dying a horrifically slow death in an isolated ravine. Now, insane with grief, Thomas wants to kill Detective Christopher Sentz. Kincaid warns him not to, but that very same day someone fires seven bullets into the police officer. Suddenly Kincaid’s conversation with Thomas is privileged and Thomas is begging Kincaid to defend him. Thomas claims he didn’t shoot Sentz–even though he’d wanted to. Something about the bookish, addled Dennis Thomas tugs on Kincaid’s conscience, and against all advice, he decides to represent this troubled man in the center of a media and political firestorm. But the trial doesn’t go Kincaid’s way, and a verdict of capital murder is bearing down on Dennis Thomas. That’s when Kincaid’s personal private detective, Loving, starts prying loose pieces of a shocking secret. Working in the shadows of the law, using every trick that works, Loving risks his life to construct an entirely new narrative about Detective Sentz, Joslyn Thomas, and madness in another guise: the kind that every citizen should fear, and no one will recognize–until it is too late.

John Ceepak and Danny Boyle are making the rounds in Atlantic City when Danny runs into his former crush, Katie. She’s working for a magician named Rock, and her life seems to be in better order than Boyle could have hoped for. But Ceepak and Boyle soon find themselves on another case when Katie is found strangled to death. It is up to Ceepak and Boyle to find out who killed her. Their lives and the lives of others depend on it.

The spellbinding new Ben Hope thriller.

An Atlantic voyage. A family at war. A secret worth killing over.Reporter Jack Parlabane thrives on chasing stories in unlikely places, and where could be less likely than a fan convention on a cruise liner celebrating a contentious Sixties TV series? But unlike the media family exploiting their show's renewed relevance, he's not there to stoke controversy: he's there to solve a murder.Already in deep water with his employer, Jack desperately needs a win, and solving this decades-old mystery could be it. Problem is, he's in the middle of the Atlantic, and someone onboard has already killed once to keep their secret.And that's not even the tricky part. No, the tricky part is definitely the dead body locked in a stateroom with him, covered in his blood. Now Jack has to solve two murders, otherwise the only way he's getting off this ship is in handcuffs - or in a body bag.Quite Ugly One Evening is a zeitgesty locked-room mystery that sees the return of rogue journalist Jack Parlabane thirty years after his first appearance in Quite Ugly One Morning. Praise for Chris Brookmyre:'Chris Brookmyre is a genius' - Richard Osman'In the pantheon of great crime writers' - Elly Griffiths'There's nothing he can't do' - Mick Herron'Chris Brookmyre is a storytelling mastermind' - Chris Whitaker