Empfehlungen basierend auf "Programming Pearls"

Animation is one of the hottest and most creative areas of film-making today . During his more than 40 years in the business, Richard Williams has been one of the true innovators, and serves as the link between the golden age of animation by hand and the new computer animation successes.In this book, based on his sold-out Animation Masterclass in the United States and across Europe, Williams provides the underlying principles of animation that very animator - from beginner to expert, classic animator to computer animation whiz - needs.Using hundreds of drawings, Williams distills the secrets of the masters into a working system in order to create a book that has become the standard work on all forms of animation for professionals, students and fans.This new expanded edition includes more on animal action, invention and realism with sophisticated animation examples

The latest edition of this highly regarded instructional manual. See the great reader reviews posted for the previous editions. With this book and a weekend of your time you can make a plane and learn to use it effectively. You'll also discover a wealth of general woodworking tips and acquire a solid grounding in many fundamentals of fine woodworking. Now in its third printing, "Making and Mastering Wood Planes" by master craftsman David Finck is the definitive book in the field and a classic introduction to the art of fine woodworking. Reviews: “. . . the best book available on making and using Krenov-style wooden planes. Finck's advice on construction and planing techniques is a woodworking education in itself. He also provides excellent insights and instructions on tools, power-tool techniques, jigs and the theories underlying the process of planemaking. A clearly written and far-ranging treatise." -- Ellis Walentine Webmaster & Host, WoodCentral "Essential reading for anyone with an interest in handplanes. I wore out my first copy." -- Christopher Schwarz, Editor, "Popular Woodworking" and "Woodworking Magazine."

The Beautiful Music All Around Us presents the extraordinarily rich backstories of thirteen performances captured on Library of Congress field recordings between 1934 and 1942 in locations reaching from Southern Appalachia to the Mississippi Delta and the Great Plains. Including the children's play song "Shortenin' Bread, " the fiddle tune "Bonaparte's Retreat, " the blues "Another Man Done Gone, " and the spiritual "Ain't No Grave Can Hold My Body Down, " these performances were recorded in kitchens and churches, on porches and in prisons, in hotel rooms and school auditoriums. Documented during the golden age of the Library of Congress recordings, they capture not only the words and tunes of traditional songs but also the sounds of life in which the performances were embedded: children laugh, neighbors comment, trucks pass by.Musician and researcher Stephen Wade sought out the performers on these recordings, their families, fellow musicians, and others who remembered them. He reconstructs the sights and sounds of the recording sessions themselves and how the music worked in all their lives. Some of these performers developed musical reputations beyond these field recordings, but for many, these tracks represent their only appearances on record: prisoners at the Arkansas State Penitentiary jumping on "the Library's recording machine" in a rendering of "Rock Island Line"; Ora Dell Graham being called away from the schoolyard to sing the jump-rope rhyme "Pullin' the Skiff"; Luther Strong shaking off a hungover night in jail and borrowing a fiddle to rip into "Glory in the Meetinghouse."Alongside loving and expert profiles of these performers and their locales and communities, Wade also untangles the histories of these iconic songs and tunes, tracing them through slave songs and spirituals, British and homegrown ballads, fiddle contests, gospel quartets, and labor laments. By exploring how these singers and instrumentalists exerted their own creativity on inherited forms, "amplifying tradition's gifts, " Wade shows how a single artist can make a difference within a democracy.Reflecting decades of research and detective work, the profiles and abundant photos in The Beautiful Music All Around Us bring to life largely unheralded individuals--domestics, farm laborers, state prisoners, schoolchildren, cowboys, housewives and mothers, loggers and miners--whose music has become part of the wider American musical soundscape. The hardcover edition also includes an accompanying CD that presents these thirteen performances, songs and sounds of America in the 1930s and '40s.

In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favorite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humor, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.

'Art can amaze us into changing our minds. This remarkable book teaches us how' En DevlinArtists have learnt to pay attention. The rest of us spend most of our time on autopilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But it doesn't have to be this way.In his typically engaging style, Will Gompertz takes us into the minds of artists - from emerging stars to old masters - to show us how to look at and experience the world with their heightened powers of perception.In See What You're Missing we learn, for example, how Rembrandt can help us see ourselves, how David Hockney helps us to see nature, and how Frida Kahlo can help us see through pain. Each artist has their own unique way of looking, which when applied to our own lives stimulates our senses so we might know the intoxicating feeling of being truly alive.'Highly engaging and thought-provoking' Philip Hook, author of Breakfast at Sotheby's"Lucid and Revealing" Michael Prodger, The TimesWill Gompertz is the best teacher you never had' Guardian

A NEW YORK TIMES, WASHINGTON POST, USA TODAY, AND PUBLISHERS WEEKLY BESTSELLER“[A] diverse and enlightening book . . . The 99% Invisible City is altogether fresh and imaginative when it comes to thinking about urban spaces.”—The New York Times Book Review“Here is a field guide, a boon, a bible, for the urban curious. Your city’s secret anatomy laid bare—a hundred things you look at but don’t see, see but don’t know. Each entry is a compact, surprising story, a thought piece, an invitation to marvel. Together, they are almost transformative. To know why things are as they are adds a satisfying richness to daily existence. This book is terrific, just terrific.”—Mary Roach, New York Times bestselling author of Stiff, Grunt, and Gulp“The 99% Invisible City brings into view the fascinating but often unnoticed worlds we walk and drive through every day, and to read it is to feel newly alive and aware of your place in the world. This book made me laugh, and it made me cry, and it reminded me to always read the plaque.”—John Green, New York Times bestselling author of The Fault in Our Stars and Turtles All The Way DownA beautifully designed guidebook to the unnoticed yet essential elements of our cities, from the creators of the wildly popular 99% Invisible podcastHave you ever wondered what those bright, squiggly graffiti marks on the sidewalk mean?Or stopped to consider why you don't see metal fire escapes on new buildings?Or pondered the story behind those dancing inflatable figures in car dealerships?99% Invisible is a big-ideas podcast about small-seeming things, revealing stories baked into the buildings we inhabit, the streets we drive, and the sidewalks we traverse. The show celebrates design and architecture in all of its functional glory and accidental absurdity, with intriguing tales of both designers and the people impacted by their designs.Now, in The 99% Invisible City: A Field Guide to Hidden World of Everyday Design, host Roman Mars and coauthor Kurt Kohlstedt zoom in on the various elements that make our cities work, exploring the origins and other fascinating stories behind everything from power grids and fire escapes to drinking fountains and street signs. With deeply researched entries and beautiful line drawings throughout, The 99% Invisible City will captivate devoted fans of the show and anyone curious about design, urban environments, and the unsung marvels of the world around them.

This far-ranging book shows how human memory influences the organization of music. The book is divided into two parts. The first part presents basic ideas about memory and perception from cognitive psychology and, to some extent, cognitive linguistics. Topics include auditory processing, perception, and recognition. The second part describes in detail how the concepts from the first part are exemplified in music. The presentation is based on three levels of musical experience: event fusion (the formation of single musical events from acoustical vibrations in the air, on a time scale too small to exhibit rhythm), melody and rhythm, and form. The focus in the latter is on the psychological conditions necessary for making large-scale—that is, formal—boundaries clear in music rather than on traditional musical forms. The book also discusses the idea that much of the language used to describe musical structures and processes is metaphorical. It encourages readers to consider the possibility that the process of musical composition can be "a metaphorical transformation of their own experience into sound."The book also touches on unresolved debates about psychological musical universals, information theory, and the operation of neurons. It requires no formal musical training and contains a glossary and an appendix of listening examples.

The Penguin Guide to Jazz Recordings is firmly established as the world's leading guide to recorded jazz, a mine of fascinating information and a source of insightful - often wittily trenchant - criticism. This is something rather different: Brian Morton (who taught American history at UEA) has picked out the 1000 best recordings that all jazz fans should have and shows how they tell the history of the music and with it the history of the twentieth century. He has completely revised his and Richard Cook's entries and reassessed each artist's entry for this book. The result is an endlessly browsable companion that will prove required reading for aficionados and jazz novices alike.'It's the kind of book that you'll yank off the shelf to look up a quick fact and still be reading two hours later' Fortune'Part jazz history, part jazz Karma Sutra with Cook and Morton as the knowledgeable, urbane, wise and witty guides ... This is one of the great books of recorded jazz; the other guides don't come close' Irish Times

The many-pointed star formed from large icicles balances on a rock in a quiet Dumfriesshire valley, a delicate bamboo screen stands on a Japanese beach, a great serpentine ridge of earth extends along a disused railway cutting on Tyneside, four massive snow rings mark the position of the North Pole. The creator of these extraordinary pieces of art is Andy Goldsworthy, who for the last fourteen years has worked almost exclusively with the materials he finds in the outdoor environment. Snow, ice, maple leaves, dandelion heads, twigs, pebbles - wherever he is, Andy Goldsworthy uses whatever happens to be around him. Most of his work is ephemeral and he records his creations in fine colour photographs, many of which have accompanying texts that form an integral part of the work. The artists intention is not to "make his mark" on the landscape, but to work with it instinctively, so that his creations manifest, however fleetingly, a sympathetic contact with the natural world.

Beginning with music fundamentals, The Complete Musician covers all the topics necessary for a thorough understanding of undergraduate music theory by focusing on music in context. Rather than rote learning of concepts and terms, this text emphasizes that understanding how theory intersects with composition and performance is key to seeing its relevance to students' wider musical lives.