Empfehlungen basierend auf "Private Rites"

It's fifteen years since the Second World War and the rural Dutch province of Overijssel is quiet. Bomb craters have been filled, buildings reconstructed, and the conflict is well and truly over. Living alone in her late mother's country home, Isabel's life is as it should be- led by routine and discipline. But all is upended when her brother Louis delivers his graceless new girlfriend, Eva, at Isabel's doorstep-as a guest, there to stay for the season... Eva is Isabel's antithesis- she sleeps late, wakes late, walks loudly through the house and touches things she shouldn't. In response Isabel develops a fury-fuelled obsession, and when things start disappearing around the house - a spoon, a knife, a bowl - Isabel's suspicions spiral out of control. In the sweltering heat of summer, Isabel's desperate desire for order transforms into infatuation - leading to a discovery that unravels all she has ever known. The war might not be well and truly over after all, and neither Eva - nor the house - are what they seem.

In the vein of The Pisces and The Vegetarian, Chlorine is a debut novel that blurs the line between a literary coming-of-age narrative and a dark unsettling horror tale, told from an adult perspective on the trials and tribulations of growing up in a society that puts pressure on young women and their bodies… a powerful, relevant novel of immigration, sapphic longing, and fierce, defiant becoming.Ren Yu is a swimmer. Her daily life starts and ends with the pool. Her teammates are her only friends. Her coach is her guiding light. If she swims well enough, she will be scouted, get a scholarship, go to a good school. Her parents will love her. Her coach will be kind to her. She will have a good life.But these are human concerns. These are the concerns of those confined to land, those with legs. Ren grew up on stories of creatures of the deep, of the oceans and the rivers. Creatures that called sailors to their doom. That dragged them down and drowned them. That feasted on their flesh. The creature that she’s always longed to become: the mermaid.Ren aches to be in the water. She dreams of the scent of chlorine, the feel of it on her skin. And she will do anything she can to make a life for herself where she can be free. No matter the pain. No matter what anyone else thinks. No matter how much blood she has to spill.

From Eliza Clark, the author of the brilliant novels Boy Parts and Penance and one of Granta’s Best Young British Novelists, comes a fierce, visionary and darkly comic story collection.A woman welcomes a parasite into her body.A teenager longs for perfect skin.A scientist tends to fragile alien flora.A young man takes the night into his own hands.Unsettling, revelatory, and laced with her signature dark humor, Eliza Clark’s debut short story collection plumbs the depths of that most basic human feeling: hunger.

An IndieNext Pick! A Best Book of 2022 in Harper’s Bazaar, Daily Mail, Glamour, and Thrillist!Most Anticipated of 2022 in The Millions, Ms. Magazine, LitHubA young, mixed-race vampire must find a way to balance her deep-seated desire to live amongst humans with her incessant hunger in this stunning debut novel from a writer-to-watch.Lydia is hungry. She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London - where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated.Then there are the humans - the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for - perpetual youth, near-invulnerability, immortality – but she is miserable; she is lonely; and she is hungry - always hungry.As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her - between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans - if she is to find a way to exist in the world. Before any of this, however, she must eat.“Absolutely brilliant – tragic, funny, eccentric and so perfectly suited to this particularly weird time. Claire Kohda takes the vampire trope and makes it her own in a way that feels fresh and original. Serious issues of race, disability, misogyny, body image, sexual abuse are handled with subtlety, insight, and a lightness of touch. The spell this novel casts is so complete I feel utterly, and happily, bitten.” -- Ruth Ozeki, Booker-shortlisted author of A Tale for the Time Being

"Provocative...a Frankenstein for the digital age...a rich text about power, autonomy, and what happens when our creations outgrow us." — Esquire"Unexpected and subtle...delicious and thought-provoking." — New ScientistFor fans of Never Let Me Go and My Dark Vanessa, a powerful, provocative novel about the relationship between a female robot and her human owner, exploring questions of intimacy, power, autonomy, and control.Annie Bot was created to be the perfect girlfriend for her human owner Doug. Designed to satisfy his emotional and physical needs, she has dinner ready for him every night, wears the pert outfits he orders for her, and adjusts her libido to suit his moods. True, she’s not the greatest at keeping Doug’s place spotless, but she’s trying to please him. She’s trying hard.She’s learning, too.Doug says he loves that Annie’s AI makes her seem more like a real woman, so Annie explores human traits such as curiosity, secrecy, and longing. But becoming more human also means becoming less perfect, and as Annie’s relationship with Doug grows more intricate and difficult, she starts to wonder: Does Doug really desire what he says he wants? And in such an impossible paradox, what does Annie owe herself?

From the nationally bestselling author of The Luminous Dead and The Death of Jane Lawrence, a transfixing, intensely atmospheric fever dream of medieval horror.Aymar Castle has been under siege for six months. Food is running low and there has been no sign of rescue. But just as the survivors consider deliberately thinning their number, the castle stores are replenished. The sick are healed. And the divine figures of the Constant Lady and her Saints have arrived, despite the barricaded gates, offering succor in return for adoration.Soon, the entire castle is under the sway of their saviors, partaking in intoxicating feasts of terrible origin. The war hero Ser Voyne gives her allegiance to the Constant Lady. Phosyne, a disorganized, paranoid nun-turned-sorceress, races to unravel the mystery of these new visitors and exonerate her experiments as their source. And in the bowels of the castle, a serving girl, Treila, is torn between her thirst for a secret vengeance against Voyne and the desperate need to escape from the horrors that are unfolding within Aymar’s walls.As the castle descends into bacchanalian madness—forgetting the massed army beyond its walls in favor of hedonistic ecstasy—these three women are the only ones to still see their situation for what it is. But they are not immune from the temptations of the castle’s new masters… or each other; and their shifting alliances and entangled pasts bring violence to the surface. To save the castle, and themselves, will take a reimagining of who they are, and a reorganization of the very world itself.

AN INSTANT NEW YORK TIMES BESTSELLERA New York Times Notable Book of the YearWINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist AwardOne of Barack Obama's Favorite Books of 2020A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." ―Jazmine Hughes, The New York Times Book ReviewNo one wants what no one wants.And how do we even know what we want? How do we know we’re ready to take it?Edie is stumbling her way through her twenties―sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage―with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home―though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life―her hunger, her anger―in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.“An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” ―Michelle Hart, O: The Oprah Magazine

The New York Times bestselling author of The Diamond Eye and The Rose Code returns with a haunting and powerful story of female friendships and secrets in a Washington, DC, boardinghouse during the McCarthy era.Washington, DC, 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation’s capital where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic room, she draws her oddball collection of neighbors into unlikely friendship: poised English beauty Fliss, whose facade of perfect wife and mother covers gaping inner wounds; policeman’s daughter Nora, who finds herself entangled with a shadowy gangster; frustrated baseball star Beatrice, whose career has come to an end along with the women’s baseball league of WWII; and poisonous, gung-ho Arlene, who has thrown herself into McCarthy’s Red Scare.Grace’s weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own. When a shocking act of violence tears the house apart, the Briar Club women must decide once and for all: who is the true enemy in their midst?Capturing the paranoia of the McCarthy era and evoking the changing roles for women in postwar America, The Briar Club is an intimate and thrilling novel of secrets and loyalty put to the test.

A novel of loss and love. The author has also written Sexing the Cherry and Oranges are Not the Only Fruit which won the 1985 Whitbread Prize and was later adapted as an award-winning BBC dramatization. Her book The Passion won the 1987 John Llewellyn Rhys Memorial Prize.

Area X has been cut off from the rest of the continent for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; all the members of the second expedition committed suicide; the third expedition died in a hail of gunfire as its members turned on one another; the members of the eleventh expedition returned as shadows of their former selves, and within months of their return, all had died of aggressive cancer. This is the twelfth expedition. Their group is made up of four women: an anthropologist, a surveyor, a psychologist--the de facto leader--and a biologist, who is our narrator. Their mission is to map the terrain and collect specimens, to record all their observations, scientific and otherwise, of their surroundings and of one another and, above all, to avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers--they discover a massive topographic anomaly and life forms that surpass understanding--but it's the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.