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Since its first publication in 1890, Oscar Wilde's only novel, The Picture of Dorian Gray, has remained the subject of critical controversy. Acclaimed by some as an instructive moral tale, it has been denounced by others for its implicit immorality. After having his portrait painted, Dorian Gray is captivated by his own beauty. Tempted by his world-weary friend, decadent friend Lord Henry Wotton, he wished to stay young forever and pledges his very soul to keep his good looks. As Dorian's slide into crime and cruelty progresses, he stays magically youthful, while his beautiful portrait changes, revealing the hideous corruption of moral decay. Set in fin-de-siécle London, the novel traces a path from the studio of painter Basil Howard to the opium dens of the East End. The text of this edition is derived from the Oxford English Texts, which prints acritically established version of the first book edition of 1891. Also included is a new, fuller introduction, which considers the difference between the 1890 and 1891 texts, Wilde's range of sources, significant critical approaches to the novel and its reputation since 1891, full explanatory notes that identify Wilde's sources, and an up-to-date-bibliography.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

One summer afternoon in 1862, the Rev. Charles Lutwidge Dodgson took a rowboat out on the Thames. With him were three young friends from the Liddell family—the sisters Lorina, Edith, and Alice. Dodgson often spun fairy tales on these boating trips to pass the time, and on this particular afternoon the story was particularly well received by Alice, who afterwards entreated him to write it down for her. Dodgson recalled the pivotal moment thusly: "In a desperate attempt to strike out some new line of fairy-lore, I had sent my heroine straight down a rabbit-hole, to begin with, without the least idea what was to happen afterwards."The tale, initially titled Alice's Adventures Under Ground, became Alice's Adventures in Wonderland, which Dodgson published in 1865 as Lewis Carroll. So began the journey, now in its 150th year, of one of the most beloved stories of all time.The Annotated Alice: 150th Anniversary Deluxe Edition compiles over half a century of scholarship by leading Carrollian experts to reveal the history and full depth of the Alice books and their enigmatic creator. This volume brings together Martin Gardner’s legendary original 1960 publication, The Annotated Alice; his follow-ups, More Annotated Alice and the Definitive Edition; his continuing explication through the Knight Letter magazine; and masterly additions and updates edited by Mark Burstein, president emeritus of the Lewis Carroll Society of North America. In these pages Lewis Carroll's mathematical riddles and curious wordplay, ingeniously embedded throughout the Alice works, are delightfully decoded and presented in the margins, along with original correspondence, amusing anecdotal detours, and fanciful illustrations by Salvador Dalí, Beatrix Potter, Ralph Steadman, and a host of other famous artists.Put simply, this anniversary edition of The Annotated Alice is the most comprehensive collection of Alice materials ever published in a single volume. May it serve as a beautiful and enduring tribute to the charming, utterly original "new line of fairy-lore" that Lewis Carroll first spun 150 years ago.The deluxe anniversary edition of The Annotated Alice includes:A rare, never-before-published portrait of Francis Jane Lutwidge, Lewis Carroll's motherOver 100 new or updated annotations, collected since the publication of Martin Gardner's Definitive Edition of The Annotated Alice in 1999More than 100 new illustrations, in vibrant color, by Salvador Dalí, Beatrix Potter, Ralph Steadman, and 42 other artists and illustrators, in addition to the original artwork by Sir John TennielA preface by Mark Burstein, president emeritus of the Lewis Carroll Society of North America, and all of Gardner's introductions to other editionsA filmography of every Alice-related film by Carroll scholar David Schaefer

Anne Frank's The Diary of a Young Girl is an inspiring and tragic account of an ordinary life lived in extraordinary circumstances that has enthralled readers for generations. This Penguin Classics edition is edited by Otto H. Frank and Mirjam Pressler, translated by Susan Massotty, and includes an introduction by Elie Wiesel, author of Night.'June, 1942: I hope I will be able to confide everything to you, as I have never been able to confide in anyone, and I hope you will be a great source of comfort and support.'In Amsterdam, in the summer of 1942, the Nazis forced teenager Anne Frank and her family into hiding. For over two years, they, another family and a German dentist lived in a 'secret annexe', fearing discovery. All that time, Anne kept a diary. Since its publication in 1947, Anne Frank's diary has been read by tens of millions of people. This Definitive Edition restores substantial material omitted from the original edition, giving us a deeper insight into Anne Frank's world. Her curiosity about her emerging sexuality, the conflicts with her mother, her passion for Peter, a boy whose family hid with hers, and her acute portraits of her fellow prisoners reveal Anne as more human, more vulnerable and more vital than ever.'One of the greatest books of the twentieth century'Guardian'A modern classic'Julia Neuberger, The Times

Anthony Stradivari the Celebrated Violin Maker (Dover Books On Music: Violin)Renowned nineteenth-century musicologist François-Joseph Fétis assembled this authoritative survey with the assistance of noted violin maker and dealer Jean-Baptiste Vuillaume. Focusing on the work of the Italian master violin maker Stradivarius, this volume explores the early history and construction of stringed instruments. In addition, this valuable resource provides rare, contemporary glimpses of the world of Paganini, Schumann, and Berlioz.A reprint of a rare 1864 publication, this study offers intriguing historical information to violinists, music historians, and music lovers of all ages. A new Introduction by famed musicologist Stewart Pollens provides further insights.

“The best single volume ever written on the subject, such is its range, authority, and readability.”―Times Literary Supplement Why has opera transfixed and fascinated audiences for centuries? Carolyn Abbate and Roger Parker answer this question in their “effervescent, witty” (Die Welt, Germany) retelling of the history of opera, examining its development, the musical and dramatic means by which it communicates, and its role in society. Now with an expanded examination of opera as an institution in the twenty-first century, this “lucid and sweeping” (Boston Globe) narrative explores the tensions that have sustained opera over four hundred years: between words and music, character and singer, inattention and absorption. Abbate and Parker argue that, though the genre’s most popular and enduring works were almost all written in a distant European past, opera continues to change the viewer― physically, emotionally, intellectually―with its enduring power. 24 pages of illustrations

Better known in 1882 as a cultural icon than a serious writer, Oscar Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and he tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. This exceptional volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America.

'The Sick Rose' is a beautifully gruesome and strangely fascinating visual tour through disease in an age before colour photography. It combines detailed illustrations of afflicted patients from some of the world's rarest medical books to form an unforgettable and profoundly human reminder of mankind's struggle with disease.

In this new assessment of Henry VI, David Grummitt synthesizes a wealth of detailed research into Lancastrian England that has taken place throughout the last three decades to provide a fresh appraisal of the house's last King. The biography places Henry in the context of Lancastrian political culture and considers how his reign was shaped by the times in which he lived. Henry VI is one of the most controversial of England's medieval kings. Coming to the throne in 1422 at the age of only nine months and inheriting the crowns of both England and France, he reigned for 39 years before losing his position to the Yorkist king, Edward IV, in the early stages of the Wars of the Roses. Almost a decade later, in 1470, he briefly regained the throne, only for his cause to be decisively defeated in battle the following year, after which Henry himself was almost certainly murdered. Henry continues to perplex and fascinate the modern reader, who struggles to understand how such an obviously ill-suited king could continue to reign for nearly forty years and command such loyalty, even after his cause was lost. From his coronation at nine months old, to the legacy of his reign in the centuries after his death, this is a balanced, detailed and engaging biography of one of England's most enigmatic kings and will be essential reading for all students of late medieval England, and the Wars of the Roses.