Empfehlungen basierend auf "Precious Dragon The Detective Inspector Chen Novels, Book Three"

When Deng Xiaoping’s efforts to “open up” China took root in the late 1980s, Xinran recognized an invaluable opportunity. As an employee for the state radio system, she had long wanted to help improve the lives of Chinese women. But when she was given clearance to host a radio call-in show, she barely anticipated the enthusiasm it would quickly generate. Operating within the constraints imposed by government censors, “Words on the Night Breeze” sparked a tremendous outpouring, and the hours of tape on her answering machines were soon filled every night. Whether angry or muted, posing questions or simply relating experiences, these anonymous women bore witness to decades of civil strife, and of halting attempts at self-understanding in a painfully restrictive society. In this collection, by turns heartrending and inspiring, Xinran brings us the stories that affected her most, and offers a graphically detailed, altogether unprecedented work of oral history.

Disgraced former Beijing Inspector Shan Tao Yun has been living in the remote mountains of Tibet since his unofficial release from a work camp. Without status, official identity, or the freedom to return to his former home in Beijing, he's lived with the forbidden lamas for the past year. But now there's apparently been a murder in a ruined monastery and the very officials who exiled Shan are after his help. In a baffling case involving the FBI, Chinese Ministers, and British relief workers, Shan travels from Tibet to Beijing to the U. S. to find the links between murder, missing art, his former gulag, and his own long-unseen son.

In Water Touching Stone, the sequel to the internationally acclaimed The Skull Mantra, Shan Tao Yun is cloistered in a remote Tibetan sanctuary when he receives shattering news. A teacher revered by the oppressed has been found slain and, one by one, her orphaned students have followed her to her grave, victims of a killer harboring unfathomable motives. Abandoning his mountain hermitage, Shan Tao Yun, a former Beijing police inspector who has been exiled to Tibet, embarks on a search for justice. Shadowed by bizarre tales of an unleashed 'demon,' Shan braces himself for even darker imaginings as he stalks a killer and fights to restore spiritual balance to the ancient and tenuous splendor of Tibet.

“Li Kao may have a slight flaw in his character but the book has none. I recommend it unconditionally and I predict Barry Hughart has quite a future as a fantasy writer.”—Anne McCaffreyWhen the children of his village were struck with a mysterious illness, Number Ten Ox sought a wiseman to save them. He found master Li Kao, a scholar with a slight flaw in his character. Together they set out to find the Great Root of Power, the only possible cure.The quest led them to a host of truly memorable characters, multiple wonders, incredible adventures—and strange coincidences which were really not coincidences at all. And it involved them in an ancient crime that still perturbed the serenity of Heaven. Simply and charmingly told, this is a wry tale, a sly tale, and a story of wisdom delightfully askew. Once read, its marvels and beauty will not easily fade from the mind.The author claims that this is a novel of an ancient China that never was. But, oh . . . it should have been!

This is rated one of the greatest works of Chinese literature. Metaphysical, allegorical, and vividly realistic, the immense scope of The Story of the Stone provides something for everyone. A rich family saga, a tragic love story, and a philosophical meditation it is one of those rare huge books in which one can lose oneself completely. It begins as the story of the Stone, a supernatural entity endowed with consciousness that winds up in the mortal world and must find the path to enlightenment. His fate is inextricably bound with another creature from the Land of Illusion, the Crimson Pearl Flower. The Stone is responsible for its transformation into a fairy girl -- and she vows to repay him with "a debt of tears", willing to suffer for a lifetime in the world of mere mortals. The Stone describes how his story -- The Story of the Stone -- is the record of his journey to enlightenment, and offers the tale as a tool for others to follow his path, as, for example Vanitas does in the first chapter. --www.complete-review.com.

What is the sentimental? How can we understand it by way of the visual and narrative modes of signification specific to cinema and through the manners of social interaction and collective imagining specific to a particular culture in transition? What can the sentimental tell us about the precarious foundations of human coexistence in this age of globalization? Rey Chow explores these questions through nine contemporary Chinese directors (Chen Kaige, Wong Kar-wai, Zhang Yimou, Ann Hui, Peter Chan, Wayne Wang, Ang Lee, Li Yang, and Tsai Ming-liang) whose accomplishments have become historic events in world cinema. Approaching their works from multiple perspectives, including the question of origins, nostalgia, the everyday, feminine "psychic interiority," commodification, biopolitics, migration, education, homosexuality, kinship, and incest, and concluding with an account of the Chinese films' epistemic affinity with the Hollywood blockbuster Brokeback Mountain, Chow proposes that the sentimental is a discursive constellation traversing affect, time, identity, and social mores, a constellation whose contours tends to morph under different historical circumstances and in different genres and media. In contemporary Chinese films, she argues, the sentimental consistently takes the form not of revolution but of compromise, not of radical departure but of moderation, endurance, and accommodation. By naming these films sentimental fabulations--screen artifacts of cultural becoming with irreducible aesthetic, conceptual, and speculative logics of their own--Chow presents Chinese cinema first and foremost as an invitation to the pleasures and challenges of critical thinking.

In a remote corner of the Russo-Chinese border, home to a frozen city called Yelingrad, satellite cameras pick up a suspicious new Soviet missile complex. Flying a defector's MiG-28D at treetop level, Quiller goes in to investigate. But it's a one-way ticket for the superagent. . . . Previous publisher: Dell.

During the twentieth century, 80 percent of all famine victims worldwide died in China and the Soviet Union. In this rigorous and thoughtful study, Felix Wemheuer analyzes the historical and political roots of these socialist-era famines, in which overambitious industrial programs endorsed by Stalin and Mao Zedong created greater disasters than those suffered under prerevolutionary regimes. Focusing on famine as a political tool, Wemheuer systematically exposes how conflicts about food among peasants, urban populations, and the socialist state resulted in the starvation death of millions. A major contribution to Chinese and Soviet history, this provocative analysis examines the long-term effects of the great famines on the relationship between the state and its citizens and argues that the lessons governments learned from the catastrophes enabled them to overcome famine in their later decades of rule.

An unprecedented, intimate account of the lives of modern Chinese women, told by the women themselves -- true stories of the political and personal upheavals they have endured in their chaotic and repressive societyFor eight groundbreaking years, Xinran hosted a radio program in China during which she invited women to call in and talk about themselves. Broadcast every evening, Words on the Night Breeze became famous throughout the country for its unflinching portrayal of what it meant to be a woman in modern China. Centuries of obedience to their fathers, husbands and sons, followed by years of fear under Communism, had made women terrified of talking openly about their feelings. Xinran won their trust and, through her compassion and ability to listen, became the first woman to hear their true stories.This unforgettable book is the story of how Xinran negotiated the minefield of restrictions imposed on Chinese journalists to reach out to women across the country. Through the vivid intimacy of her writing, these women confide in the reader, sharing their deepest secrets. Whether they are the privileged wives of party leaders or peasants in a forgotten corner of the countryside, they tell of almost inconceivable suffering: forced marriages, sexual abuse, separation of parents from their children, extreme poverty. But they also talk about love -- about how, despite cruelty, despite politics, the urge to nurture and cherish remains. Their stories changed Xinran’s understanding of China forever. Her book will reveal the lives of Chinese women to the West as never before.

The “unparalleled master of the historical saga" (Newsweek) and internationally bestselling author of Paris and New York takes on an exhilarating new world with his trademark epic style in China: The Novel In China: The Novel, Edward Rutherfurd brings his renowned talents to the Middle Kingdom, when the clash of East and West in the nineteenth century shattered the stability of the two-thousand-year-old empire. This epic tale chronicles the great struggle for power, from the Opium Wars that erupted in 1839 through the Taiping revolt, the British burning of the Summer Palace, the Boxer Rebellion, and the long rule of the Dragon Empress, culminating in the momentous revolution of 1911. We meet a young village wife struggling with rigid traditions, Manchu warriors, powerful eunuchs and concubines of the Forbidden City, rapacious English soldiers and earnest missionaries, savvy Chinese pirates, and sage philosophers. Rutherfurd brings to vivid life the ever-changing fortunes of Chinese, British, and American families as they negotiate the tides of history. A rich human drama as well as a deeply researched portrait that sets the stage for China’s role in the world today, China: The Novel is the enthralling story of a rising global power.