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“Wordsworth, Whitman, William Carlos Williams, and the Beats in their respective generations moved poetry toward a more natural language. Bukowski moved it a little farther.” –Los Angeles Times Book ReviewIn what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, woman, and the Los Angeles Public Library's collection of D.H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

Terry Pratchett's profoundly irreverent novels are consistent number one bestseller in England, where they have catapulted him into the highest echelons of parody next to Mark Twain, Kurt Vonnegut, Douglas Adams, and Carl Hiaasen.In this Discworld installment, Death comes to Mort with an offer he can't refuse -- especially since being, well, dead isn't compulsory.As Death's apprentice, he'll have free board and lodging, use of the company horse, and he won't need time off for family funerals. The position is everything Mort thought he'd ever wanted, until he discovers that this perfect job can be a killer on his love life.

Lemony Snicket's work is filled with bitter truths, like: 'It is always cruel to laugh at people, of course, although sometimes if they are wearing an ugly hat it is hard to control yourself.' Or: 'It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.'For all of life's ups and downs, its celebrations and its sorrows, here is a book to commemorate it all – especially for those not fully soothed by chicken soup. Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time.It is the 1980s and the Winshaw family are getting richer and crueller by the year:Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . .This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times'A riveting social satire on the chattering and all-powerful upper classes' Time Out'Big, hilarious, intricate, furious, moving' Guardian

A RADIO 4 BOOK OF THE WEEK 'An affectionate and revealing account … Funny, sad, real, rueful.' The Times 'Warm, rambling and self-aware' Guardian The long-awaited, rambling, tender, and very funny memoir from Adam Buxton Ramble /?ramb(?)l/ Verb 1. walk for pleasure in the countryside. 'Dr Buckles and Rosie the dog love rambling in the countryside.' 2. talk or write at length in a confused or inconsequential way. 'Adam rambles on about lots of consequential, compelling and personal matters in his tender, insightful, hilarious and totally unconfused memoir, Ramble Book.' Ramble Book is about parenthood, boarding school trauma, arguing with your partner, bad parties, confrontations on trains, friendship, wanting to fit in, growing up in the 80s, dead dads, teenage sexual anxiety, failed artistic endeavours, being a David Bowie fan; and how everything you read, watch and listen to as a child forms a part of the adult you become. It's also a book about the joys of going off topic and letting your mind wander. And it's about a short, hairy, frequently confused man called Adam Buxton.

Gussie Fink-Nottle simply must marry Madeline Bassett or Bertrand Wooster will be obliged to proffer the ring in his stead. In a daring attempt at securing the engagement, Jeeves and Bertie visit a rural leper colony.

'A beautifully observed and sympathetic tour of modern Britain that runs on the tracks of our years.' David Quantick 'Charming...The accounts will make any fan of railways want to experience these delights for themselves.' - The Independent All aboard for a one-of-a-kind journey by train to some of the most obscure parts of Britain On the 200th birthday of the world's first passenger-carrying railway, Nige Tassell sets out to ride Britain's railway network all the way to its lesser-travelled-to corners, its seldom-visited outposts. From Wick to Penzance and many points in between, he stays on until the end of the line. He is the last man sitting. The sixteen final destinations he visits offer sixteen different stories. By delving into their histories, by speaking to their people and by having a good old-fashioned nose around, Tassell reveals much about places that rarely have light cast upon them - from ferry ports to abandoned resorts, from tiny hamlets to towns being reclaimed by the sea. It's a journey that takes in Harry Potter, Muhammad Ali, goths, Alan Bennett, Vera Brittain, Viz comic, Alex Horne, Nigel Farage. Vikings, John Betjeman, Aneurin Bevan, Tyson Fury, Charlotte Rampling's dad and the weepy judge from The Great Pottery Throwdown. All human life is here. So grab yourself a window seat for an odyssey that tells us much about Britain today. All aboard, all aboard.

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.

My Brother's Famous Bottom: another hilarious triumph from Jeremy Strong! From The Hundred-Mile-an-Hour Dog to karate princesses and hot cross bottoms, there's a Jeremy Strong story to suit every child's sense of humour. Jeremy's readers range from 7 to teen, perfect for fans of Roald Dahl and Andy Stanton. 'That's the one!' she cried. 'That's the bottom I'm after. Darling, you have the most gorgeous bottom!' Nicholas's dad has a plan to make some fast cash. Nappies! Some disposable-nappy people are looking for a beautiful botty for their new advert - and all Nicholas's baby brother has to do is pass the audition. What could possibly go wrong? Award-winning Jeremy Strong has written many wacky books for children aged 7-teen, including My Dad's Got an Alligator and My Brother's Famous Bottom. Most of which are illustrated by Nick Sharratt, who also illustrates for Jacqueline Wilson! The Hundred-Mile-An-Hour Dog is back causing more chaos and getting into more trouble inReturn of the Hundred-Mile-An-Hour Dog, Lost! The Hundred-Mile-An-Hour Dog, Wanted! The Hundred-Mile-An-Hour Dog, Christmas Chaos for the Hundred-Mile-An-Hour Dog and The Hundred-Mile-An-Hour Dog Goes for Gold- guaranteed to have you laughing your socks off! Join Jeremy's Krazy Klub at jeremystrong.co.uk

Maurice, James Ivory's 1987 adaptation of the E.M. Forster novel, follows an Edwardian man's journey from the awakening of his desire for and love of men to self-acceptance. One of the most politically resistant films of the 1980s, Maurice dared to depict a young man's coming-out story and a happy ending for its lovers, Maurice and Alec. James Ivory and producer Ismail Merchant, a couple whose cinema is synonymous with period film adaptation, released Maurice during the first AIDS decade, a time of flagrant transatlantic homophobia. Criticism following its release described Ivory as a superficial and staid director, while the film was received as a regression to the uncinematic and overly faithful style that characterized the early adaptations by Merchant Ivory Productions. Offering a close reading of Forster's novel and an analysis of Ivory's distinctive visual style, Richard Robbins's indelible score, and the performances of James Wilby, Hugh Grant, and Rupert Graves, David Greven argues that the film is a model of sympathetic adaptation. This study champions the film as the finest of the Merchant Ivory works, making a case for Ivory's underappreciated talents as a director of great subtlety and intelligence, and for the film as one worth recuperating from its detractors. Understanding Maurice as a fully realized work of art and adaptation, this volume offers insight into how a stunning novel of gay love became a classic of queer film.