Empfehlungen basierend auf "Poetry Pamphlets 1-4 (New Directions Poetry Pamphlets)"

The New York Times-bestselling collection of poems from celebrated poet Mary OliverIn A Thousand Mornings, Mary Oliver returns to the imagery that has come to define her life’s work, transporting us to the marshland and coastline of her beloved home, Provincetown, Massachusetts. Whether studying the leaves of a tree or mourning her treasured dog Percy, Oliver is open to the teachings contained in the smallest of moments and explores with startling clarity, humor, and kindness the mysteries of our daily experience.

This highly accessible collection gathers together the best-loved gems of English language verse, from the deeply moving to the hilariously silly. The poems span the entire range of verse from high drama to stuff-and-nonsense and are presented in nine sections: Poems of Childhood and Youth; Poems of Love and Marriage; Poems of Life; Poems of Loss and Comfort; Poems of War and Peace; Poems to Read Aloud; Poems to Read Quietly; Poems of Animals and Nature and Poems of Magic and Mystery.The anthology includes works by William Blake, Dylan Thomas, Seamus Heaney, Robert Burns, T S Eliot, Rudyard Kipling, W B Yeats and many, many more. The poems have all been chosen and arranged by Neil Philip and the volume is illustrated throughout with watercolour borders and decorative motifs by Isabelle Brent, glowing with her trademark gold leaf.

“Made up of poems that are so original in their style and so startlingly accomplished in their confessional voice that they helped change the direction of contemporary poetry, Ariel is a masterpiece.” — New York ObserverSylvia Plath's famous collection, as she intended it.When Sylvia Plath died, she not only left behind a prolific life but also her unpublished literary masterpiece, Ariel. When her husband, Ted Hughes, first brought this collection to the public, it garnered worldwide acclaim, but it wasn't the draft Sylvia had wanted her readers to see. This facsimile edition restores, for the first time, Plath's original manuscript—including handwritten notes—and her own selection and arrangement of poems. This edition also includes in facsimile the complete working drafts of her poem "Ariel," which provide a rare glimpse into the creative process of a beloved writer. This publication introduces a truer version of Plath's works, and will alter her legacy forever.

This comprehensive and authoritative collection of all 1,775 poems by Emily Dickinson is an essential volume for all lovers of American literature.Only eleven of Emily Dickinson's poems were published prior to her death in 1886; the startling originality of her work doomed it to obscurity in her lifetime. Early posthumous published collections — some of them featuring liberally "edited" versions of the poems — did not fully and accurately represent Dickinson's bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson's extraordinary poetic genius.This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote."With its chronological arrangement of the poems, this volume becomes more than just a collection; it is at the same time a poetic biography of the thoughts and feelings of a woman whose beauty was deep and lasting." —San Francisco Chronicle

Spain's greatest and most well-loved modern poet, Lorca has long been admired for the emotional intensity and dark brilliance of his work, which drew on music, drama, mythology and the songs of his Andalucian childhood. This bilingual edition provides versions by distinguished poets and translators, drawing on every book of poems published by Lorca and on his uncollected works.

Richard Kenney's The Evolution of the Flightless Bird, the winning volume in the 1983 Yale Series of Younger Poets competition, was selected from among 650 entries in this annual competition. All of one species whose origin is the sonnet, Kenney's poems ring many changes through that form, reflecting, as they do, a personal evolution in the poet's life. "The Hours of the Day"--the first of four chapters--is a long meditative sequence set in Vermont; here the square-shaped poems become the crown glass windowpanes of the farmhouse itself. "First Poems" follows next, a group of eight lyrics, ending with the poem that titles the book. "Heroes," a narrative quartet, with two poems from history and two from life, concerns itself with the shaping of all tales, from source to first telling. Finally, "Notes from Greece" chronicles certain thoughts and adventures there, notably a visit to the Byzantine monastic communities that ring the peninsula of Mt. Athos. Born in Glens Falls, New York, in 1948, Richard Kenney received his B.A. from Dartmouth College in 1970. His poems have appeared in numerous magazines, including The New Yorker, The Atlantic Monthly, Hudson Review, American Scholar, Poetry, The Yale Review, Carolina Quarterly, and New England Review.

Nicholas Samaras's Hands of the Saddlemaker, the winning volume in the 1991 Yale Series of Younger Poets competition, was selected from among 710 entries in this annual competition. The broad theme of Samaras's poems is the connection between eternal things and the passing world, between our sense of exile and our sense of commonality. Equilibrium between these worlds is achieved only through human feeling, through language. Samaras examines the commonality of experience in diverse international settings--from Byzantium to the cathedrals of technology in the modern cities of America. His language extols the primary delight and purpose of poetry: the music and inventiveness of language, wholly new and transformed, language that is both ancient and modern. Through an intensely personal and visual approach, these poems reveal our lives to us for time to come. Nicholas Samaras was born in Foxton, Cambridgeshire, England, in 1954. He was raised there and in Woburn, Massachusetts, and later settled in New York. Samaras received his undergraduate degree from Hellenic College, Brookline, Massachusetts, in 1978 and a Masters of Fine Arts in 1985 from Columbia University. He is currently working on his Ph.D. in English and creative writing at the University of Denver. His poems have appeared in such magazines as The New Yorker, Poetry, and American Scholar. Among his honors and awards are a New York Foundation for the Arts Poetry Fellowship in 1986, a Taylor Fellowship for study abroad in 1981-82, and a prize from the Academy of American Poets in 1983.

The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Originally published in 1964, The Sonnets by Ted Berrigan is considered by many to be his most important and influential book. This new annotated edition, with an introduction by Alice Notley, includes seven previously uncollected works. Like Shakespeare's sonnets, Berrigan's poems involve friendship and love triangles, but while the former happen chronologically, Berrigan's happen in the moment, with the story buried beneath a surface of names, repetitions, and fragmented experience. Reflecting the new American sensibilities of the 1960's as well as timeless poetic themes, The Sonnets is both eclectic and classical -- the poems are monumental riddles worth contemplating.

Sylvia Plath's second volume of poetry, "Ariel," published posthumously in 1965, shocked and provoked reviewers with its unexpected intensity and power, and the publication of her "Collected Poems" in 1981 confirmed her as a poet of stature and maturity.Beginning with reviews of her initial collection, "The Colossus," the reader is clearly guided through the profusion of critical material that has variously described Plath as feminine and feminist, personal and political, an American modernist and an English Romantic. The guide includes critical assessments from Robert Lowell, Sandra M. Gilbert, and Jacqueline Rose, among others.