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One of the world's greatest fantasy novels and a rollicking classic of Chinese literature, in a sparkling new translation and published in a Clothbound Classics edition.A shape-shifting trickster on a kung-fu quest for eternal life, Monkey King is one of the most memorable superheroes in world literature. High-spirited and omni-talented, he can transform himself into whatever he chooses and turn each of his body's 84,000 hairs into an army of clones. But his penchant for mischief repeatedly gets him into trouble, and when he raids Heaven's Orchard of Immortal Peaches, the Buddha pins him beneath a mountain. Five hundred years later, Monkey King is finally given a chance to redeem himself: he must protect the pious monk Tripitaka on his journey in search of precious Buddhist sutras that will bring enlightenment to the Chinese empire.Joined by two other fallen immortals - Pigsy, a rice-loving flying pig, and Sandy, a depressive river-sand monster - Monkey King does battle with Red Boy, Princess Jade-Face, the Monstress Dowager, and all manner of dragons, ogres, wizards and femmes fatales; navigates the perils of Fire-Cloud Cave, the River of Flowing Sand and the Water-Crystal Palace; and is serially captured, lacquered, sautéed, steamed and liquefied - but always hatches an ingenious plan to get himself and his fellow pilgrims out of their latest jam.Comparable to The Canterbury Tales or Don Quixote, Monkey King is at once a gripping adventure, a comic satire and a spring of spiritual insight. With this new translation by the award-winning Julia Lovell, the irrepressible rogue hero of one of the Four Great Classical Novels of Chinese literature has the potential to vault, with his signature cloud-somersault, into the hearts of a whole new generation of readers.

After her perilous quest to free her mother, Xingyin thrives once more in the tranquility of her home. But her fragile peace is threatened by the discovery of a strange magic on the moon and the unsettling changes in the Celestial Kingdom as the emperor tightens his grip on power. While Xingyin is determined to keep clear of the rising danger, the discovery of a shocking truth spurs her into a treacherous confrontation.Forced to flee her home once more, Xingyin and her companions venture to unexplored lands of the Immortal Realm, encountering legendary creatures and shrewd monarchs, beloved friends and bitter adversaries. With alliances shifting quicker than the tides, Xingyin has to overcome past grudges and enmities to forge a new path forward, seeking aid where she never imagined she would. As an unspeakable terror sweeps across the realm, Xingyin must uncover the truth of her heart and claw her way through devastation--to rise against this evil before it destroys everything she holds dear, and the worlds she has grown to love... even if doing so demands the greatest price of all.The stunning sequel to Daughter of the Moon Goddess delves deeper into beloved Chinese mythology, concluding the epic story of Xingyin--the daughter of Chang'e and the mortal archer, Houyi--as she battles a grave new threat to the realm, in this powerful tale of love, sacrifice, and hope.

The “intimate and expansive” (Time) memoir of “one of the most important artists working in the world today” (Financial Times), telling a remarkable history of China over the last hundred years while also illuminating his artistic process “Poignant . . . An illuminating through-line emerges in the many parallels Ai traces between his life and his father’s.”—The New York Times Book Review (Editors’ Choice) ONE OF THE BEST BOOKS OF THE YEAR: Time, BookPage, Booklist, Kirkus Reviews Once a close associate of Mao Zedong and the nation’s most celebrated poet, Ai Weiwei’s father, Ai Qing, was branded a rightist during the Cultural Revolution, and he and his family were banished to a desolate place known as “Little Siberia,” where Ai Qing was sentenced to hard labor cleaning public toilets. Ai Weiwei recounts his childhood in exile, and his difficult decision to leave his family to study art in America, where he befriended Allen Ginsberg and was inspired by Andy Warhol and the artworks of Marcel Duchamp. With candor and wit, he details his return to China and his rise from artistic unknown to art world superstar and international human rights activist—and how his work has been shaped by living under a totalitarian regime. Ai Weiwei’s sculptures and installations have been viewed by millions around the globe, and his architectural achievements include helping to design the iconic Bird’s Nest Olympic Stadium in Beijing. His political activism has long made him a target of the Chinese authorities, which culminated in months of secret detention without charge in 2011. Here, for the first time, Ai Weiwei explores the origins of his exceptional creativity and passionate political beliefs through his life story and that of his father, whose creativity was stifled. At once ambitious and intimate, Ai Weiwei’s 1000 Years of Joys and Sorrows offers a deep understanding of the myriad forces that have shaped modern China, and serves as a timely reminder of the urgent need to protect freedom of expression.

Shen Tai has mourned his father living like a hermit at the edge of the Kitan Empire next to a lake where a terrible battle was fought. Now peace has been bought by the bartering of the imperial Princess Cheng-wan and Tai has been gifted 250 Sardian horses which can bestow the owner power and wealth but thus must come at a price.

A timely look at the impact of China’s booming emergence on the countries of Southeast Asia“An expert and lucid synthesis of the historical context and recent developments of Southeast Asia’s rich and complex relations with Beijing.”—John Reed, Financial TimesToday, Southeast Asia stands uniquely exposed to the waxing power of the new China. Three of its nations border China and five are directly impacted by its claims over the South China Sea. All dwell in the lengthening shadow of its influence: economic, political, military, and cultural. As China seeks to restore its former status as Asia’s preeminent power, the countries of Southeast Asia face an increasingly stark choice: flourish within Beijing’s orbit or languish outside of it. Meanwhile, as rival powers including the United States take concerted action to curb Chinese ambitions, the region has emerged as an arena of heated strategic competition.Drawing on more than a decade of on-the-ground experience, Sebastian Strangio explores the impacts of China’s rise on Southeast Asia, the varied ways in which the countries of the region are responding, and what it might mean for the future balance of power in the Indo-Pacific.

Drawing on ancient and modern sources, "a lucid discussion of Taoism and the Chinese language [that's] profound, reflective, and enlightening." —Boston Globe According to Deepak Chopra, "Watts was a spiritual polymath, the first and possibly greatest." Watts treats the Chinese philosophy of Tao in much the same way as he did Zen Buddhism in his classic The Way of Zen. Critics agree that this last work stands as a perfect monument to the life and literature of Alan Watts. "Perhaps the foremost interpreter of Eastern disciplines for the contemporary West, . . . Watts begins with scholarship and intellect and proceeds with art and eloquence to the frontiers of the spirit."—Los Angeles Times

The long history of China’s relationship between stability, diversity, and prosperity, and how its current leadership threatens this delicate balanceA Foreign Affairs Best Book of 2023Chinese society has been shaped by the interplay of the EAST—exams, autocracy, stability, and technology—from ancient times through the present. Beginning with the Sui dynasty’s introduction of the civil service exam, known as Keju, in 587 CE—and continuing through the personnel management system used by the Chinese Communist Party (CCP)—Chinese autocracies have developed exceptional tools for homogenizing ideas, norms, and practices. But this uniformity came with a huge downside: stifled creativity.Yasheng Huang shows how China transitioned from dynamism to extreme stagnation after the Keju was instituted. China’s most prosperous periods, such as during the Tang dynasty (618–907) and under the reformist CCP, occurred when its emphasis on scale (the size of bureaucracy) was balanced with scope (diversity of ideas).Considering China’s remarkable success over the past half-century, Huang sees signs of danger in the political and economic reversals under Xi Jinping. The CCP has again vaulted conformity above new ideas, reverting to the Keju model that eventually led to technological decline. It is a lesson from China’s own history, Huang argues, that Chinese leaders would be wise to take seriously.

From one of twentieth-century China's greatest writers and the author of Lust, Caution, this is an unforgettable story of a love affair set in 1930s Shanghai.Manzhen is a young worker in a Shanghai factory, where she meets Shijun, the son of wealthy merchants. Despite family complications, they fall in love and begin to dream of a shared life together - until circumstances force them apart. When they are reunited after a separation of many years, can they start their relationship again? Or is it destined to be the romance of only half a lifetime? This affectionate and captivating novel tells the moving story of an enduring love affair, and offers a fascinating window onto Chinese life in the first half of the twentieth century.Eileen Chang was born in Shanghai in 1920. She studied literature at the University of Hong Kong but returned to Shanghai in 1941 during the Japanese occupation, where she established her reputation as a literary star. She moved to America in 1955 and died in Los Angeles in 1995.Karen S. Kingsbury taught and studied in Chinese-speaking cities for nearly two decades, and currently lives in Pennsylvania, USA. She has translated Love in a Fallen City for Penguin Classics, as well as other essays and stories by Chang.'A giant of modern Chinese literature' The New York Times'Eileen Chang is the fallen angel of Chinese literature' Ang Lee'A dazzling and distinctive fiction writer' New York Times Book Review'Chang's world is a stark and mysterious place where people strive to find their way in love but often fail under the pressures of family, tradition, and reputation' New Yorker

The Huang Di nei jing su wen, known familiarly as the Su wen, is a seminal text of ancient Chinese medicine, yet until now there has been no comprehensive, detailed analysis of its development and contents. At last Paul U. Unschuld offers entry into this still-vital artifact of China’s cultural and intellectual past. Unschuld traces the history of the Su wen to its origins in the final centuries B.C.E., when numerous authors wrote short medical essays to explain the foundations of human health and illness on the basis of the newly developed vessel theory. He examines the meaning of the title and the way the work has been received throughout Chinese medical history, both before and after the eleventh century when the text as it is known today emerged. Unschuld’s survey of the contents includes illuminating discussions of the yin-yang and five-agents doctrines, the perception of the human body and its organs, qi and blood, pathogenic agents, concepts of disease and diagnosis, and a variety of therapies, including the new technique of acupuncture. An extensive appendix, furthermore, offers a detailed introduction to the complicated climatological theories of Wu yun liu qi ("five periods and six qi"), which were added to the Su wen by Wang Bing in the Tang era. In an epilogue, Unschuld writes about the break with tradition and innovative style of thought represented by the Su wen. For the first time, health care took the form of "medicine," in that it focused on environmental conditions, climatic agents, and behavior as causal in the emergence of disease and on the importance of natural laws in explaining illness. Unschuld points out that much of what we surmise about the human organism is simply a projection, reflecting dominant values and social goals, and he constructs a hypothesis to explain the formation and acceptance of basic notions of health and disease in a given society. Reading the Su wen, he says, not only offers a better understanding of the roots of Chinese medicine as an integrated aspect of Chinese civilization; it also provides a much needed starting point for discussions of the differences and parallels between European and Chinese ways of dealing with illness and the risk of early death.

Late one night in December 2008, police arrived at the home of Liu Xiaobo—China’s leading dissident, a key figure in the prodemocracy manifesto Charter 08—and took him away. When Liu won the 2010 Nobel Peace Prize as a political prisoner, the award was bestowed on an empty chair. Inside China, the regime sought to erase every trace of his existence. Liu died of liver cancer in 2017 without ever having been allowed to return home. I Have No Enemies is the definitive biography of Liu Xiaobo, offering a meticulously researched account of the twists and turns of a remarkable life. Perry Link and Wu Dazhi explore Liu’s upbringing, immersion in classical Chinese poetry and philosophy, bold challenges to literary conformity, and involvement in democratic movements. They trace the lifelong evolution of his thinking and chronicle his persecution, incarceration, and death. I Have No Enemies emphasizes Liu’s principled commitment to dissent and the significance of the example he set in China and around the world. Liu was a farsighted strategist whose ultimate goal was “to change a regime by changing a society.” In Tiananmen Square, he showed others how to face down armed soldiers; in daily life, he looked for ways to build a more democratic culture. A powerful record of Liu’s life and times, this book also tells the story of a generation of Chinese intellectuals who sought a better way forward.