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Newly Reissued New York Times Bestselling Author “Beautiful and heartrending. . . . Memoir, autobiography, epicedium, perhaps even some fiction: they are all here, and they are all quite wonderful.” —Los Angeles Times When Isabel Allende’s daughter, Paula, became gravely ill and fell into a coma, the author began to write the story of her family for her unconscious child. In the telling, bizarre ancestors appear before our eyes; we hear both delightful and bitter childhood memories, amazing anecdotes of youthful years, the most intimate secrets passed along in whispers. With Paula, Allende has written a powerful autobiography whose straightforward acceptance of the magical and spiritual worlds will remind readers of her first book, The House of the Spirits.

If I didn't define myself for myself, I would be crunched into other people's fantasies for me and eaten alive.A little black girl opens her eyes in 1930s Harlem. Around her, a heady swirl of passers-by, car horns, kerosene lamps, the stock market falling, fried bananas, tales of her parents' native Grenada. She trudges to public school along snowy sidewalks, and finds she is tongue-tied, legally blind, left behind by her older sisters. On she stumbles through teenage hardships -- suicide, abortion, hunger, a Christmas spent alone -- until she emerges into happiness: an oasis of friendship in Washington Heights, an affair in a dirty factory in Connecticut, and, finally, a journey down to the heat of Mexico, discovering sex, tenderness, and suppers of hot tamales and cold milk. This is Audre Lorde's story. It is a rapturous, life-affirming tale of independence, love, work, strength, sexuality and change, rich with poetry and fierce emotional power.

"Cantoras is a stunning lullaby to revolution—and each woman in this novel sings it with a deep ferocity. Again and again, I was lifted, then gently set down again—either through tears, rage, or laughter. Days later, I am still inside this song of a story." —Jacqueline Woodson, National Book Award–winning authorFrom the highly acclaimed, award-winning author of The Gods of Tango, a revolutionary new novel about five wildly different women who, in the midst of the Uruguayan dictatorship, find one another as lovers, friends, and ultimately, family.In 1977 Uruguay, a military government crushed political dissent with ruthless force. In this environment, where the everyday rights of people are under attack, homosexuality is a dangerous transgression to be punished. And yet Romina, Flaca, Anita "La Venus," Paz, and Malena—five cantoras, women who "sing"—somehow, miraculously, find one another. Together, they discover an isolated, nearly uninhabited cape, Cabo Polonio, which they claim as their secret sanctuary. Over the next thirty-five years, their lives move back and forth between Cabo Polonio and Montevideo, the city they call home, as they return, sometimes together, sometimes in pairs, with lovers in tow, or alone. And throughout, again and again, the women will be tested—by their families, lovers, society, and one another—as they fight to live authentic lives.A genre-defining novel and De Robertis's masterpiece, Cantoras is a breathtaking portrait of queer love, community, forgotten history, and the strength of the human spirit. At once timeless and groundbreaking, Cantoras is a tale about the fire in all our souls and those who make it burn.

Part memoir, part lies, this imaginative tale is a story about loving a woman made of paper, about the wounds made by first love and sharp objects.

“Here is poetry of courage and passion, which manages to be tender and achingly sensual and what is often called ‘political’ at the same time. This is a major new voice.” — Margaret AtwoodThe Country Between Us opens with a series of poems about El Salvador, where Carolyn Forché worked as a journalist and was closely involved with the political struggle in that tortured country in the late 1970's. Forché's other poems also tend to be personal, immediate, and moving. Perhaps the final effect of her poetry is the image of a sensitive, brave, and engaged young woman who has made her life a journey. She has already traveled to many places, as these poems indicate, but beyond that is the sense of someone who is, in Ignazio Silone's words, coming from far and going far.

Auntie Encarna's House Is The Queerest Boarding House In The World. For Camila, Who Grew Up As A Boy In A Small Town In Argentina, But Now Lives As A Woman, It Is Home. The Queens Around Her Are Her Family: Auntie Encarna, Who Is 178 Years Old; Maria, Who Can't Speak, And Has Feathers Growing Out Of Her Back; And A Host Of Other Glittering Characters. At Night, They Head Together To Sarmiento Park, In The Heart Of The City, A Large Green Lung With A Zoo And A Theme Park. Potential Johns Cruise By In Their Cars, Slowing Down To Inspect The Group Before Selecting One With The Wave Of An Arm. The Chosen Woman Answers Their Call. Night After Night, Nothing Changes. Until, One Freezing Night, Auntie Encarna Hears Crying Coming From The Bushes. A Baby Boy, Lost And Alone. Auntie Encarna Puts Him In Her Handbag And Brings Him Home, Determined To Protect Him. To Be A Mother. But The Forces Of Oppression, Prejudice And Fear Surround The Family And Their Foundling - And Soon The Happiness They Clutched At Begins To Seem Like An Impossible Fairy Tale. -- Source Other Than Library Of Congress.

A Haunting tale of power, corruption, and the complex search for identity Conversation in The Cathedral takes place in 1950s Peru during the dictatorship of Manuel A. Odría. Over beers and a sea of freely spoken words, the conversation flows between two individuals, Santiago and Ambrosia, who talk of their tormented lives and of the overall degradation and frustration that has slowly taken over their town. Through a complicated web of secrets and historical references, Mario Vargas Llosa analyzes the mental and moral mechanisms that govern power and the people behind it. More than a historic analysis, Conversation in The Cathedral is a groundbreaking novel that tackles identity as well as the role of a citizen and how a lack of personal freedom can forever scar a people and a nation.

Pulitzer Prize winner Andrew Sean Greer ("A great chronicler of our times." -San Francisco Chronicle) showcases his wit, sophistication and deep knowledge of focaccia in this magical and madcap tale of a young man who takes an unspecified job with a charismatic elderly Baronessa at her crumbling villa in the Tuscan hills Broke and directionless, our young man (the chosen moniker of Villa Coco's narrator) takes a job in the Italian countryside as the all-purpose assistant (technically, the employment ad asked for "adjutant") to Lisabetta, known to her friends as Coco, a strong-willed, wealthy widow of great local renown. Technically, our young man is an archivist, charged with cataloguing Coco's extensive and eclectic collection of art and artifacts, but what are his actual duties? He is charged with ridding the house of a marten, whatever that is, locating the antediluvian septic system, entertaining an endless carousel of guests (from bohemian painters to elderly princesses to handsome nephews), attending a funeral in order to make off with the urn, and not inadvertently sabotaging Coco's great and final plan--to locate the lost love of her life and be reunited before it's too late. Told with the signature wit, insight, and deeply felt humanity that made Less an international phenomenon, Villa Coco is a dazzling, sun-soaked ode to life itself--a romp through a youthfully self-constructed emotional obstacle course, a meditation on what we give and take from others, and a bawdy Mediterranean ballad about becoming who you've always wanted to be.

Dionisio Vivo, a young South American lecturer in philosophy, is puzzled by the hideously mutilated corpses that keep turning up outside his front door. To his friend, Ramon, one of the few honest policemen in town, the message is all too clear: Dionisio’s letters to the press, exposing the drug barons, must stop; and although Dionisio manages to escape the hit-men sent to get him, he soon realizes that others are more vulnerable, and his love for them leads him to take a colossal revenge.   Senor Vivo and the Coca Lord is the second novel in a trilogy set in South America. It won a Commonwealth Writers Prize in 1992.

Diego, the deaf-mute son of Mexican migrant workers, and his pseudo-yuppie sister, Helen, find their lives transformed when Helen's roommate, a dedicated AIDS nurse, discovers she has the ability for out-of-body travel