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A brilliant, unforgettable novel from bestselling author Ruth Ozeki, author of The Book of Form and EmptinessFinalist for the Booker Prize and the National Book Critics Circle Award“A time being is someone who lives in time, and that means you, and me, and every one of us who is, or was, or ever will be.”In Tokyo, sixteen-year-old Nao has decided there’s only one escape from her aching loneliness and her classmates’ bullying. But before she ends it all, Nao first plans to document the life of her great grandmother, a Buddhist nun who’s lived more than a century. A diary is Nao’s only solace—and will touch lives in ways she can scarcely imagine. Across the Pacific, we meet Ruth, a novelist living on a remote island who discovers a collection of artifacts washed ashore in a Hello Kitty lunchbox—possibly debris from the devastating 2011 tsunami. As the mystery of its contents unfolds, Ruth is pulled into the past, into Nao’s drama and her unknown fate, and forward into her own future.Full of Ozeki’s signature humor and deeply engaged with the relationship between writer and reader, past and present, fact and fiction, quantum physics, history, and myth, A Tale for the Time Being is a brilliantly inventive, beguiling story of our shared humanity and the search for home.

Yasuko hanaoka accidentally kills her ex-husband, when circumstances rose to an unendurable level of ghastly behaviour from him. What follows is an elongated and witty brain-game between the investigator and her accomplice, ishigami, who aided yasuko in covering up the murder. The devotion of suspect x is the story about an ingenious plotter, and clever dr manabu yukawa, who helps in solving the case. Yasuko hanaoka works in a restaurant. She is divorced, and is a single mother to misato. Her ex-husband, togashi, was an abusive man, stalking and extorting money from her. With similar intentions, he showed up at yasuko’s home, this time threatening to kill her and her daughter if she refused to lend him money. What started from denial, reached to a heated argument, and within a short span of time, turned to a nasty fight. In the spur of the moment, yasuko killed togashi. Hearing the commotion in their apartment, tetsuya ishigami came into the picture. Ishigami was a middle-aged, singl

Mitsuha, a high school girl living in a small town in the mountains, has a dream that she's a boy living in Tokyo. Taki, a high school boy in Tokyo, dreams he's a girl living in a quaint little mountain town. Sharing bodies, relationships, and lives, the two become inextricably interwoven--but are any connections truly inseverable in the grand tapestry of fate? Written by director MAKOTO SHINKAI during the production of the film by the same title, your name. is in turns funny, heartwarming, and heart-wrenching as it follows the struggles of two young people determined to hold on to one another.

A major new collection of Japanese short stories, many appearing in English for the first time, with an introduction by Haruki Murakami, author of Killing CommendatoreA Penguin Classics HardcoverThis fantastically varied and exciting collection celebrates the art of the Japanese short story, from its origins in the nineteenth century to the remarkable practitioners writing today. Edited by acclaimed translator Jay Rubin, who has himself freshly translated some of the stories, and with an introduction by Haruki Murakami, this book is a revelation.Stories by writers already well known to English-language readers are included--like Tanizaki, Akutagawa, Murakami, Mishima, Kawabata, and Yoshimoto--as well as many surprising new finds. From Yuko Tsushima's "Flames" to Yuten Sawanishi's "Filling Up with Sugar" to Shin'ichi Hoshi's "Shoulder-Top Secretary" to Banana Yoshimoto's "Bee Honey," The Penguin Book of Japanese Short Stories is filled with fear, charm, beauty, and comedy.For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

"Written with precise skill and beautifully controlled power. The translation by Ivan Morris is outstanding." —The New York Times**Winner of the 1952 Yomiuri Prize**This haunting novel explores the complete degradation and isolation of a man by war. Fires on the Plain is set on the island of Leyte in the Philippines during World War II, where the Japanese army is disintegrating under the hammer blows of the American landings. Within this broader disintegration is another, that of a single human being, Private Tamura. The war destroys each of his ties to society, one by one, until Tamura, a sensitive and intelligent man, becomes an outcast.Nearly losing the will to survive, he hears of a port still in Japanese hands and struggles to walk through the American lines. Unfazed by danger, he welcomes the prospect of dying, but first, he loses his hope, and then his sanity. Lost among his hallucinations, Tamura comes to fancy himself an angel enjoined by God to eat no living thing—but even angels fall.Tamura is never less than human, even when driven to the ultimate sin against humanity. Shocking as the outward events are, the greatness of the novel lies in its uplifting vision during a time of crushing horror. As relevant today as when it was originally published, Fires on the Plain will strike a chord with anyone who has lived through the horrors of war.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

Past and present collide when an American missionary unearths an ancient Japanese scroll and becomes entangled with the nobleman whose family’s history lies in the delicate pages in this “timeless tale of intrigue and romance” (Booklist) from the author of Cloud of Sparrows.“One of the most impressive feats of storytelling to come along in years.”—San Francisco Chronicle BooksAn embattled family. A centuries-old secret. An epic tale of courage, love, and betrayal. In the year 1311, in the highest tower of Cloud of Sparrows Castle, a beautiful woman sits by the window, watching as enemies gather below. As she calmly awaits her fate, she begins to write, carefully setting down on a scroll the secret history of the Okumichi clan . . . of the gift of prophecy they share and the extraordinary destiny that awaits them.For six centuries, these writings lay hidden—until they are uncovered by an American missionary named Emily Gibson, who arrived in Edo harbor in 1861. Soon an extraordinary man would enter her life: Lord Genji of the Okumichi clan, a nobleman who must defend his embattled family—and confront forbidden feelings for an outsider in his midst. Emily soon finds a mission of her own: translating Genji’s ancestral history. But as Emily sifts through the fragile scrolls, she begins to see threads of her own life woven into the ancient writings. And soon a hidden history comes to life, and with it a secret prophecy that has been shrouded for centuries, and may now finally be revealed.

"The danger posed by nuclear weapons is as great as ever, yet few people survive who witnessed their horror. Nakazawa's manga illustrates the true impact of nuclear weapons when used against a civilian population. It is vital reading for people of all ages, and especially for today's youth. By keeping this tragedy in our collective consciousness, we can strive to never repeat it and guide humanity towards a course of peace. Cartoonist Keiji Nakazawa was seven years old and living in Hiroshima in the early days of August 1945 when the city was destroyed by an atomic bomb dropped by the U.S.A. Starting a few months before that event, his ten- volume saga shows life in Japan after years of war and privations, as seen through the eyes of seven-year-old Gen Nakaoka." --

Cartoonist Keiji Nakazawa was seven years old and living in Hiroshima in the early days of August 1945 when the city was destroyed by an atomic bomb dropped by the U.S.A. Starting a few months before that event, the ten-volume saga shows life in Japan after years of war and privations, as seen through the eyes of seven-year-old Gen Nakaoka. By Volume Seven, Gen has grown old enough to think about the legacy of the victims of the atomic bombing. Picking up from Volume Six, the story opens with Gen searching for a printer willing to publish an eyewitness account of the bombing written by "Papa," the journalist who serves as a father figure to Gen's war orphan friends. By hook and crook Gen and Ryuta manage to get the book printed and distributed, only to arouse the wrath of U.S. Army censors, who teach them a hard lesson about the politics of memory. Meanwhile, Gen's brother Koji returns home at last, only to find that their mother is on her deathbed.

Barefoot Gen Volume Ten ― "Never Give Up" ― The year is 1953. Now an apprentice sign painter, Gen has become a skilled artist, while his friends run a thriving dressmaking business. Gen falls in love for the first time, but fails to notice that a good friend has been caught in the clutches of drug addiction. Heartbreak and loss await Gen as the atomic bomb continues to wreak havoc on the lives of people in Hiroshima years after the fact. Yet these tragedies also inspire Gen to move to Tokyo to pursue his career as an artist.