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The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

How could you refuse the polite invitation of begoggled Danny Wallace in Join Me ? You don't know what you could be missing out on. It's all about living for the moment in this quirky, seemingly pointless yet addictive narrative. Finding himself with too much time on his hands after quitting his BBC job, Danny revels in "sitting around in his pants" and generally taking a break from the responsibilities of working life. Danny attends the funeral of his great uncle Gallus and finds out that he had set up a commune of like-minded people to escape Swiss small town small-mindedness in the 1940s. Intrigued by this idea, on his return to London Danny places a cryptic advert in the classified ads paper Loot and gets some surprising results. His Norwegian radio-producer girlfriend Hanne is bemused and infuriated that this has become more than a transient interest; it takes over his life--and hers. The number of "joinees"--people replying to his ad--escalates as word gets out about this new "happy cult", but without a clue about what he wants to achieve, or do with all his newfound friends, Danny has to think fast as dissent rises in the ranks. Now the reluctant leader of a troop of random hopefuls, he maintains their interest with obscure e-mails and watches as his joinees meet and bond. Whatever he had created, it was bigger than he had anticipated. From an initially puerile idea, it had grown into something of a social experiment--why were people willing to take the risk? What was lacking in their lives that they thought they might get out of contacting a stranger? Taking risks, no matter how big or small, is the essential crux of the matter here and of course, nothing ventured, nothing gained. -- Angela Boodoo

If puritanism is, as H.L. Mencken once said, the haunting fear that someone, somewhere, may be happy, then this glorious, monumental collection by one of England's most popular humorists is a puritan's nightmare. Focusing primarily on the 19th and 20th century, but with material dating back to Columbus, Frank Muir has packed this volume with enough joy and laughter to sink the Mayflower.The range of comic material is amazing--from the gentle, charming comedy of manners, to biting satire, to outrageous parody. There are excerpts from the novels of Jane Austen, P.G. Wodehouse and Mark Twain, complete short stories by O. Henry and Frank O'Connor, classic tall tales from Australia (including one by "Banjo" Patterson, who also wrote "Waltzing Matilda"), passages from Groucho Marx's correspondence with Warner Brothers, newspaper columns written by Art Buchwald and Myles na Gopaleen (the novelist Flann O'Brien), a selection of Samuel Johnson's comic definitions, plus a sprinkling of egregious puns, witty sayings, and even the clever names of stores (such as the New York restaurant "Just for the Halibut" and the London beauty parlor "Curl Up and Dye"). Muir has gathered work from over two hundred writers and from every English-speaking country. Virtually all of your favorites are here: Jonathan Swift, Jane Austen, Charles Dickens, Laurence Sterne, Anita Loos, Ring Lardner, Alexander Woollcott, Robert Benchley, Dorothy Parker, S.J. Perelman, Damon Runyon, Fran Lebowitz, Joseph Heller, Evelyn Waugh, Garrison Keilor, Erma Bombeck, Tom Wolfe, and countless others. In addition, there are comic pieces from writers you wouldn't expect to find--such as Thomas Hardy or Lawrence Durrell--and many many writers you may not have discovered yet, such as Jerome K. Jerome or Daisy Ashford (who wrote an unintentionally hysterical novel at age nine, which she published in her thirties).Frank Muir is one of Britain's best-loved humorists, the host of a highly popular television show and the prolific author of dozens of hilarious books, including the best-selling The Frank Muir Book. Here he provides not only a painfully funny collection, but also generous introductions to each writer, which are comic gems in themselves. Except for the occasional puritan, this is a book that everyone will enjoy.

Three brilliantly comic novels revolving around the University of Rummidge and the eventful lives of its role-swapping academics.

Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admiss

The magnificent second novel from the legendary author of One Flew Over the Cuckoo's NestFollowing the astonishing success of his first novel, One Flew Over the Cuckoo's Nest, Ken Kesey wrote what Charles Bowden calls "one of the few essential books written by an American in the last half century." This wild-spirited tale tells of a bitter strike that rages through a small lumber town along the Oregon coast. Bucking that strike out of sheer cussedness are the Stampers. Out of the Stamper family's rivalries and betrayals Ken Kesey has crafted a novel with the mythic impact of Greek tragedy.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

A new, affordable paperback edition of one O’Neill’s late masterpiecesEugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

With prose that is every bit as raw, intense and bitingly honest as the world it depicts, Barry Hines's A Kestrel for a Knave contains a new afterword by the author in Penguin Modern Classics. Life is tough and cheerless for Billy Casper, a troubled teenager growing up in the small Yorkshire mining town of Barnsley. Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world. Ken Loach's renowned film adaptation, Kes, has achieved cult status and in his new afterword Barry Hines discusses his work to adapt the novel into a screenplay, and reappraises the legacy of a book that has become a popular classic. Barry Hines (b. 1939) was born in the mining village of Hoyland Common, near Barnsley, South Yorkshire. Leaving Ecclesfield Grammar School without any qualifications, Hines worked as an apprentice mining surveyor for the National Coal Board before entering Loughborough Training College to study Physical Education. Working as a teacher in Hoyland Common, he wrote novels in the school library after work, later turning to writing full-time. If you enjoyed A Kestrel for a Knave, you might like The Call of the Wild, White Fang, and Other Stories by Jack London, published in Penguin Classics.

The hilarious 1980s political satire by Jonathan Coe, published as a Penguin Essential for the first time.It is the 1980s and the Winshaw family are getting richer and crueller by the year:Newspaper-columnist Hilary gets thousands for telling it like it isn't; Henry's turning hospitals into car parks; Roddy's selling art in return for sex; down on the farm Dorothy's squeezing every last pound from her livestock; Thomas is making a killing on the stock exchange; and Mark is selling arms to dictators.But once their hapless biographer Michael Owen starts investigating the family's trail of greed, corruption and immoral doings, the time growing ripe for the Winshaws to receive their comeuppance. . .This wickedly funny take on life under the Thatcher government was the winner of the 1995 John Llewellyn Rhys Prize'A sustained feat of humour, suspense and polemic, full of twists and ironies' Hilary Mantel, Sunday Times'A riveting social satire on the chattering and all-powerful upper classes' Time Out'Big, hilarious, intricate, furious, moving' Guardian

Wodehouse died before finishing this novel, first published in 1977. Containing the bare-bones narrative and dialogue of the first 16 chapters, its story keeps to the Blandings formula: a pretty niece brought to the castle to separate her from an "impossible" (ie poor) suitor in London.