Empfehlungen basierend auf "Out of Egypt"

Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others—in which a newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a search that leads him to a terminally ill painter living out her final days in the Brooklyn Museum.Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of Tehran in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the Angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.Electrifying, funny, wholly original, and profound, Martyr! heralds the arrival of a blazing and essential new voice in contemporary fiction.

Many of us know how the partition of India and Pakistan came about. However, there are several other stories that took place during that time that we need to be aware of. There are several tragedies which have not received as much importance as the partition itself.The book is a collection of unforgettable stories put together as Saadat Hasan Manto s most powerful pieces. It is based on the Partition of the subcontinent into India and Pakistan in the year 1947. The book contains many stories like Toba Tek Singh, The Return, The Assignment, Colder Than Ice and many more. All these stories come alive to put forward the most tragic events in the history of the subcontinent.

Wise, often funny, sometimes heartbreaking, Persepolis: The Story of a Childhood tells the story of Marjane Satrapi's life in Tehran from the ages of six to fourteen, years that saw the overthrow of the Shah's regime, the triumph of the Islamic Revolution and the devastating effects of war with Iraq. The intelligent and outspoken child of radical Marxists, and the great-grandaughter of Iran's last emperor, Satrapi bears witness to a childhood uniquely entwined with the history of her country. Persepolis paints an unforgettable portrait of daily life in Iran and of the bewildering contradictions between home life and public life. Amidst the tragedy, Marjane's child's eye view adds immediacy and humour, and her story of a childhood at once outrageous and ordinary, beset by the unthinkable and yet buffered by an extraordinary and loving family, is immensely moving. It is also very beautiful; Satrapi's drawings have the power of the very best woodcuts.Persepolis ends on a cliffhanger in 1984, just as fourteen-year-old Marjane is leaving behind her home in Tehran, escaping fundamentalism and the war with Iraq to begin a new life in the West. In Persepolis 2: The Story of a Return we follow our young, intrepid heroine through the next eight years of her life: an eye-opening and sometimes lonely four years of high school in Vienna, followed by a supremely educational and heartwrenching four years back home in Iran. Just as funny and heartbreaking as its predecessor - with perhaps an even greater sense of the ridiculous inspired by life in a fundamentalist state - Persepolis 2 is also as clear-eyed and searing in its condemnation of fundamentalism and its cost to the human spirit. In its depiction of the universal trials of adolescent life and growing into adulthood - here compounded by being an outsider both abroad and at home, and by living in a state where you have no right to show your hair, wear make-up, run in public, date, or question authority - it's raw, honest, and incredibly illuminating.

A follow-up to

“Hilarious and Heartbreaking. Comedy shouldn’t take courage, but it made an exception for Bassem.” --Jon Stewart "The Jon Stewart of the Arabic World"—the creator of The Program, the most popular television show in Egypt’s history—chronicles his transformation from heart surgeon to political satirist, and offers crucial insight into the Arab Spring, the Egyptian Revolution, and the turmoil roiling the modern Middle East, all of which inspired the documentary about his life, Tickling Giants. Bassem Youssef’s incendiary satirical news program, Al-Bernameg (The Program), chronicled the events of the 2011 Egyptian Revolution, the fall of President Hosni Mubarak, and the rise of Mubarak’s successor, Mohamed Morsi. Youssef not only captured his nation’s dissent but stamped it with his own brand of humorous political criticism, in which the Egyptian government became the prime laughing stock. So potent were Youssef’s skits, jokes, and commentary, the authoritarian government accused him of insulting the Egyptian presidency and Islam. After a six-hour long police interrogation, Youssef was released. While his case was eventually dismissed, his television show was terminated, and Youssef, fearful for his safety, fled his homeland. In Revolution for Dummies, Youssef recounts his life and offers hysterical riffs on the hypocrisy, instability, and corruption that has long animated Egyptian politics. From the attempted cover-up of the violent clashes in Tahrir Square to the government’s announcement that it had created the world’s first "AIDS cure" machine, to the conviction of officials that Youssef was a CIA operative—recruited by Jon Stewart—to bring down the country through sarcasm. There’s much more—and it’s all insanely true. Interweaving the dramatic and inspiring stories of the development of his popular television show and his rise as the most contentious funny-man in Egypt, Youssef’s humorous, fast-paced takes on dictatorship, revolution, and the unforeseeable destiny of democracy in the Modern Middle East offers much needed hope and more than a few healing laughs. A documentary about his life, Tickling Giants, debuted at the Tribeca Film Festival in 2016, and is now scheduled for major release.

An expat schoolteacher has spent years in exile reflecting on his turmoiled love affair with Justine, a glamorous Egyptian wife. Returning to wartime Alexandria, he finds that his old friends have suffered dramatic changes of body, mind, and fortune - and someone whom he has never really known wishes to see him. His affair with Clea, a bisexual artist, not only changes the lovers, but transforms the dead, forever - and heralds a new beginning, just as Lawrence Durrell's intoxicating masterpiece ends.

The script for the stage production of the bestselling Khaled Hosseini novel A Thousand Splendid Suns, as adapted by playwright Ursula Rani Sarma. Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever-escalating dangers around them--in their home, as well as in the streets of Kabul--they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, playwright Ursula Rani Sarma reimagines Hosseini's novel to show how a woman's love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival. A stunning accomplishment, this reimagination of A Thousand Splendid Suns is a haunting, heartbreaking, compelling production about unlikely friendship and indestructible love. This adaptation was first performed by the American Conservatory Theater in San Francisco in February 2017.

Exiled, displaced, tortured, and grieving—each of the five Iraqi women whose lives and losses come to us through Haifa Zangana's skillfully wrought novel is searching in her own way for peace with a past that continually threatens to swallow up the present. Majda, the widow of a former Ba'ath party official who was killed by the government he served. Adiba, a political dissident tortured under Saddam Hussein's regime. Um Mohammed, a Kurdish refugee who fled her home for political asylum. Iqbal, a divorced mother whose family in Iraq is suffering the effects of Western economic sanctions. And Sahira, the wife of a Communist politician, struggling with his disillusionment and her own isolation. Bound to one another by a common Iraqi identity and a common location in 1990s London, these women come together across differences in politics, ethnic and class background, age, and even language. In narrating the friendship that develops among them, Zangana captures their warmth and humor as well as their sadness, their feelings of despair along with their search for hope, their sense of uprootedness, and their yearnings for home. Weaving between the women's memories of Iraq—nostalgic and nightmarish—and their lives as exiles in London, Zangana's novel gives voice to the richness and complexity of Iraqi women's experiences. Through their stories, the novel represents a powerful critique of the violence done to ordinary people by those who hold power both in Iraq and in the West.

The thrilling new novel from the author of The Night of the Mi'raj and City of Veils, a mystery set in Saudia Arabia's underworld.'Riveting, tense psychological drama' SUNDAY TIMES Ibrahim Al-Brehm is a respectable husband a police inspector on Jeddah's murder squad. But for the past year, he has been having an affair with a woman named Maria. One day though, she disappears.Terrified and with nowhere else to turn, Ibrahim goes to Katya, one of the few women on the force. As she ventures into Saudi Arabia's underworld, she uncovers a murder which connects Maria to a human trafficking ring. Soon Ibrahim realises that the killer is closer to home than he had ever imagined.Kingdom of Strangers is a suspenseful story of murder and deception among Saudi Arabia's shaded alleys, gleaming compounds and vast lonely deserts.

Winner! 2023 Pulitzer Prize in Drama Winner! 2023 Obie Award for Best New American Play It's 2008 and four Iranians assemble triweekly in a TOEFL (Test of English as a Foreign Language) class in Karaj Iran. The students are led by Marjan an anglophile who abolishes Farsi from her classroom. They translate Ricky Martin and endure major preposition confusion; they discover how to be funny in English and ponder what they will lose in the process. As the class slowly devolves into a linguistic mess some students cling tighter to their mother tongue while others embrace the possibilities of a new language.