Empfehlungen basierend auf "Our Enemies Will Vanish"

Ukraine is currently embroiled in a tense fight with Russia to preserve its territorial integrity and political independence. But today's conflict is only the latest in a long history of battles over Ukraine's territory and its existence as a sovereign nation. As the award-winning historian Serhii Plokhy argues in The Gates of Europe, we must examine Ukraine's past in order to understand its present and future.Situated between Central Europe, Russia, and the Middle East, Ukraine was shaped by the empires that used it as a strategic gateway between East and West -- from the Roman and Ottoman empires to the Third Reich and the Soviet Union. For centuries, Ukraine has been a meeting place of various cultures. The mixing of sedentary and nomadic peoples and Christianity and Islam on the steppe borderland produced the class of ferocious warriors known as the Cossacks, for example, while the encounter between the Catholic and Orthodox churches created a religious tradition that bridges Western and Eastern Christianity. Ukraine has also been a home to millions of Jews, serving as the birthplace of Hassidism -- and as one of the killing fields of the Holocaust.Plokhy examines the history of Ukraine's search for its identity through the lives of the major figures in Ukrainian history: Prince Yaroslav the Wise of Kyiv, whose daughter Anna became queen of France; the Cossack ruler Ivan Mazepa, who was immortalized in the poems of Byron and Pushkin; Nikita Khrushchev and his protege-turned-nemesis Leonid Brezhnev, who called Ukraine their home; and the heroes of the Maidan protests of 2013 and 2014, who embody the current struggle over Ukraine's future.As Plokhy explains, today's crisis is a tragic case of history repeating itself, as Ukraine once again finds itself in the center of the battle of global proportions. An authoritative history of this vital country, The Gates of Europe provides a unique insight into the origins of the most dangerous international crisis since the end of the Cold War.

A devastating story of the struggle of civilians caught up in the conflict in eastern UkraineChosen as one of “Six Books to Read for Context on Ukraine” by the New York TimesSelected by Publishers Weekly as one of the “20 Best Books of 2021”“Powerful . . . For those who want a glimpse of what life will be like in Ukraine for years to come, The Orphanage offers a frightening glimpse.”—Bill Marx, Arts FuseIf every war needs its master chronicler, Ukraine has Serhiy Zhadan, one of Europe’s most promising novelists. Recalling the brutal landscape of The Road and the wartime storytelling of A Farewell to Arms, The Orphanage is a searing novel that excavates the human collateral damage wrought by the ongoing conflict in eastern Ukraine. When hostile soldiers invade a neighboring city, Pasha, a thirty-five-year-old Ukrainian language teacher, sets out for the orphanage where his nephew Sasha lives, now in occupied territory. Venturing into combat zones, traversing shifting borders, and forging uneasy alliances along the way, Pasha realizes where his true loyalties lie in an increasingly desperate fight to rescue Sasha and bring him home.Written with a raw intensity, this is a deeply personal account of violence that will be remembered as the definitive novel of the war in Ukraine.

'A captivating sweep of a novel about love, resilience and impossible choices' Christina Lamb, chief foreign correspondent Sunday Times 'An unflinching look at the cost of survival in terrible circumstances, which has sad echoes in modern-day Ukraine' The Times Seventeen-year-old Debora Rosenbaum, ambitious and in love with literature, arrives in the capital of the new Ukrainian Soviet Socialist Republic, Kharkiv. The stale and forbidding ways of the past are out; 1930 is a new dawn, the Soviet era, where skyscrapers go up overnight. Debora finds work and meets a dashing young officer named Samuel who is training to become a fighter pilot. But Debora's prospects - and Ukraine's - soon dim. State-induced famine rolls through the depleted countryside, and any deviation from Moscow ideology is punished by disappearance. When Samuel is sentenced to ten years' hard labour, Debora is left on her own with a baby. As advancing Nazi armies move through Ukraine, its yellow fields of wheat run red with blood. Forced to renounce the man she loves, her identity and even her name, Debora also learns to endure, manipulate and resist. No Country for Love follows the hard choices Debora makes as Ukraine, caught between two totalitarian ideologies, turns into the deadliest place in the world - while she tries to protect those she loves most. 'Doctor Zhivago meets Stalingrad - a mix of romantic historical fiction and gritty, reportage-like storytelling... The history is spot-on, going from pre-Communist times, through World War II, to the era of Stalin and after. And the stories it tells of the human heart, through the eyes of its heroine Debora Rosenbaum and those who befriend or betray her, are unforgettable' NPR Best Books of the Year

'A beautifully written book, it's been years since I had to look away from a page because it was just too heart-breaking to go on' - Arundhati Roy, Elle 'One of the most humane and terrifying books I've ever read' - Helen Simpson, Observer The devastating history of the Chernobyl disaster by Svetlana Alexievich, the winner of the Nobel prize in literature - A new translation by Anna Gunin and Arch Tait based on the revised text - In April 1986 a series of explosions shook the Chernobyl nuclear reactor. Flames lit up the sky and radiation escaped to contaminate the land and poison the people for years to come. While officials tried to hush up the accident, Svetlana Alexievich spent years collecting testimonies from survivors - clean-up workers, residents, firefighters, resettlers, widows, orphans - crafting their voices into a haunting oral history of fear, anger and uncertainty, but also dark humour and love. A chronicle of the past and a warning for our nuclear future, Chernobyl Prayer shows what it is like to bear witness, and remember in a world that wants you to forget.

This important play from one of Poland's most prominent playwrights has had successful stagings in San Francisco Minneapolis Washington D.C. and New York. It takes place on a New Year's Eve in an unnamed country in the home of two immigrants. One is a political exile an intellectual who gets his money from a mysterious source. The other is a ditch digger who is saving money to bring over his family.

Klotsvog is a novel about being Jewish in the Soviet Union and the historical trauma of World War II--and it's a novel about the petty dramas and demons of one strikingly vain woman. Maya Abramovna Klotsvog has had quite a life, and she wants you to know all about it. Selfish, garrulous, and thoroughly entertaining, she tells us where she came from, who she didn't get along with, and what became of all her husbands and lovers. In Klotsvog, Margarita Khemlin creates a first-person narrator who is both deeply self-absorbed and deeply compelling. From Maya's perspective, Khemlin unfurls a retelling of the Soviet Jewish experience that integrates the historical and the personal into her protagonist's vividly drawn inner and outer lives. Maya's life story flows as a long monologue, told in unfussy language dense with Khemlin's magnificently manipulated Soviet clichés and matter-of-fact descriptions of Soviet life. Born in a center of Jewish culture in Ukraine, she spent the war in evacuation in Kazakhstan. She has few friends but has had several husbands, and her relationships with her relatives are strained at best. The war looms over Klotsvog, and the trauma runs deep, as do the ambiguities and ambivalences of Jewish identity. Lisa Hayden's masterful translation brings this gripping character study full of dark, sly humor and new perspectives on Jewish heritage and survival to an English-speaking audience.

In Ukraine, War, Love, Olena Stiazhkina depicts day-to-day developments in and around her beloved hometown Donetsk during Russia’s 2014 invasion and occupation of the Ukrainian city. An award-winning fiction writer, Stiazhkina chronicles an increasingly harrowing series of events with sarcasm, anger, humor, and love.The diary opens on March 2, 2014, as the first wave of pro-Russian protest washes over eastern Ukraine in the wake of Euromaidan, the Revolution of Dignity, and it closes on August 18, 2014, the day a convoy of civilian Ukrainian refugees is deliberately slaughtered by Russian forces. Early on, Stiazhkina is captured by pro-Russian forces while she browses for books but is freed when one of her captors turns out to be a former student. Vignettes from her personal life intermingle with current events, and she examines ordinary people in extraordinary circumstances. We walk with local dogs and their owners; we meet a formidable apartment building manager who shames occupiers and dismantles their artillery from the roof of her building; we follow a family evacuated to Kyiv whose young son builds checkpoints out of Legos. Olena Stiazhkina’s Ukraine, War, Love: A Donetsk Diary is a fierce love letter to her country, her city, and her people.

When the great Greek pacifist leader Gregory Lambrakis was slain in Salonika, 400,000 men and women mourning in silence followed his body to the grave. For months after the murder, on walls all over Greece there appeared the letter "Z" for zei-- He Lives! Vassilis Vassilikos exposed the story of a political murder and the corruption of a military regime in this powerful novel. This edition followed the film, which won the Academy Award for foreign language film, and other honors.

* Named a Best Book of the Year by The New Yorker and TIME * Winner of the Pushkin House Book Prize * A New York Times Book Review Editors' Choice *“A haunting book of rare courage.” —Clarissa Ward, CNN chief international correspondent and author of On All Fronts To be a journalist is to tell the truth. I Love Russia is Elena Kostyuchenko’s unrelenting attempt to document her country as experienced by those whom it systematically and brutally erases: village girls recruited into sex work, queer people in the outer provinces, patients and doctors at a Ukrainian maternity ward, and reporters like herself. Here is Russia as it is, not as we imagine it. The result is a singular portrait of a nation, and of a young woman who refuses to be silenced. In March 2022, as a correspondent for Russia’s last free press, Novaya Gazeta, Kostyuchenko crossed the border into Ukraine to cover the war. It was her mission to ensure that Russians witnessed the horrors Putin was committing in their name. She filed her pieces knowing that should she return home, she would likely be prosecuted and sentenced to up to fifteen years in prison. Yet, driven by the conviction that the greatest form of love and patriotism is criticism, she continues to write. I Love Russia stitches together reportage from the past fifteen years with personal essays, assembling a kaleidoscopic narrative that Kostyuchenko understands may be the last work from her homeland that she’ll publish for a long time—perhaps ever. It exposes the inner workings of an entire nation as it descends into fascism and, inevitably, war. She writes because the threat of Putin’s Russia extends beyond herself, beyond Crimea, and beyond Ukraine. We fail to understand it at our own peril.

A vivid and intimate account of the Ukrainian Revolution, the rare moment when the political became the existential What is worth dying for? While the world watched the uprising on the Maidan as an episode in geopolitics, those in Ukraine during the extraordinary winter of 2013-14 lived the revolution as an existential transformation: the blurring of night and day, the loss of a sense of time, the sudden disappearance of fear, the imperative to make choices. In this lyrical and intimate book, Marci Shore evokes the human face of the Ukrainian Revolution. Grounded in the true stories of activists and soldiers, parents and children, Shore's book blends a narrative of suspenseful choices with a historian's reflections on what revolution is and what it means. She gently sets her portraits of individual revolutionaries against the past as they understand it--and the future as they hope to make it. In so doing, she provides a lesson about human solidarity in a world, our world, where the boundary between reality and fiction is ever more effaced.