Empfehlungen basierend auf "Our Bodies, Their Battlefields: War Through the Lives of Women"

Named a Most Anticipated Book of 2023 by the New York Times, The Week, Vulture, Elle, and The MillionsA piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the sameI took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . .A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next.Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.In A Life of One’s Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another?This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths.

NEW YORK TIMES BESTSELLER“Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's TaleThe national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped.Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?

An instant feminist classic, and perfect gift for all parents, women, and people working towards gender equality. Here is a brilliant, beautifully readable, and above all practical expansion of the ideas this iconic author began to explore in her bestselling manifesto, We Should All Be Feminists.A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking how to raise her new baby girl a feminist.Although she has written and spoken out widely about feminism, Adichie wasn't sure how to advise her friend Ijeawele. But as a person who'd babysat, had loved her nieces and nephews, and now, too, was the mother of a daughter herself, she thought she would try. So she sent Ijeawele a letter with some suggestions--15 in all--which she has now decided to share with the world.Compelling, direct, wryly funny, and perceptive, Dear Ijeawele offers specifics on how we can empower our daughters to become strong, independent women. Here, too, are ways parents can raise their children--both sons and daughters--beyond a culture's limiting gender prescriptions. This short, sharp work rings out in Chimamanda's voice: infused with deep honesty, clarity, strength, and above all love. She speaks to the important work of raising a girl in today's world, and provides her readers with a clear proposal for inclusive, nuanced thinking. Here we have not only a rousing manifesto, but a powerful gift for all people invested in the idea of creating a just society--an endeavour now more urgent and important than ever.

The first book devoted entirely to women in bluegrass, Pretty Good for a Girl documents the lives of more than seventy women whose vibrant contributions to the development of bluegrass have been, for the most part, overlooked. Accessibly written and organized by decade, the book begins with Sally Ann Forrester, who played accordion and sang with Bill Monroe's Blue Grass Boys from 1943 to 1946, and continues into the present with artists such as Alison Krauss, Rhonda Vincent, and the Dixie Chicks. Drawing from extensive interviews, well-known banjoist Murphy Hicks Henry gives voice to women performers and innovators throughout bluegrass's history, including such pioneers as Bessie Lee Mauldin, Wilma Lee Cooper, and Roni and Donna Stoneman; family bands including the Lewises, Whites, and McLains; and later pathbreaking performers such as the Buffalo Gals and other all-girl bands, Laurie Lewis, Lynn Morris, Missy Raines, and many others.

A Waterstones Best Memoir of 2024An Independent and Stylist Best Non-Fiction Book for 2024 The captivating true story of an underdog business – a feminist bookshop founded in Thatcher’s Britain – from a woman at the heart of the women’s liberation movement.

National Bestseller * Goodreads Choice Awards Finalist"An ingenious look at WWII.” —Publishers Weekly (Starred Review)A groundbreaking new history of the role of American servicewomen in WWII, illuminating their forgotten yet essential contributions to the Allies’ victory.Valiant Women is the story of the 350,000 American women who served in uniform during World War II. These incredible women served in every service branch, in every combat theater, and in nearly two-thirds of the available military occupations at the time.They were pilots, codebreakers, ordnance experts, gunnery instructors, metalsmiths, chemists, translators, parachute riggers, truck drivers, radarmen, pigeon trainers, and much more. They were directly involved in some of the most important moments of the war, from the D-Day landings to the peace negotiations in Paris. These women—who hailed from every race, creed, and walk of life—died for their country and received the nation’s highest honors. Their work, both individually and in total, was at the heart of the Allied strategy that won World War II.Yet, until now, their stories have been relegated to the dusty shelves of military archives or a passing mention in the local paper. Often the women themselves kept their stories private, even from their own families.Now, military analyst Lena Andrews corrects the record with the definitive and comprehensive historical account of American servicewomen during World War II, based on new archival research, firsthand interviews with surviving veterans, and a deep professional understanding of military history and strategy.

#1 NEW YORK TIMES BESTSELLERMeet the little leaders. They're brave. They're bold. They changed the world.Featuring 40 trailblazing black women in history, this book educates and inspires as it relates true stories of women who broke boundaries and exceeded all expectations, including:Nurse Mary SeacolePolitician Diane AbbottMathematician Katherine JohnsonSinger Shirley BasseyBestselling author and artist Vashti Harrison pairs captivating text and beautiful illustrations as she tells the stories of both iconic and lesser-known female figures. Among these biographies, readers will find heroes, role models, and everyday women who did extraordinary things.

A raw and lyrical exploration of the confining expectations of womanhood and, if we dare, what lies beyond those limitations--from a writer Roxane Gay calls "vibrant and thoughtful." Gorgeous, badass, and practically waiting to pounce, Good Woman: A Reckoning is acclaimed essayist Savala Nolan's follow-up to her "standout collection" (New York Times Book Review) Don't Let It Get You Down. A lifetime of playing by the rules of female social conditioning is not what it's cracked up to be for Nolan. The years of making herself smaller (literally and metaphorically); the sexual advances that led to more than she wanted; the bad marriage she fought like hell to keep; all the ways others questioned her identity or choices and she let it slide to keep the peace; her silence when requested; her body when desired--none of it worked. None of it protected her the way it was advertised to. Nolan noticed the same was true for the women around her and the women in history she read about. Across time and location, they were raised to be agreeable and "good." Hyper-visible as sexual objects but invisible as full people. Living in a physical world created by men for men. Taking on the ultimate role of birth-giver and caretaker, yet seeing it remain an unsung act, even as it's a God-like endeavor. Only in midlife did Nolan begin to realize she was capable of living outside these cages of conditioning so slyly insidious that they're nearly invisible. Good Woman elegantly probes the knotty conditions themselves, the costs of adhering to them, and what happens when one refuses to comply. The twelve stunning and unforgettable essays blend memoir, reportage, and history to create a collection that is alternately bold, brash, and explosive ... and ravishingly tender, sensual, and joyous. Nolan takes aim at big and old ideas, and she does not miss. Hers is a testimony to witness and to savor.

While women's experience encompasses all that is human, while women have participated in history and the making of history through all time, until very recently they have been largely excluded from the writing of that history. Most of what we know of the past experience of women comes to us largely through the distorting lens of men's reflections and observations. In the now classic The Female Experience, Gerda Lerner describes history as seen by women, as colored by their values. What she creates is fascinating narrative of the lives and history of ordinary women, a book that provides a new framework for the study of their past experience. If women's history is now a healthy and ever-growing discipline, we have in a large part this award-winning author to thank. Avoiding the traditional chronological periods by which U.S. history is most often studied, Lerner groups her sources--many taken from manuscripts previously unknown, and others only available in research libraries--according to the lifecycle of women, their roles in a male-defined society, in the workplace, in politics, and finally in the contemporary world where feminism is creating an altogether new consciousness. From "runaway wives" in eighteenth-century America, through an anonymous account of a mother's death during childbirth, to appeals in our century for freedom of sexual preference, The Female Experience recounts history from the woman's point of view, and goes a long way toward reconstructing a female past and analyzing it with appropriate concepts. In the general introduction and chapter essays Lerner offers commentary that not only knits these disparate primary sources together, but also interprets them in an innovative way. Now brought up to date with a new preface, The Female Experience is a book that pulses with life, a stunning testament not only to the long-ignored role of women in society, but a pioneering effort to reinvent the way we look at history.

In the watershed year of 1919, world leaders met in Paris, promising to build a new international order rooted in democracy and social justice. Female activists demanded that statesmen live up to their word. Excluded from the negotiating table, women met separately, crafted their own agendas, and captured global headlines with a message that was both straightforward and revolutionary: enduring peace depended as much on recognition of the fundamental humanity and equality of all people--regardless of sex, race, class, or creed--as on respect for the sovereignty of independent states. Peace on Our Terms follows dozens of remarkable women from Europe, the Middle East, North America, and Asia as they crossed oceans and continents; commanded meeting halls in Paris, Zurich, and Washington; and marched in the streets of Cairo and Beijing. Mona L. Siegel's sweeping global account of international organizing highlights how Egyptian and Chinese nationalists, Western and Japanese labor feminists, white Western suffragists, and African American civil rights advocates worked in tandem to advance women's rights. Despite significant resistance, these pathbreaking women left their mark on emerging democratic constitutions and new institutions of global governance. Drawing on a wide range of sources, Peace on Our Terms is the first book to demonstrate the centrality of women's activism to the Paris Peace Conference and the critical diplomatic events of 1919. Siegel tells the timely story of how female activists transformed women's rights into a global rallying cry, laying a foundation for generations to come.