Empfehlungen basierend auf "Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland"

Tadeusz Borowski’s concentration camp stories were based on his own experiences surviving Auschwitz and Dachau. In spare, brutal prose he describes a world where where the will to survive overrides compassion and prisoners eat, work and sleep a few yards from where others are murdered; where the difference between human beings is reduced to a second bowl of soup, an extra blanket or the luxury of a pair of shoes with thick soles; and where the line between normality and abnormality vanishes. Published in Poland after the Second World War, these stories constitute a masterwork of world literature.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

In 1941, three brothers witnessed their parents and two other siblingsbeing led away to their eventual murders. It was a grim scene that would,of course, be repeated endlessly throughout the war. Instead of running orgiving in to despair, these brothers -- Tuvia, Zus, and Asael Bielski -- foughtback, waging a guerrilla war of wits against the Nazis.By using their intimate knowledge of the dense forests surrounding theBelarusan towns of Novogrudek and Lida, the Bielskis evaded the Nazis andestablished a hidden base camp, then set about convincing other Jews to jointheir ranks. As more and more Jews arrived each day, a robust communitybegan to emerge, a "Jerusalem in the woods."After two and a half years in the woods, in July 1944, the Bielskis learnedthat the Germans, overrun by the Red Army, were retreating back towardBerlin. More than one thousand Bielski Jews emerged -- alive -- on that final,triumphant exit from the woods.

As millions of people around the world who have read her diary attest, Anne Frank, the most familiar victim of the Holocaust, has a remarkable place in contemporary memory. Anne Frank Unbound looks beyond this young girl’s words at the numerous ways people have engaged her life and writing. Apart from officially sanctioned works and organizations, there exists a prodigious amount of cultural production, which encompasses literature, art, music, film, television, blogs, pedagogy, scholarship, religious ritual, and comedy. Created by both artists and amateurs, these responses to Anne Frank range from veneration to irreverence. Although at times they challenge conventional perceptions of her significance, these works testify to the power of Anne Frank, the writer, and Anne Frank, the cultural phenomenon, as people worldwide forge their own connections with the diary and its author.

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

THE TIMES 100 BEST BOOKS FOR SUMMER The inspiring true story of a father and son's fight to stay together and survive the Holocaust, for anyone captivated by The Cut Out Girl, The Choice and The Tattooist of Auschwitz. 'An extraordinary tale' The Times (Best Books of 2019) ___________ Where there is family, there is hope . . . Vienna, 1939. Nazi police seize Gustav Kleinmann, a Jewish upholsterer and his son, Fritz, and send the pair to Buchenwald in Germany. There began an unimaginable ordeal that saw the pair beaten, starved and forced to build the very concentration camp they were held in. When Gustav was set to be transferred to Auschwitz, a certain death sentence, his son refused to leave his side. Throughout the horrors they witnessed and the suffering they endured, there was one constant that kept them alive: the love between father and son. Based on Gustav's secret diary and meticulous archive research, this book tells their incredible story for the first time - a story of courage and survival unparalleled in the history of the Holocaust. The Boy Who Followed His Father into Auschwitz is a reminder of both the best and the worst of humanity, the strength of family ties, and the power of the human spirit. ___________ THE SUNDAY TIMES BESTSELLER 'An emotionally devastating story of courage - and survival' i Paper 'Extraordinary' Observer 'We should all read this shattering book about the Holocaust. An astonishing story of the unbreakable bond between a father and a son. Brilliantly researched and written with searing clarity' Daily Mail 'A deeply humane account. This book could not be more timely and deserves the widest possible readership' Daily Express As seen on BBC Breakfast and Sky News, and heard on BBC Radio 4 & BBC Radio 5 Live.

Now is the sixth shocking, funny and heartbreaking book in Morris Gleitzman's Second World War series. Sometimes facing the past is the bravest act of all... ONCE I didn't know about my grandfather Felix's scary childhood. THEN I found out what the Nazis did to his best friend Zelda. NOW I understand why Felix does the things he does. At least he's got me. My name is Zelda too. This is our story. Now is the sixth in a series of children's novels about Felix, a Jewish orphan caught in the middle of the Holocaust, from Australian author Morris Gleitzman. The other books in the sequence, Once, Then, After, Soon and Maybe are also available from Puffin.

From the survivor of ten Nazi concentration camps who went on to create the New England Holocaust Memorial, a "devastating...inspirational" memoir (The Today Show) about finding strength in the face of despair.On August 14, 2017, two days after a white-supremacist activist rammed his car into a group of anti-Fascist protestors, killing one and injuring nineteen, the New England Holocaust Memorial was vandalized for the second time in as many months. At the base of one of its fifty-four-foot glass towers lay a pile of shards. For Steve Ross, the image called to mind Kristallnacht, the Night of Broken Glass in which German authorities ransacked Jewish-owned buildings with sledgehammers.Ross was eight years old when the Nazis invaded his Polish village, forcing his family to flee. He spent his next six years in a day-to-day struggle to survive the notorious camps in which he was imprisoned, Auschwitz-Birkenau and Dachau among them. When he was finally liberated, he no longer knew how old he was, he was literally starving to death, and everyone in his family except for his brother had been killed.Ross learned in his darkest experiences--by observing and enduring inconceivable cruelty as well as by receiving compassion from caring fellow prisoners--the human capacity to rise above even the bleakest circumstances. He decided to devote himself to underprivileged youth, aiming to ensure that despite the obstacles in their lives they would never experience suffering like he had. Over the course of a nearly forty-year career as a psychologist working in the Boston city schools, that was exactly what he did. At the end of his career, he spearheaded the creation of the New England Holocaust Memorial, a site millions of people including young students visit every year.Equal parts heartrending, brutal, and inspiring, From Broken Glass is the story of how one man survived the unimaginable and helped lead a new generation to forge a more compassionate world.

The twentieth century has seen both the greatest triumph of Jewish history and its greatest tragedy: the birth of the nation of Israel, and the state-sponsored genocide of the Holocaust. A People Apart is the first study to examine the role played by the Jews themselves, across the whole of Europe, during the century and a half leading up to these events. David Vital explores the Jews' troubled relationship with Europe, documenting the struggles of this 'nation without a territory' to establish a place for itself within an increasingly polarized and nationalist continent. He examines the clash within the Jewish community between politically neutral traditionalists and a new group of activists, whose unprecedented demands for national and political self-determination were stimulated both by increasing civil emancipation and the mounting effort to drive the Jews out of Europe altogether. Controversially, Professor Vital concludes that the history of the Jewish people was indeed in crucial respects although certainly not all of their own making; at times by their own autonomous action and choice; at others by inaction and default. This powerful and stimulating new analysis represents a watershed in our understanding of the history of the Jews in Europe, and therefore in the whole history of the continent.

"How extraordinary it is that compassion and tenderness may flourish in the cruellest conditions; how stubbornly and bravely people survive them. This is not a depressing book but an inspiriting and encouraging one." —Doris Lessing"The sixteen life stories are riveting. . . . testimony to the complexity of the human spirit[,] to miracles of survival and endurance in the most hellish of conditions. . . . Till My Tale Is Told remind[s] us of the importance of remembrance and testimony about this particularly brutal chapter of human history."—The Women's Review of BooksArrest, interrogation, imprisonment, trial and sentencing, transport, labor camps, internal exile, sometimes release, often followed by re-arrest and re-imprisonment and, for those who outlived Stalin, eventual reprieve and rehabilitation these are the outlines of the experiences recorded by 16 courageous Russian women whose moving testimonies, most of them written in secret and at great personal risk, are presented here.

This volume sheds light on two brilliant but lesser known ghetto journalists: Josef Zelkowicz and Peretz Opoczynski. An ordained rabbi, Zelkowicz became a key member of the archive in the Lodz ghetto. Opoczynski was a journalist and mailman who contributed to the Warsaw ghetto’s secret Oyneg Shabes archive. While other ghetto writers sought to create an objective record of their circumstances, Zelkowicz and Opoczynski chronicled daily life and Jewish responses to ghettoization by the Nazis with powerful immediacy. Expertly translated by David Suchoff, with an elegant introduction by Samuel Kassow, these profound writings are at last accessible to contemporary readers.