Empfehlungen basierend auf "Opium and Absinthe: A Novel"

“Read this in about two sittings—absolutely loved it. Dazzlingly clever and beautifully twisty. Don’t miss it!!”—Emilia Hart, author of Weyward The gripping follow up to the “smart, stylish, and savage” (People) New York Times bestseller and Reese’s Book Club pick The Club—a twisty mystery involving a cursed wealthy family and a Surrealist painting which holds the key to three suspicious deaths over the course of a century. Some women won't be painted out of history . . . Everybody knows that in 1938, runaway heiress artist Juliette Willoughby perished in an accidental studio fire in Paris, alongside her masterpiece Self Portrait As Sphinx. Fifty years later, two Cambridge art history students are confounded when they stumble across proof that the fire was no accident but something more sinister. What they uncover threatens the very foundation of Juliette’s aristocratic family and revives rumors of the infamous curse that has haunted the Willoughbys for generations. But what does their discovery mean? And how is it connected to a brutal murder in present-day Dubai? A tale of love and madness, obsession and revenge, The Final Act of Juliette Willoughby unravels the riddle posed by a Sphinx who refuses to reveal her secrets . . .

The start of a thrilling new Second World War mystery series from the number-one-bestselling and multi-award-winning author of Murder Most Unladylike .'Superb' Observer'Meticulous and sharp' Guardian'Engaging . . . You will make the journey with a spring in your step' The Times'Robin Stevens is Agatha Christie for children' Katherine Rundell on the Murder Most Unladylike series1940. Britain is at war, and a secret arm of the British government called the Ministry of Unladylike Activity is training up spies.Enter May Wong : courageous, stubborn, and desperate to help end the war so that she can go home to Hong Kong (and leave her annoying school, Deepdean, behind forever). May knows that she would make the perfect spy. After all, grown-ups always underestimate children like her.When May and her friend Eric are turned away by the Ministry, they take matters into their own hands. Masquerading as evacuees, they travel to Elysium Hall, home to the wealthy Verey family - including snobby, dramatic Nuala . They suspect that one of the Vereys is passing information to Germany. If they can prove it, the Ministry will have to take them on.But there are more secrets at Elysium Hall than May or Eric could ever have imagined.And then someone is murdered...'Spirited and fun . . . A must for young murder mystery fans' Bookseller

The New York Times bestselling “Grande Dame of historical mystery” (Washington Post) returns with another thrilling tale of mystery,As the l921-22 season begins, the Emersons are enjoying a busy period of excavation in Egypt, when they hear a lurid description of a man’s mysterious death. His widow is convinced he died of a curse, and implores the Emersons to return the “deadly” little statue that killed him to the tomb from which it was stolen--before it adds her to its list of victims. Clearly, it would be a serious error for the Emersons to start chasing tomb robbers, just when they have finally received permission to return to the Valley of the Kings, from which they were barred several years earlier. But the family soon realizes that the curse may be more real than they ever imagined….and they may be the next victims.

Calling upon his former governess, William Jones, gentleman, is startled when his knock is answered by an uncommonly beautiful servant, the soft-spoken Emma. Throughout his visit, William's eyes drift to the maid whenever she enters the room, and he contrives to meet Emma socially as she goes about her errands. But London society is a web of strict codes and divisions. For the son of a wealthy merchant, seeking out a working-class girl is simply not done! William's father plans for his son to marry into the peerage and elevate the Jones family to greater heights, but although William says and does what is expected of him, he longs only for Emma's company...

Valerie Wilson Wesley’s Tamara Hayle mystery series featuring Newark, New Jersey’s number one private investigator are loved for their smart, sexy protagonist who “has a way with a wisecrack that is positively lethal” (Washington Post). Now in Dying in the Dark, Hayle is entrenched in a sinister investigation that will demand her best detective work yet. Tamara Hayle’s past has come back to haunt her–literally. She’s been plagued by terrifying dreams about Celia Jones, an old friend whose walk on the wild side led her to a horrible death. Celia’s teenage son, Cecil, begs Tamara to find his mother’s killer . . . only to end up dead himself, stabbed through the heart. The search for Celia and her son’s killer pulls Tamara deep into her friend’s troubled love life, where everyone adored her but somebody held a murderous  grudge. There’s her bullying thug of an ex-husband; a handsome ex-lover who woos Tamara with charm and lies; and an angry, jealous woman who claims that Celia broke her heart. And those were just the obvious people with axes to grind. Despite her better judgment and the admonitions of the police department, Tamara refuses to back away from the mystery surrounding her old friend’s death and the tragedy that met her son. All clues lead to the past Tamara shared with Celia Jones, and Tamara fears that that past will threaten her own son. But she uncovers more than she bargained for–and unearths secrets someone would kill to keep in the shadows.

When Joss, an adopted child, discovers that her real mother has left the beautiful family home, Belheddon Hall, to her, she is thrilled, until she discovers that the Hall is haunted by a presence which will not tolerate husbands or sons living in the house. When Joss Grant inherits the beautiful old house on the East Anglian coast, it is a dream come true. Eager to begin a new life there with her husband and son, she is also impatient to find out about her newly discovered family who lived there for generations. But Joss begins to hears echoing voices and senses an invisible presence, watching her from the shadows. Are they spirits from the past? Or is it her imagination? As she learns, with mounting horror, of the house's tragic history, her fears intensify, for she realizes that both her family and her own sanity are at the mercy of a violent and powerful energy which seems beyond anyone's control. Despite the threat to her own husband and son, Joss is unable to break free, and, in a last desperate attempt, conjures up the presence to deal with 'it' once and for all.

Two women, centuries apart. One endless nightmare tearing Wales apart – and only they can stop it.Sunday Times bestselling author Barbara Erskine returns to Hay in the year that marks the 30th anniversary of her sensational debut bestseller, Lady of Hay.Hay-On-Wye, 1400 – War is brewing in the Welsh borders, Catrin is on the brink of womanhood and falling in love for the first time. Her father is a soothsayer, playing a dangerous game playing on the mixed loyalties and furious rivalries between welsh princes and English lords. For two hundred years, the Welsh people have lain under the English yoke, dreaming of independence. And finally it looks as though the charismatic Owain Glyndwr may be the man legend tralks of. In the walls of Sleeper’s Castle, Catrin finds herself caught in the middle of a doomed war as she is called upon to foretell Wales’s destiny… And what she sees, is blood and war coming closer…Hay, 2015. Miranda has moved to Sleeper’s Castle to escape and grieve. Slowly she feels herself coming to life in the solitude of the mountains. But every time she closes her eyes her dreams become more vivid. And she makes a connection with a young girl, who’s screaming, who’s reaching out… who only Miranda can help. Is she losing herself to time?

With her student days behind her and her career well underway, Sue and Bill, now married, together try to run a little hospital in the New England hills that was presented to the community by the town's wealthiest citizen, Elias Todd. Sue is Superintendent of Nurses, and her old friend Kit is helping her along with many of her fellow students from her years of training.After all the exciting nursing adventures these two girls have shared together, one might think they would find their new work rather tame. It is anything but tame for Sue, however, with that irrepressible street urchin, Marianna, as a student nurse; with Jean Ditmarr, sophisticated New Yorker, thinking she could put something over on the young Superintendent; with Dr. Bill so busy being a good doctor that Sue feared for a while he might not prove such a good husband; and above all, with the mysterious disappearance of the hospital sheets! Sue Barton is at her best with all the excitement and fun that this nurse seems destined to find in her nursing profession. The authentic setting of rural hospital life is the perfect backdrop for another great Sue Barton story.

The Start Of A Thrilling New Second World War Mystery Series From The Number-one-bestselling And Multi-award-winning Author Of Murder Most Unladylike. 1940. Britain Is At War, And A Secret Arm Of The British Government Called The Ministry Of Unladylike Activity Is Training Up Spies. Enter May Wong: Courageous, Stubborn, And Desperate To Help End The War So That She Can Go Home To Hong Kong (and Leave Her Annoying School, Deepdean, Behind Forever). May Knows That She Would Make The Perfect Spy. After All, Grown-ups Always Underestimate Children Like Her. When May And Her Friend Eric Are Turned Away By The Ministry, They Take Matters Into Their Own Hands. Masquerading As Evacuees, They Travel To Elysium Hall, Home To The Wealthy Verey Family - Including Snobby, Dramatic Nuala. They Suspect That One Of The Vereys Is Passing Information To Germany. If They Can Prove It, The Ministry Will Have To Take Them On. But There Are More Secrets At Elysium Hall Than May Or Eric Could Ever Have Imagined. And Then Someone Is Murdered...

A young writer, struggling for success, employs an elderly woman called Emerence to be her housekeeper.From their first encounter it is clear that Emerence is no ordinary maid.Although everyone in the neighbourhood knows and respects her, no one knows anything about her private life or has ever crossed her threshold. Only a great drama in the writer's life prompts Emerence to unveil glimpses of her traumatic past - a past which sheds light on her peculiar behaviour.The Door brilliantly evokes the development of the bond between these two very different women, and the tragic ending to their relationship.