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We talk about sex more and more, but are we more liberated?The first part of Michel Foucault's landmark account of our evolving attitudes in the west shows how the nineteenth century, far from suppressing sexuality, led to an explosion of discussion about sex as a separate sphere of life for study and examination. As a result, he argues, we are making a science of sex which is devoted to the analysis of desire rather than the increase of pleasure.

A study of the future of feminism calls for a return to the radical roots of feminism's direct political struggle during the 1960s and early 1970s and a move away from the de-politicized focus on women's psychology and personal relations of today.

The bestselling feminist classic that revolutionized the way we think about rape, as a historical phenomenon and as an urgent crisis—essential reading in the era of #MeToo.“A major work of history.”—The Village Voice • One of the New York Public Library’s 100 Books of the CenturyAs powerful and timely now as when it was first published, Against Our Will stands as a unique document of the history, politics, and sociology of rape and the inherent and ingrained inequality of men and women under the law. Fact by fact, Susan Brownmiller pulls back the centuries of damaging lies and misrepresentations to reveal how rape has been accepted in all societies and how it continues to profoundly affect women’s lives today.A keen and prescient analyst, a detailed historian, Susan Brownmiller discusses the consequences of rape in biblical times, rape as an accepted spoil of war, as well as child molestation, marital rape, and date rape (a term that she coined). In lucid, persuasive prose, Brownmiller uses her experience as a journalist to create a definitive, devastating work of lasting social importance.Praise for Against Our Will“The most comprehensive study of rape ever offered to the public . . . It forces readers to take a fresh look at their own attitudes toward this devastating crime.”—Newsweek“A classic . . . No one who reads it will come away untouched.”—The Village Voice“Chilling and monumental . . . Deserves a place next to those rare books which force us to change the way we feel about what we know.”—The New York Times Book Review“A landmark work, one of the most significant books to emerge in this decade.”—Houston Chronicle“A definitive text, startling, compelling, and a landmark.”—St. Louis Post-Dispatch“An overwhelming indictment. We need it, it is a hideous revelation and it should be required reading.”—Los Angeles Times Book Review“Chilling, monumental, exhaustive, detailed, absorbing and original. . . . Brownmiller’s greatest contribution is establishing the continuity between rape and other facets of American culture.”—Commonweal

Why do men do so little at home? Why do women do so much? Why don't our egalitarian values match our lived experiences? Journalist-turned-psychologist Darcy Lockman offers a clear-eyed look at the most pernicious problem facing modern parents—how progressive relationships become traditional ones when children are introduced into the household. In an era of seemingly unprecedented feminist activism, enlightenment, and change, data shows that one area of gender inequality stubbornly persists: the disproportionate amount of parental work that falls to women, no matter their background, class, or professional status. All the Rage investigates the cause of this pervasive inequity to answer why, in households where both parents work full-time and agree that tasks should be equally shared, mothers’ household management, mental labor, and childcare contributions still outweigh fathers’.  How, in a culture that pays lip service to women’s equality and lauds the benefits of father involvement—benefits that extend far beyond the well-being of the kids themselves—can a commitment to fairness in marriage melt away upon the arrival of children? Counting on male partners who will share the burden, women today have been left with what political scientists call unfulfilled, rising expectations. Historically these unmet expectations lie at the heart of revolutions, insurgencies, and civil unrest. If so many couples are living this way, and so many women are angered or just exhausted by it, why do we remain so stuck? Where is our revolution, our insurgency, our civil unrest? Darcy Lockman drills deep to find answers, exploring how the feminist promise of true domestic partnership almost never, in fact, comes to pass. Starting with her own marriage as a ground zero case study, she moves outward, chronicling the experiences of a diverse cross-section of women raising children with men; visiting new mothers’ groups and pioneering co-parenting specialists; and interviewing experts across academic fields, from gender studies professors and anthropologists to neuroscientists and primatologists. Lockman identifies three tenets that have upheld the cultural gender division of labor and peels back the ways in which both men and women unintentionally perpetuate old norms. If we can all agree that equal pay for equal work should be a given, can the same apply to unpaid work? Can justice finally come home?

The Sexual Demon of Colonial Power is a political, cultural, and intellectual study of race, sex, and Western empire. Greg Thomas interrogates a system that represents race, gender, sexuality, and class in certain systematic and oppressive ways. By connecting sex and eroticism to geopolitics both politically and epistemologically, he examines the logic, operations, and politics of sexuality in the West. The book focuses on the centrality of race, class, and empire to Western realities of "gender and sexuality" and to problematic Western attempts to theorize gender and sexuality (or embodiment). Addressing a wide range of intellectual disciplines, it holds out the hope for an analysis freed from the domination of white, Western terms of reference.

Here at last is a comprehensive and highly approachable introduction to lesbian and gay studies for students and general readers. More than one hundred articles, essays, and primary documents cover the formation of gay identity, religious, scientific, medical, and legal perspectives, the mainstream media, lesbian and gay media, and community prospects and tactics. From Eve Kosofsky Sedgwick's essay, "How to Bring Your Kids Up Gay," to Joseph Cardinal Ratzinger's "Letter to the Bishops of the Catholic Church on the Pastoral Care of Homosexual Persons," to a 1947 Newsweek article, "Homosexuals in Uniform," The Columbia Reader explores experiences and representations of lesbian and gay people in an engaging and accessible format. The Columbia Reader features: * concise introductions to each section, as well as a substantial general introduction * viewpoints--ranging from radical to conservative--of lesbian and gay scholars and community writers, as well as nongay intellectuals and public figures * essays, articles, and primary documents from both mainstream and lesbian/gay sources * detailed exploration of mainstream media representations of gays and lesbians in films, television, and print as well as the rise of lesbian/gay media outlets * broad coverage of history and identity, social, cultural, legal, medical, and religious regulation, AIDS, and lesbian and gay political agendas and strategies * current topics, such as the recent development of a cybercommunity, as well as questions of censorship and pornography, same-sex marriage, the ethics of "outing," gay and lesbian activism, and the conservative backlash Grounded in key social and political topics rather than wholly theoretical approaches, The Columbia Reader on Lesbians and Gay Men in Media, Society, and Politics will be a valuable resource for years to come.

Tracing the identification of art with sexual expression or repression, from the era of the rights movements to the present.It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has been further argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art.This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present. Among the subjects it discusses are abjection and the "informe," or formless; pornography and the obscene; the performativity of gender and sexuality; and the role of sexuality in forging radical art or curatorial practices in response to such issues as state-sponsored repression and anti-feminism in the broader social realm.Artists surveyed includeVito Acconci, Assume Vivid Astro Focus, Lynda Benglis, Louise Bourgeois, Gerard Byrne, George Chakravarthi, Judy Chicago, Vaginal Davis, Wim Delvoye, Elmgreen & Dragset, Valie Export, F lix Gonz lez-Torres, Guillermo G mez-Pe a, Harmony Hammond, Claudette Johnson, Mary Kelly, Yayoi Kusama, Robert Legorreta, Paul McCarthy, Sarah Maple, Shirin Neshat, Lorraine O'Grady, Yoko Ono, Catherine Opie, Orlan, William Pope.L, Miriam Schapiro, Carolee Schneemann, Joan Semmel, Barbara Smith, Annie Sprinkle, Alina Szapocznikow, Del LaGrace Volcano, Hannah Wilke, David WojnarowiczWriters includeMalek Alloula, Norman O. Brown, Judith Butler, Douglas Crimp, Angela Dimitrakaki, Michel Foucault, Daniel Gu rin, Eleanor Heartney, Jonathan D. Katz, Rosalind Krauss, Julia Kristeva, Pawel Leszkowicz, Herbert Marcuse, Kobena Mercer, Laura Mulvey, Lawrence Rinder, Jacqueline Rose, Eve Kosofsky Sedgwick, Susan Sontag, Trinh T. Minh-ha, Stephen Whittle

The philosopher's writings on, and engagement with, twentieth century feminism By turns surprising and revelatory, this sixth volume in the Beauvoir Series presents newly discovered writings and lectures while providing new translations and contexts for Simone de Beauvoir's more familiar writings. Spanning Beauvoir's career from the 1940s through 1986, the pieces explain the paradoxes in her political and feminist stances, including her famous 1972 announcement of a "conversion to feminism" after decades of activism on behalf of women. Feminist Writings documents and contextualizes Beauvoir's thinking, writing, public statements, and activities in the services of causes like French divorce law reform and the rights of women in the Iranian Revolution. In addition, the volume provides new insights into Beauvoir's complex thinking and illuminates her historic role in linking the movements for sexual freedom, sexual equality, homosexual rights, and women's rights in France.

Gary L. Francione is a law professor and leading philosopher of animal rights theory. Robert Garner is a political theorist specializing in the philosophy and politics of animal protection. Francione maintains that we have no moral justification for using nonhumans and argues that because animals are property--or economic commodities--laws or industry practices requiring "humane" treatment will, as a general matter, fail to provide any meaningful level of protection. Garner favors a version of animal rights that focuses on eliminating animal suffering and adopts a protectionist approach, maintaining that although the traditional animal-welfare ethic is philosophically flawed, it can contribute strategically to the achievement of animal-rights ends. As they spar, Francione and Garner deconstruct the animal protection movement in the United States, the United Kingdom, Europe, and elsewhere, discussing the practices of such organizations as PETA, which joins with McDonald's and other animal users to "improve" the slaughter of animals. They also examine American and European laws and campaigns from both the rights and welfare perspectives, identifying weaknesses and strengths that give shape to future legislation and action.

A bold and timely collection that brings feminist theory and critical thinking to life through vital, approachable design methods and practices.Feminist Designer brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design—it is about how we do design and why. Feminist frameworks for design activism are now more relevant than ever, as they emphasize collaborative processes that aim to disrupt and dismantle power hierarchies while centering feminist ways of knowing and doing. The first book in nearly three decades to address such practices in design, Feminist Designer contains essays, case studies, and dialogues by 43 contributors from 16 different countries. It engages a wide variety of design disciplines, from graphic design to disability design to algorithmic design, and explores key feminist themes, such as power, knowledge, care, plurality, liberation, and community. Through diverse, sometimes conflicting, intersectional perspectives, this book contributes new design methods informed by a multiplicity of feminisms that confront design’s patriarchal origins while ushering in new pathways for making critical and meaningful change.ContributorsJennifer Armbrust, Dina Benbrahim, Madeline Avram Blount, Elizabeth Byrd, Benedetta Crippa, Alexandra Crosby, Laura Devendorf, Rachael Dietkus, Ashley K. Eberhart, Griselda Flesler, Aimi Hamraie, Gaby Hernández, Alexis Hope, Jeff Kasper, Ellen Kellogg, Aasawari Kulkarni, Eden Laurin, Una Lee, Andrew Mallinson, Claudia Marina, Victor G. Martinez, Lauren Lee McCarthy, Margaret Middleton, Maryam Mustafa, Becky Nasadowski, Maya Ober, Nina Paim, Elizabeth Pérez, Heather Snyder Quinn, Cami Rincón, Jenn Roberts, Velvet A. Johnson Ross, In-ah Shin, Marie Louise Juul Søndergaard, Ayako Takase, Attia Taylor, Rebecca Tegtmeyer, Aggie Toppins, Ilaria Vanni, Joana Varon, Manon Vergerio, Mandy Harris Williams, Sarah Williams