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Named A Most Anticipated Book by: LitHub * Vulture * Time * A PW 2022 Holiday Gift PickOne of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"A Goodreads Readers Choice Award SemifinalistFrom acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.

In this suspenseful and darkly funny debut novel, a sophisticated French woman spends her life obsessing over her perfect husband—but can their marriage survive her passionate love?A Belletrist Book Club Pick • An Amazon UK Best Book of the Year • Winner of France’s First Novel Prize • Named a Best Book of the Summer by Vogue • theSkimm • Oprah Daily • The MillionsAt forty years old, she has an enviable life: a successful career, stunning looks, a beautiful house in the suburbs, two healthy children, and most importantly, an ideal husband, whose wealthy background allows her to transcend her own social class. After fifteen years together, she is still besotted with him. But she’s never quite sure that her passion is reciprocated.Determined to keep their relationship perfect, she meticulously prepares for every encounter they have, always taking care to make her actions seem effortless. She watches him attentively, testing him to make sure that he still loves her just as much as he did when they first met.Until one day she realizes she may have gone too far . . .“Fans of Caroline Kepnes’ You or Gillian Flynn will find My Husband to be a new, satisfying, and unnerving take on the relationship-suspense genre.” —Booklist (starred review)

An instant NEW YORK TIMES and USA TODAY BESTSELLER!“If Rear Window and Get Out got married and had a baby that was a book, it would indeed be When No One Is Watching, which takes place in contemporary Brooklyn and combines a page-turning thriller with shrewd social commentary on race, gentrification and greed.”— Seattle TimesSydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block—her neighbor Theo.But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear. Their neighbors may not have moved to the suburbs after all, and the push to revitalize the community may be more deadly than advertised.When does coincidence become conspiracy? Where do people go when gentrification pushes them out? Can Sydney and Theo trust each other—or themselves—long enough to find out before they too disappear?

A Read with Jenna Today Show Book Club Pick!Finalist for the 2020 National Book Award (Fiction)One of Barack Obama's Summer FavoritesA Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston GlobeA magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong.From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis.Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe.Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?

A gripping psychological thriller from Eleanor Catton, the Booker Prize-winning author of The Luminaries, Birnam Wood is Shakespearean in its wit, drama, and immersion in character. A brilliantly constructed consideration of intentions, actions, and consequences, it is an unflinching examination of the human impulse to ensure our own survival. Birnam Wood is on the move . . . Five years ago, Mira Bunting founded a guerrilla gardening group: Birnam Wood. An undeclared, unregulated, sometimes-criminal, sometimes-philanthropic gathering of friends, this activist collective plants crops wherever no one will notice: on the sides of roads, in forgotten parks and neglected backyards. For years, the group has struggled to break even. Then Mira stumbles on an answer, a way to finally set the group up for the long term: a landslide has closed the Korowai Pass, cutting off the town of Thorndike. Natural disaster has created an opportunity, a sizable farm seemingly abandoned. But Mira is not the only one interested in Thorndike. Robert Lemoine, an enigmatic American billionaire, has snatched it up to build his end-times bunker—or so he tells Mira when he catches her on the property. Intrigued by Mira, Birnam Wood, and their entrepreneurial spirit, he suggests they work this land. But can they trust him? And, as their ideals and ideologies are tested, can they trust each other?

One of the New Yorker's Best Books of 2022 So Far and BuzzFeed's Must-Read Summer BooksFor readers of Ottessa Moshfegh and Mona Awad, this fearless debut chronicles one woman’s escape into a world of obsessive imagination.Bonnie Lincoln just wants to be left alone. To come home from work, shut out the ghosts of some devastating losses, and unwind in front of the nostalgic, golden glow of her favorite TV show, Three’s Company.When Bonnie wins the lottery, a more grandiose vision―to completely shuck off her own troublesome identity―takes shape. She plans a drastic move to an isolated mountain retreat where she can re-create the iconic apartment set of Three’s Company and slip into the lives of its main characters: no-nonsense Janet Wood, pleasantly airheaded Chrissy Snow, and confident Jack Tripper. While her best friend, Krystal, tries to drag her back to her old life, Bonnie is determined to transcend pain, trauma, and the baggage of her past by immersing herself in the ultimate binge-watch.

FINALIST FOR THE 2023 BOOKER PRIZE. LONGLISTED FOR THE 2022 NATIONAL BOOK AWARD FOR FICTION.Finalist for the 2023 Pen/Faulkner Award, the DUBLIN Literary Award, the Southern Book Award, and the Gordon Burns Award. Nominated for the 2022 National Book Critics Circle John Leonard Prize, the 2023 Pen/Jean Stein Open Book Award, the 2023 Pen/Bingham Prize, the 2022 Story Prize, the Dublin Literary Prize, the 2023 Carnegie Medal for Excellence in Fiction, the 2023 Brooklyn Library Prize, and the 2023 Aspen Words Literary Prize. National Bestseller. IndieNext Pick. One of The New York Times Book Review's 100 Notable Books of 2022.“If I Survive You is a collection of connected short stories that reads like a novel, that reads like real life, that reads like fiction written at the highest level.” ―Ann PatchettA major debut, blazing with style and heart, that follows a Jamaican family striving for more in Miami, and introduces a generational storyteller.In the 1970s, Topper and Sanya flee to Miami as political violence consumes their native Kingston. But America, as the couple and their two children learn, is far from the promised land. Excluded from society as Black immigrants, the family pushes on through Hurricane Andrew and later the 2008 recession, living in a house so cursed that the pet fish launches itself out of its own tank rather than stay. But even as things fall apart, the family remains motivated, often to its own detriment, by what the younger son, Trelawny, calls “the exquisite, racking compulsion to survive.”Masterfully constructed with heart and humor, the linked stories in Jonathan Escoffery’s If I Survive You center on Trelawny as he struggles to carve out a place for himself amid financial disaster, racism, and flat-out bad luck. After a fight with Topper, Trelawny claws his way out of homelessness through a series of odd, often hilarious jobs. Meanwhile, his brother, Delano, attempts a disastrous cash grab to get his kids back, and his cousin Cukie looks for a father who doesn’t want to be found. As each character searches for a foothold, they never forget the profound danger of climbing without a safety net.Pulsing with vibrant lyricism and inimitable style, sly commentary and contagious laughter, Escoffery’s debut unravels what it means to be in between homes and cultures in a world at the mercy of capitalism and whiteness. With If I Survive You, Escoffery announces himself as a prodigious storyteller in a class of his own, a chronicler of American life at its most gruesome and hopeful.

Crazy Rich Asians meets The Help!From Reese’s Book Club veteran Balli Kaur Jaswal comes a wildly entertaining and sharply observed story of three women who work in the homes of Singapore’s elite, and band together to solve a murder mystery involving one of their own.“Tender and heartfelt, Now You See us also manages to be laugh-out-loud funny. An uplifting story of courage and hope that will keep you enthralled until the very last page.”—Jean Kwok, New York Times bestselling author of Searching for Sylvie Lee"A truly irresistible read. Intricately plotted, propulsive, and provocative, NOW YOU SEE US showcases an author at the peak of her talents."--Kirstin Chen, New York Times bestselling author of CounterfeitCorazon, Donita, and Angel are Filipina domestic workers—part of the wave of women sent to Singapore to be cleaners, maids, and caregivers.Corazon: A veteran domestic worker, Cora had retired back to the Philippines for good, but she has returned to Singapore under mysterious circumstances. Now she’s keeping a secret from her wealthy employer, who is planning an extravagant wedding for her socialite daughter.Donita: Barely out of her teens, this is Donita’s first time in Singapore, and she’s had the bad luck to be hired by the notoriously fussy Mrs. Fann. Brazen and exuberant, Donita’s thrown herself into a love affair with an Indian migrant worker.Angel: Working as an in-home caregiver for an elderly employer, Angel is feeling blue after a recent breakup with the woman she loves. She’s alarmed when her employer’s son suddenly brings in a new nurse who may be a valuable ally...or meant to replace her.Then an explosive news story shatters Singapore’s famous tranquility—and sends a chill down the spine of every domestic worker. Flordeliza Martinez, a Filipina maid, has been arrested for murdering her female employer. The three women don’t know the accused well, but she could be any of them; every worker knows stories of women who were scapegoated or even executed for crimes they didn’t commit.Shocked into action, Donita, Corazon, and Angel will use their considerable moxie and insight to piece together the mystery of what really happened on the day Flordeliza’s employer was murdered. After all, no one knows the secrets of Singapore’s families like the women who work in their homes…

Winner of the National Book AwardWinner of the California Book AwardWinner of Tournament of BooksOut in the desert in a place called the Palace, a young man tends to a dying soul, someone he once knew briefly but who has haunted the edges of his life: Juan Gay. Playful raconteur, child lost and found and lost, guardian of the institutionalized, Juan has a project to pass along, one built around a true artifact of a book―Sex Variants: A Study of Homosexual Patterns―and its devastating history. This book contains accounts collected in the early twentieth century from queer subjects by a queer researcher, Jan Gay, whose groundbreaking work was then co-opted by a committee, her name buried. The voices of these subjects have been filtered, muted, but it is possible to hear them from within and beyond the text, which, in Juan’s tattered volumes, has been redacted with black marker on nearly every page. As Juan waits for his end, he and the narrator recount for each other moments of joy and oblivion; they resurrect loves, lives, mothers, fathers, minor heroes. In telling their own stories and the story of the book, they resist the ravages of memory and time. The past is with us, beside us, ahead of us; what are we to create from its gaps and erasures?A book about storytelling―its legacies, dangers, delights, and potential for change―and a bold exploration of form, art, and love, Justin Torres’s Blackouts uses fiction to see through the inventions of history and narrative. A marvel of creative imagination, it draws on testimony, photographs, illustrations, and a range of influences as it insists that we look long and steadily at what we have inherited and what we have made―a world full of ghostly shadows and flashing moments of truth. A reclamation of ransacked history, a celebration of defiance, and a transformative encounter, Blackouts mines the stories that have been kept from us and brings them into the light.

A Best Book of the Year: The New York Times Book Review, NPR, The New Yorker, Los Angeles Times, Oprah Daily, Elle, The Boston Globe, Kirkus Reviews, BookPage, Electric Literature, Library Journal, Commonweal MagazineA Finalist for the PEN/Faulkner Award for Fiction, the Aspen Words Literary Prize, and the Kirkus PrizeLong-listed for the Joyce Carol Oates Prize, the Andrew Carnegie Medal for Excellence in Fiction, and the Story PrizeA Must-Read: The New York Times, NPR, New York, The Guardian, Los Angeles Times, Today Show, The Boston Globe, Shondaland, St. Louis Post-Dispatch, Chicago Review of Books, Essence, Literary Hub, The Millions, The Root“Exhilarating . . . Brinkley is a writer whose versatility knows no boundaries . . . A gift of the highest quality.” ―Mateo Askaripour, The New York Times Book ReviewFrom National Book Award finalist Jamel Brinkley, Witness is an elegant, insistent narrative of actions taken and not taken.What does it mean to really see the world around you―to bear witness? And what does it cost us, both to see and not to see?In these ten stories, each set in the changing landscapes of contemporary New York City, a range of characters―from children to grandmothers to ghosts―live through the responsibility of perceiving and the moral challenge of speaking up or taking action. Though they strive to connect with, stand up for, care for, and remember one another, they often fall short, and the structures they build around these ambitions and failures shape their futures as well as the legacies and prospects of their communities and their city.In its portraits of families and friendships lost and found, the paradox of intimacy, the long shadow of grief, and the meaning of home, Witness enacts its own testimony. Here is a world where fortunes can be made and stolen in just a few generations, where strangers might sometimes show kindness while those we trust―doctors, employers, siblings―too often turn away, where joy comes in snatches: flowers on a windowsill, dancing in the street, glimpsing your purpose, change on the horizon.With prose as upendingly beautiful as it is artfully, seamlessly crafted, Jamel Brinkley offers nothing less than the full scope of life and death and change in the great, unending drama of the city.