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An exhilarating and expansive new novel about fathers and sons, faith and friendship from Caleb Azumah Nelson, the no.1 bestselling, award-winning author of Open WaterThe one thing that can solve Stephen's problems is dancing. Dancing at Church, with his parents and brother, the shimmer of Black hands raised in praise; he might have lost his faith, but he does believe in rhythm. Dancing with his friends, somewhere in a basement with the drums about to drop, while the DJ spins garage cuts. Dancing with his band, making music which speaks not just to the hardships of their lives, but the joys too. Dancing with his best friend Adeline, two-stepping around the living room, crooning and grooving, so close their heads might touch. Dancing alone, at home, to his father's records, uncovering parts of a man he has never truly known.Stephen has only ever known himself in song. But what becomes of him when the music fades? When his father begins to speak of shame and sacrifice, when his home is no longer his own? How will he find space for himself: a place where he can feel beautiful, a place he might feel free?Set over the course of three summers in Stephen's life, from London to Ghana and back again, Small Worlds is an exhilarating and expansive novel about the worlds we build for ourselves, the worlds we live, dance and love within.

WINNER OF THE PULITZER PRIZE • WINNER OF THE WOMEN'S PRIZE FOR FICTIONNew York Times Readers' Pick: Top 100 Books of the 21 st Century • An Oprah's Book Club Selection • An Instant New York Times Bestseller • An Instant Wall Street Journal Bestseller • A #1 Washington Post Bestseller • A New York Times "Ten Best Books of the Year""Demon is a voice for the ages—akin to Huck Finn or Holden Caulfield—only even more resilient." —Beth Macy, author of Dopesick"May be the best novel of [the year].... Equal parts hilarious and heartbreaking, this is the story of an irrepressible boy nobody wants, but readers will love." — Ron Charles, Washington PostFrom the acclaimed author of The Poisonwood Bible and The Bean Trees, a brilliant novel that enthralls, compels, and captures the heart as it evokes a young hero's unforgettable journey to maturitySet in the mountains of southern Appalachia, Demon Copperhead is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. Relayed in his own unsparing voice, Demon braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

THE NEW YORK TIMES #1 BESTSELLEROPRAH BOOK CLUB PICK'One of the best books I have ever read in my entire life. I haven't felt this way since I first read Beloved . . .' Oprah WinfreyThe unmissable debut novel by the critically acclaimed author of Between the World and Me and We Were Eight Years in Power - a richly imagined and compulsively page-turning journey to freedomHiram Walker is born into bondage on a Virginia plantation. But he is also born gifted with a mysterious power that he won't discover until he is almost a man, when he risks everything for a chance to escape. One fateful decision will carry him away from his makeshift plantation family - his adoptive mother, Thena, a woman of few words and many secrets, and his beloved, angry Sophia - and into the covert heart of the underground war on slavery.Hidden amidst the corrupt grandeur of white plantation society, exiled as guerrilla cells in the wilderness, buried in the coffin of the deep South and agitating for utopian ideals in the North, there exists a widespread network of secret agents working to liberate the enslaved. Hiram joins their ranks and learns fast but in his heart he yearns to return to his own still-enslaved family, to topple the plantation that was his first home. But to do so, he must first master his unique power and reclaim the story of his greatest loss.Propulsive, transcendent and blazing with truth, The Water Dancer is a story of oppression and resistance, separation and homecoming. Ta-Nehisi Coates imagines the covert war of an enslaved people in response to a generations-long human atrocity - a war for the right to life, to kin, to freedom.'I was enthralled, I was devastated. I felt hope, I felt gratitude, I felt joy... [Ta-Nehisi Coates] is a magnificent writer' Oprah Winfrey

The official movie tie-in edition to the winner of the 2014 Academy Award for Best Picture, starring Chiwetel Ejiofor, Michael Fassbender, and Lupita Nyong’o, and directed by Steve McQueenNew York Times bestseller“I could not believe that I had never heard of this book. It felt as important as Anne Frank’s Diary, only published nearly a hundred years before. . . . The book blew [my] mind: the epic range, the details, the adventure, the horror, and the humanity. . . . I hope my film can play a part in drawing attention to this important book of courage. Solomon’s bravery and life deserve nothing less.” —Steve McQueen, director of 12 Years a Slave, from the ForewordPerhaps the best written of all the slave narratives, Twelve Years a Slave is a harrowing memoir about one of the darkest periods in American history. It recounts how Solomon Northup, born a free man in New York, was lured to Washington, D.C., in 1841 with the promise of fast money, then drugged and beaten and sold into slavery. He spent the next twelve years of his life in captivity on a Louisiana cotton plantation.After his rescue, Northup published this exceptionally vivid and detailed account of slave life. It became an immediate bestseller and today is recognized for its unusual insight and eloquence as one of the very few portraits of American slavery produced by someone as educated as Solomon Northup, or by someone with the dual perspective of having been both a free man and a slave.

A Young Woman From Nigeria Leaves Behind Her Home And Her First Love To Start A New Life In America, Only To Find Her Dreams Are Not All She Expected. Ifemelu -- Beautiful, Self-assured -- Left Nigeria 15 Years Ago, And Now Studies In Princeton As A Graduate Fellow. She Seems To Have Fulfilled Every Immigrant's Dream: Ivy League Education; Success As A Writer Of A Popular Political Blog; Money For The Things She Needs. But What Came Before Is More Like A Nightmare: Painful Departure From Family; Humiliating Jobs Under A False Name. She Feels For The First Time The Weight Of Something She Didn't Think About Back Home: Race. Obinze -- Handsome And Kind-hearted -- Was Ifemelu's Teenage Love. He'd Hoped To Join Her In America, But Post-9/11 America Wouldn't Take Him. His Journey Leads Him Through Back Alleys Of Illegal Employment In London; To A Fake Marriage For The Sake Of A Work Card; And Finally To A Set Of Handcuffs As He Is Exposed And Deported. Yet Once Home He Too Finds Success -- As The Kind Of 'big Man' In Lagos He'd Scorned In His Youth. One Day, Answering A Text Message From Obinze That She Cannot Resist, Ifemelu Decides To Return Home, Only To Discover She's Become An 'americanah' -- A Different Version Of Herself, One With A New Accent And Attitude. Chimamanda Ngozi Adichie.

About the Author In her award-winning autobiography, Dust Tracks on a Road (1942), Zora Neale Hurston claimed to have been born in Eatonville, Florida, in 1901. She was, in fact, born in Notasulga, Alabama, on January 7, 1891, the fifth child of John Hurston (farmer, carpenter, and Baptist preacher) and Lucy Ann Potts (school teacher). The author of numerous books, including Their Eyes Were Watching God, Jonah's Gourd Vine, Mule sand Men, and Moses, Man of the Mountain, Hurston had achieved fame and sparked controversy as a novelist, anthropologist, outspoken essayist, lecturer, and theatrical producer during her sixty-nine years. Hurston's finest work of fiction appeared at a time when artistic and political statements -- whether single sentences or book-length fictions -- were peculiarly conflated. Many works of fiction were informed by purely political motives; political pronouncements frequently appeared in polished literary prose. Hurston's own political statements, relating to racial issues or addressing national politics, did not ingratiate her with her black male contemporaries. The END result was that Their Eyes Were Watching God went out of print not long after its first appearance and remained out of print for nearly thirty years. Henry Louis Gates, Jr., has been one among many to ask: "How could the recipient of two Guggenheims and the author of four novels, a dozen short stories, two musicals, two books on black mythology, dozens of essays, and a prize winning autobiography virtually 'disappear' from her readership for three full decades?" That question remains unanswered. The fact remains that every one of Hurston's books went quickly out of print; and it was only through the determined efforts, in the 1970s, of Alice Walker, Robert Hemenway (Hurston's biographer), Toni Cade Bambara, and other writers and scholars that all of her books are now back in print and that she has taken her rightful place in the pantheon of American authors. In 1973, Walker, distressed that Hurston's writings had been all but forgotten, found Hurston's grave in the Garden of Heavenly Rest and installed a gravemarker. "After loving and teaching her work for a number of years," Walker later reported, "I could not bear that she did not have a known grave." The gravemarker now bears the words that Walker had inscribed there: ZORA NEALE HURSTONGENIUS OF THE SOUTHNOVELIST FOLKLORIST ANTHROPOLOGIST(1891-1960) In BriefZora Neale Hurston (1891-1960) was a novelist, folklorist, and anthropologist whose fictional and factual accounts of black heritage are unparalleled. She Is the author of many books, including Their Eyes Were Watching God, Dust Tracks on a Road, Tell My Horse, and Mules and Men.

A renowned healer and shaman’s life-changing journey of discovery, healing, and wisdom“Malidoma has kept faith with the ancestors and with his own heart. His journey is a shimmering ‘missing piece’ in the story of the earth.” —Alice WalkerWhen he was a young boy growing up in Burkina Faso, Malidoma Somé was taken from his village and brought to a Jesuit mission school, where he spent years being harshly indoctrinated in European ways of thought and worship. In this vivid and paradigm-shifting memoir, Malidoma recounts his journey home—and his initiation into the healing traditions of the Dagara culture, where the natural and supernatural blend together, and every person is encircled by family, community, and the wisdom of ancestors.By turns humbling, harrowing, magical, and transcendent, Malidoma’s spiritual awakening imparted ancient wisdom that he would spend the rest of his life sharing with others around the world—as an antidote to alienation, a tool for self-transformation, and a bridge between cultures and worlds.

New York Times Bestseller • Pulitzer Prize Finalist • An Oprah's Book Club Selection“Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book ReviewThe Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa.The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil.The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Offering insight into the pernicious legacy that continues to haunt us all, black and white, this work is an invaluable contribution to our shared history and culture.

In this play, the theme of Sopocles' "Oedipus Rex" is skillfully transplanted to African soil. King Odewale's progress towards knowledge of the murder and incest that must be expiated before his kingdom can be restored to ealth is unfolded with a dramatic intensity heightened by the richness of the play's Nigerian setting. It had its first performance in Nigeria at the Ife Festival of the Arts in 1968, has since been staged with great success in other West African countries, and was awarded the first prize in the African Arts/Arts d'Afrique playwriting contest in 1969.