Empfehlungen basierend auf "Now Entering Addamsville"

New York Times BestsellerWinner of a Goodreads Choice Award“Funny, dark, and at times stunningly existential.” ―Marianne Eloise, GuardianEveryone has questions about death. In Will My Cat Eat My Eyeballs?, best-selling author and mortician Caitlin Doughty answers the most intriguing questions she’s ever received about what happens to our bodies when we die. In a brisk, informative, and morbidly funny style, Doughty explores everything from ancient Egyptian death rituals and the science of skeletons to flesh-eating insects and the proper depth at which to bury your pet if you want Fluffy to become a mummy. Now featuring an interview with a clinical expert on discussing these issues with young people―the source of some of our most revealing questions about death―Will My Cat Eat My Eyeballs? confronts our common fear of dying with candid, honest, and hilarious facts about what awaits the body we leave behind. 36 illustrations

"A compelling, gory, ghostly romp." —Paul Tremblay, New York Times bestselling author of Horror Movie "This is what it felt like to live in New York City during lockdown: haunted, absurd, terrifying, ridiculous, and full of hungry ghosts." —Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House In this explosive horror novel, a woman is haunted by inner trauma, hungry ghosts, and a serial killer as she confronts the brutal violence experienced by East Asians during the pandemic. Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. But none of that seems so terrible when she’s already witnessed the most horrific thing possible: her sister, Delilah, being pushed in front of a train. Before fleeing the scene, the murderer shouted two words: bat eater. So the bloody messes don’t really bother Cora—she’s more bothered by the germs on the subway railing, the bare hands of a stranger, the hidden viruses in every corner, and the bite marks on her coffee table. Of course, ever since Delilah was killed in front of her, Cora can’t be sure what's real and what’s in her head. She pushes away all feelings and ignores the advice of her aunt to prepare for the Hungry Ghost Festival, when the gates of hell open. But she can't ignore the dread in her stomach as she keeps finding bat carcasses at crime scenes, or the scary fact that all her recent cleanups have been the bodies of East Asian women. As Cora will soon learn, you can’t just ignore hungry ghosts. For fans of Stephen Graham Jones and Gretchen Felker-Martin, Bat Eater and Other Names for Cora Zeng is a wildly original, darkly humorous, and subversive contemporary novel from a striking new voice in horror.

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

Charlie Asher is a pretty normal guy. A little hapless, somewhat neurotic, sort of a hypochondriac. He's what's known as a Beta Male: the kind of fellow who makes his way through life by being careful and constant -- you know, the one who's always there to pick up the pieces when the girl gets dumped by the bigger/taller/stronger Alpha Male.But Charlie's been lucky. He owns a building in the heart of San Francisco, and runs a secondhand store with the help of a couple of loyal, if marginally insane, employees. He's married to a bright and pretty woman who actually loves him for his normalcy. And she, Rachel, is about to have their first child.Yes, Charlie's doing okay for a Beta. That is, until the day his daughter, Sophie, is born. Just as Charlie -- exhausted from the birth -- turns to go home, he sees a strange man in mint-green golf wear at Rachel's hospital bedside, a man who claims that no one should be able to see him. But see him Charlie does, and from here on out, things get really weird. . . .People start dropping dead around him, giant ravens perch on his building, and it seems that everywhere he goes, a dark presence whispers to him from under the streets. Strange names start appearing on his nightstand notepad, and before he knows it, those people end up dead, too. Yup, it seems that Charlie Asher has been recruited for a new job, an unpleasant but utterly necessary one: Death. It's a dirty job. But hey, somebody's gotta do it.Christopher Moore, the man whose Lamb served up Jesus' "missing years" (with the funny parts left in), and whose Fluke found the deep humor in whale researchers' lives, now shines his comic light on the undiscovered country we all eventually explore -- death and dying -- and the results are hilarious, heartwarming, and a hell of a lot of fun.

Neil Gaiman'sperennial favorite, The Graveyard Book, has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal.Bod is an unusual boy who inhabits an unusual place—he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings—such as the ability to Fade so mere mortals cannot see him.Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association's "Best Indie Young Adult Buzz Book, " a Horn Book Honor, and Audio Book of the Year. Don't miss this modern classic—whether shared as a read-aloud or read independently, it's sure to appeal to readers ages 8 and up.

Liked the Sweetpea TV series on Sky Atlantic? You'll love the books... ‘This isn’t a book for the squeamish or the faint-hearted ... think Bridget Jones meets American Psycho’ Red

The International Movement for the Safety & Protection Of Our Kids & Youth (IMSPOOKY) dictates that Seymour cannot live in the mansion at 43 Old Cemetery Road "without the benefit of parents." Ignatius B. Grumply tries to explain to Dick Tater, the head of IMSPOOKY, that he and Seymour are in a lovely living (and publishing!) arrangement with the ghost of Olive C. Spence. Dick Tater is not convinced. But this clever trio can’t be broken up as easily as he imagines . . .This companion to Dying to Meet You, the first book in the 43 Old Cemetery Road series, is another spooky tale told in letters, drawings, newspaper articles, and television scripts.

Alex Schwartz had a promising future - until he contracted an unfortunate bout of vampirism, and agreed (on pain of death) to join the Laundry, Britain's only counter-occult secret agency. The thought of telling his parents that he's lost his old job, let alone them finding out about his 'condition', is causing Alex more anxiety than learning how to live as a vampire secret agent preparing to confront multiple apocalypses. His only saving grace is Cassie Brewer, a student appearing in the local Goth Festival, who flirts with him despite his awkward personality and massive amounts of sunblock

Preparations for the Ghastly-Gorm Garden Party and bake-off are under way. Celebrity cooks—such as Nigellina Sugarspoon, Gordon Ramsgate and Heston Harboil—are arriving at the hall for the big event and, true to form, Maltravers, the indoor gamekeeper, is acting suspiciously. Elsewhere at Ghastly-Gorm Ada's wardrobe-dwelling lady's maid Marylebone has received a marriage proposal. Ada vows to aid the course of true love and find out what Maltravers is up to, but amidst all this activity, everyone, including her father, appears to have forgotten her birthday!

The chilling Saga of Darren Shan, the ordinary schoolboy plunged into the vampire world.Darren goes to a banned freak show with his best mate Steve. It’s the wonderfully gothic Cirque Du Freak where weird, frightening half human/half animals appear who interact terrifyingly with the audience. Darren – a spider freak – ‘falls in love’ with Madam Octa – an enormous tarantala owned by Mr Crepsley. Darren determines to steal the spider so that he can train it to perform amazing deeds. But his daring theft goes horribly wrong and Darren finds himself having to make a bargain with a creature of the night.Something out of the ordinary is set against the background of children’s normal lives to chilling effect. Atmospheric, funny, realistic, moving and… terrifying.