Empfehlungen basierend auf "November 1916: A Novel The Red Wheel II"

For fans of Ottessa Moshfegh’s My Year of Rest and Relaxation, the classic Russian novel about an indolent aristocrat who spends most of his days in bedA Penguin ClassicWritten with sympathetic humor and compassion, this masterful portrait of upper-class decline made Ivan Goncharov famous throughout Russia on its publication in 1859. Ilya Ilyich Oblomov is a member of Russia’s dying aristocracy—a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends, and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the activity necessary to participate in the real world, Oblomov manages to avoid work, postpones change, and—finally—risks losing the love of his life. This superb translation by David Magarshack captures all the subtle comedy and near-tragedy of the original.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Just after the iron curtain fell on Eastern Europe John Steinbeck and acclaimed war photographer, Robert Capa ventured into the Soviet Union to report for the "New York Herald Tribune". This rare opportunity took the famous travelers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A "Russian Journal" is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpses of two artists at the height of their powers, answering their need to document human struggle.

A tragedy of Shakespearean force and intensity, Dostoyevsky's drama of parricide and family rivalry chronicles the murder of depraved landowner Fyodor Karamazov and the subsequent investigation and trial. Extensive notes explain the many literary and topical allusions and provide background information.

Kievan Russia was originally published in a clothbound edition in 1948 as volume two in George Vernadsky’s comprehensive series, A History of Russia. It is now available for the first time in a paperbound edition. At the time of its publication Kievan Russia received the following reviews:“The account of this little-know chapter of Russian history is based on a formidable mass of Slavic Byzantine, Germanic, and Oriental (notably Arabic and Persian_ sources. Much of this material is new, and the thorough utilization of all primary and secondary literature accumulated since Kluchevsky wrote his great history easily makes this volume the definitive study of the Kievan period in the English language. There is hardly an aspect of the life of Russia at that time which remains untouched, and the scope of the author’s interests and erudition is indeed impressive….When all is said, Vernadsky’s filling a definite gap in American historical literature.”―The Annals“This volume is an outstanding contribution to the understanding of an important period of Russian history. It is bound to have a marked influence on Western opinion about the years in Russian history it treats in such masterly manner.”―American Historical Review“If Professor Vernadsky has not written the definitive work on Kievan Russia, no such book could be written without being indebted to Professor Vernadsky’s encyclopedic erudition.”―American Historical ReviewGeorge Vernadsky is professor emeritus of Russian history at Yale University and the author of numerous books on Russian history.

The Big Green Tent epitomizes what we think of when we imagine the classic Russian novel.With epic breadth and intimate detail, Ludmila Ulitskaya’s remarkable work tells the story of three school friends who meet in Moscow in the 1950s and go on to embody the heroism, folly, compromise, and hope of the Soviet dissident experience. These three boys―an orphaned poet; a gifted, fragile pianist; and a budding photographer with a talent for collecting secrets―struggle to reach adulthood in a society where their heroes have been censored and exiled. Rich with love stories, intrigue, and a cast of dissenters and spies, The Big Green Tent offers a panoramic survey of life after Stalin and a dramatic investigation into the prospects for individual integrity in a society defined by the KGB. Each of the central characters seeks to transcend an oppressive regime through art, a love of Russian literature, and activism. And each of them ends up face-to-face with a secret police that is highly skilled at fomenting paranoia, division, and self-betrayal. A man and his wife each become collaborators, without the other knowing; an artist is chased into the woods, where he remains in hiding for four years; a researcher is forced to deem a patient insane, damning him to torture in a psychiatric ward. Ludmila Ulitskaya’s novel belongs to the tradition of Dostoevsky, Tolstoy, and Pasternak: it is a work consumed with politics, love, and belief―and a revelation of life in dark times.

When Pushkin first read some of the stories in this collection, he declared himself "amazed." "Here is real gaiety," he wrote, "honest, unconstrained, without mincing, without primness. And in places what poetry! . . . I still haven't recovered."More than a century and a half later, Nikolai Gogol's stories continue to delight readers the world over. Now a stunning new translation--from an award-winning team of translators--presents these stories in all their inventive, exuberant glory to English-speaking readers. For the first time, the best of Gogol's short fiction is brought together in a single volume: from the colorful Ukrainian tales that led some critics to call him "the Russian Dickens" to the Petersburg stories, with their black humor and wonderfully demented attitude toward the powers that be. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know.These fantastic, comic, utterly Russian characters have dazzled generations of readers and had a profound influence on writers such as Dostoevsky and Nabokov. Now they are brilliantly rendered in the first new translation in twenty-five years--one that is destined to become the definitive edition of Gogol's most important stories.

R. F. Christian's editions of Tolstoy's Diaries and Letters, both in two volumes, are definitive. Volume 1 of the Diaries covers the years 1847-1894, and Volume 2 the years 1895-1910. Passages have been chosen to reflect Tolstoy's preoccupations as a writer - his views on his own work and that of others - and his development as a person and as a thinker. The passages also show his attitude to contemporary social problems, rural life, industrialisation, education, and later, to religious and spiritual questions.R. F. Christian has grouped the diary entries chronologically, introducing each period with a brief and informative summary of the main biographical details of Tolstoy's life. The result is something much more than source material for Tolstoy's life and thought, though it could hardly be richer in that respect, it is a unique, direct and unhindered portrait of a great man and a very great writer in the variegation of his everyday existence.'As a picture of the turbulent Russian world which Tolstoy inhabited these diaries are incomparable - the raw stuff not yet processed into art.' Anthony Burgess'Professor Christian's work, a fitting companion to his two-volume edition of the Letters, is an important and long-overdue contribution to our knowledge of Tolstoy.' D. M. Thomas, Sunday Times'What Professor R. F. Christian has done is to provide us with a huge two-volume digest, punctiliously edited and translated . . . It is a model of scholarship, one of the most important books to be published in recent years.' A. N. Wilson, The Spectator'R. F. Christian's engagement for some fifteen years with (Tolstoy's) letters and diaries has been a notable service to the English-speaking public.' Henry Gifford, Times Literary Supplement

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the authors most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy, and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it "the allegory for the world's maturity", but with children to the fore. This new translation does full justice to Doestoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The text is accompanied by a detailed introduction, a pronunciation and explanation key for the novel's main characters, and greatly revised and expanded explanatory annotations. “Contexts” presents a wealth of background and source materials relating to The Brothers Karamazov, to Dostoevsky's own experiences, to current events, and to observations on a changing society. Included are the correspondence of influential literary and social critic Vissarion Grigorievich Belinksy and the author's letters spanning three decades as well as a selection from Dostoevsky's Diary of a Writer in which readers may trace the origins of this novel.“Criticism” offers a wide range of scholarly commentary on The Brothers Karamazov from American, Russian, and European authors, eleven of them new to the Second Edition and two of them appearing in English for the first time. Contributors include Ralph Matlaw, Valentina Vetlovskaia, Seamas O'Driscoll, William Mills Todd, Vladimir Kantor, Edward Wasiolek, Nathan Rosen, Roger B. Anderson, Robin Feuer Miller, Horst-Jürgen Gerigk, Vladimir Golstein, Robert L. Belknap, Ulrich Schmid, and Gary Saul Morson.A Chronology of Dostoevsky's life and work and a Selected Bibliography are also included.

The collectivization of Soviet agriculture in the late 1920s and 1930s forever altered the country’s social and economic landscape. It became the first of a series of bloody landmarks that would come to define Stalinism. This revelatory book presents―with analysis and commentary―the most important primary Soviet documents dealing with the brutal economic and cultural subjugation of the Russian peasantry. Drawn from previously unavailable and in many cases unknown archives, these harrowing documents provide the first unimpeded view of the experience of the peasantry during the years 1927-1930.The book, the first of four in the series, covers the background of collectivization, its violent implementation, and the mass peasant revolt that ensued. For its insights into the horrific fate of the Russian peasantry and into Stalin’s dictatorship, The War Against the Peasantry takesits place an as unparalleled resource.