Empfehlungen basierend auf "Not A River"

New Year's Eve, 1975: Arturo Belano and Ulises Lima, founders of the visceral realist movement in poetry, leave Mexico City in a borrowed white Impala. Their quest: to track down the obscure, vanished poet Cesárea Tinajero. A violent showdown in the Sonora desert turns search to flight; twenty years later Belano and Lima are still on the run.The explosive first long work by "the most exciting writer to come from south of the Rio Grande in a long time" (Ilan Stavans, Los Angeles Times), The Savage Detectives follows Belano and Lima through the eyes of the people whose paths they cross in Central America, Europe, Israel, and West Africa. This chorus includes the muses of visceral realism, the beautiful Font sisters; their father, an architect interned in a Mexico City asylum; a sensitive young follower of Octavio Paz; a foul-mouthed American graduate student; a French girl with a taste for the Marquis de Sade; the great-granddaughter of Leon Trotsky; a Chilean stowaway with a mystical gift for numbers; the anorexic heiress to a Mexican underwear empire; an Argentinian photojournalist in Angola; and assorted hangers-on, detractors, critics, lovers, employers, vagabonds, real-life literary figures, and random acquaintances.A polymathic descendant of Borges and Pynchon, Roberto Bolaño traces the hidden connection between literature and violence in a world where national boundaries are fluid and death lurks in the shadow of the avant-garde. The Savage Detectives is a dazzling original, the first great Latin American novel of the twenty-first century.

This handy dictionary provides detailed, reliable information on standard Spanish pronunciation, covering the distinctive words and meanings unique to Central and South America, as well as the Caribbean. It is a useful guide for anyone interested in the Spanish spoken and written in Latin America.

'The best kind of book: the one you didn't know you were craving until it appeared . . . self-interrogative, intricately perceptive. I absolutely inhaled it' JIA TOLENTINO 'A very richly interesting exploration of a complex subject. Begoña Gómez Urzaiz tells the stories with such intelligence and wit and generosity' TESSA HADLEY When it comes to children: a man leaves, a woman abandons Ingrid Bergman, Muriel Spark, Maria Montessori, Joni Mitchell ... what do these vastly different women have in common? During the pandemic, trapped at home with young children and struggling to find creative space to write, journalist Begoña Gómez Urzaiz became fixated on artistic women who were able to overcome both society's judgement and their own maternal instincts in order to leave their children. More than anything, she was fascinated by her own prejudice towards these women, so clearly tied up in a much wider cultural bias. Using famous examples including Doris Lessing, fictional ones such as Anna Karenina, and interrogating modern trends like Momfluencers, Begoña reveals what our judgement of these women tells us about our judgement of all women. 'The best book I've read on the implications of motherhood and its opposites after Sheila Heti's Motherhood' CLAUDIA DURASTANTI

This New York Times bestselling novel tells an exhilarating World War II epic that chronicles an extraordinary young woman’s heroic frontline service in the Red Cross.“Urrea’s touch is sure, his exuberance carries you through . . . He is a generous writer, not just in his approach to his craft but in the broader sense of what he feels necessary to capture about life itself.” —Financial Times In 1943, Irene Woodward abandons an abusive fiancé in New York to enlist with the Red Cross and head to Europe. She makes fast friends in training with Dorothy Dunford, a towering Midwesterner with a ferocious wit. Together they are part of an elite group of women, nicknamed Donut Dollies, who command military vehicles called Clubmobiles at the front line, providing camaraderie and a taste of home that may be the only solace before troops head into battle.After D-Day, these two intrepid friends join the Allied soldiers streaming into France. Their time in Europe will see them embroiled in danger, from the Battle of the Bulge to the liberation of Buchenwald. Through her friendship with Dorothy, and a love affair with a courageous American fighter pilot named Hans, Irene learns to trust again. Her most fervent hope, which becomes more precarious by the day, is for all three of them to survive the war intact.Taking as inspiration his mother’s own Red Cross service, Luis Alberto Urrea has delivered an overlooked story of women’s heroism in World War II. With its affecting and uplifting portrait of friendship and valor in harrowing circumstances, Good Night, Irene powerfully demonstrates yet again that Urrea’s “gifts as a storyteller are prodigious” (NPR).

"Through her art, Herrera writes, Kahlo made of herself both performer and icon. Through this long overdue biography, Kahlo has also, finally, been made fully human." — San Francisco ChronicleHailed by readers and critics across the country, this engrossing biography of Mexican painter Frida Kahlo reveals a woman of extreme magnetism and originality, an artist whose sensual vibrancy came straight from her own experiences: her childhood near Mexico City during the Mexican Revolution; a devastating accident at age eighteen that left her crippled and unable to bear children; her tempestuous marriage to muralist Diego Rivera and intermittent love affairs with men as diverse as Isamu Noguchi and Leon Trotsky; her association with the Communist Party; her absorption in Mexican folklore and culture; and her dramatic love of spectacle.Here is the tumultuous life of an extraordinary twentieth-century woman -- with illustrations as rich and haunting as her legend.

Part memoir, part lies, this imaginative tale is a story about loving a woman made of paper, about the wounds made by first love and sharp objects.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez.   Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

A timeless immigration story and beloved, award-winning modern classic, perfect for fans of Kate DiCamillo and Rita Williams-Garcia.* "Readers will be swept up." --Publishers Weekly, starred reviewEsperanza thought she'd always live a privileged life on her family's ranch in Mexico. She'd always have fancy dresses, a beautiful home filled with servants, and Mama, Papa, and Abuelita to care for her. But a sudden tragedy forces Esperanza and Mama to flee to California and settle in a Mexican farm labor camp. Esperanza isn't ready for the hard work, financial struggles brought on by the Great Depression, or lack of acceptance she now faces. When Mama gets sick and a strike for better working conditions threatens to uproot their new life, Esperanza must find a way to rise above her difficult circumstances--because Mama's life, and her own, depend on it.

Celebrating the centennial of his birth, the first-ever U.S. publication of Philippine writer Nick Joaquin’s seminal works, with a foreword by PEN/Open Book Award–winner Gina ApostolA New York Times Book Review Editor's ChoiceNick Joaquin is widely considered one of the greatest Filipino writers, but he has remained little-known outside his home country despite writing in English. Set amid the ruins of Manila devastated by World War II, his stories are steeped in the post-colonial anguish and hopes of his era and resonate with the ironic perspectives on colonial history of Gabriel García Márquez and Mario Vargas Llosa. His work meditates on the questions and challenges of the Filipino individual’s new freedom after a long history of colonialism, exploring folklore, centuries-old Catholic rites, the Spanish colonial past, magical realism, and baroque splendor and excess. This collection features his best-known story, “The Woman Who Had Two Navels,” centered on Philippine emigrants living in Hong Kong and later expanded into a novel, the much-anthologized stories “May Day Eve” and “The Summer Solstice” and a canonic play, A Portrait of the Artist as Filipino. As Penguin Classics previously launched his countryman Jose Rizal to a wide audience, now Joaquin will find new readers with the first American collection of his work.Introduction and Suggestions for Further Reading by Vicente L. RafaelFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the HeightsQuiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language.Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.