Empfehlungen basierend auf "Nobody Told Me Poetry and Parenthood"

An essential anthology that puts contemporary geniuses Eileen Myles and Margaret Atwood in conversation with literary classics Charles Baudelaire and Oscar Wilde about the liberating and unique combination of poetry and proseA Penguin ClassicThe prose poem has proven one of the most innovative and versatile poetic forms of recent years. In the century-and-a-half since Charles Baudelaire, Emma Lazarus, Oscar Wilde and Ivan Turgenev spread the notion of a new kind of poetry, this "genre with an oxymoron for a name" has attracted many of our most beloved writers. Yet, even now, this peculiarly rich and expansive form is still misunderstood and overlooked. Here, Jeremy Noel-Tod reconstructs the history of the prose poem for us by selecting the essential pieces of writing, covering a greater chronological sweep and international range than any previous anthology of its kind. Noel-Tod even calls it "an alternative history of modern poetry." In The Penguin Book of the Prose Poem, Patricia Lockwood and Claudia Rankine rub shoulders with Margaret Atwood and Adrienne Rich; Allen Ginsberg and Gertrude Stein appear with Lu Xun and Jorge Luis; Czeslaw Milosz sits just pages from Eileen Myles.

A comprehensive selection of Kavanagh's poetry. It includes selection that range from initial offerings such as "Tinker's Wife" and "Inniskeen July Evening" to his tragic masterpiece "The Great Hunger" (1942) and celebratory verse, "To Hell with Common Sense" and "Come Dance with Kitty Stobling."

Over the course of his short life, John Keats (1795-1821) honed a raw talent into a brilliant poetic maturity. By the end of his brief career, he had written poems of such beauty, imagination and generosity of spirit, that he had - unwittingly - fulfilled his wish that he should ‘be among the English poets after my death’. This wide-ranging selection of Keats’s poetry contains youthful verse, such as his earliest known poem ‘Imitation of Spenser’; poems from his celebrated collection of 1820 - including ‘Lamia’, ‘Isabella’, ‘The Eve of St Agnes’, ‘Ode to a Nightingale’ and ‘Hyperion’ - and later celebrated works such as ‘La Belle Dame sans Merci’. Also included are many poems considered by Keats to be lesser work, but which illustrate his more earthy, playful side and superb ear for everyday language.

One of The Guardian's Best Poetry Books of 2024 "Atmospheric and intoxicating, lyrical and inviting, The Wickedest is a heady night in the dance, and Caleb Femi is the life of the literary party." —Candice Carty-Williams, author of Queenie “Caleb Femi is a gift to us all from the storytelling gods. He is a poet of truth and rage, heartbreak and joy.” —Max Porter, author of Shy An immersive epic taking place over one night at an underground London house party, conjured by a multi-hyphenate sensation. Welcome to the Wickedest, the longest running house party in the South London shoob scene, always held at an undisclosed inner-city spot. You better hope you have the address: this is for locals only. Sweaty and cinematic, pulsing with rhythm and heat, every moment here—from one-on-one intimacies to the swell of the party’s collective roar—is refracted in Caleb Femi’s writing. Ingeniously blending conversations, text messages, sonnets, vignettes, monologues, photos, and lyrics, The Wickedest is a modern epic, told as a minute-by-minute chronicle of an unforgettable night out. Femi, a multi-hyphenate sensation and the author of Poor, which was called “a landmark debut for British poetry” by The Guardian, is a generational storyteller and scene setter. But The Wickedest does more than tell the story of one party; Femi uses the experience of nightlife to document the broader contexts surrounding the shoobs—the marginalization of low-income communities of color, the red tape that bars those on the edges from already shrinking communal space. Still, the party goes on. The Wickedest is a respite and a reckoning, a community of desire, care, and resistance that carries on long past the night’s end.

Because I could not stop for Death-He kindly stopped for me-The carriage held but just ourselves-And Immortality.Bloomsbury Poetry Classics are selections from the work of some of our greatest poets. The series is aimed at the general reader rather than the specialist and carries no critical or explanatory apparatus. This can be found elsewhere. In the series the poems introduce themselves, on an uncluttered page and in a format that is both attractive and convenient. The selections have been made by the distinguished poet, critic, and biographer Ian Hamilton.

“Engaging and revealing, The Letters of Sylvia Plath offers a captivating look into the life and inner thinking of one of the most influential writers of the 20th century.” — Paul Alexander, Washington PostThe second volume in the definitive, complete collection of the letters of Pulitzer Prize-winning poet, Sylvia Plath, from the early years of her marriage to Ted Hughes to the final days leading to her suicide in 1963, many never before seen.One of the most talented and beloved poets, Sylvia Plath continues to fascinate and inspire the modern literary imagination. The tragedy of her untimely death at age thirty, almost fifty-five years ago, has left much unknown about her creative and personal life. In this remarkable second volume of the iconic poet and writer’s collected letters, the full range of Plath’s ambitions, talents, fears, and perspective is made visible through her own powerful words.As engaging as they are revealing, these remarkable letters cover the years from 1957 to 1963. They detail the last six tumultuous and prolific years of her life, covering her marriage to Ted Hughes, the births of her children Frieda and Nicholas, her early success, including the publication of the classic The Bell Jar, and her ongoing struggle with depression.The first compendium of its kind to include all of Plath’s letters from this period, The Letters of Sylvia Plath Volume 2 offers an intimate portrait of the writing life and mind of one of the most celebrated poets in literary history.

Mass for Shut-Ins is the 117th volume of the Yale Series of Younger Poets, selected by award-winning poet Rae Armantrout.Mary-Alice Daniel confronts tricontinental culture shock and her curious placement within many worlds. African and Western mythic systems and modern rituals originate an ill-omened universe. Here, it is always night, grim night, under absurd moons. Venturing through dreamscapes, hellscapes, and lurid landscapes, poems map speculative fields of spiritual warfare. This collection is controlled chaos powered by nightmare fuel. It animates an utterly odd organism: a cosmology cobbled with scripture, superstition, mass media, mad science. Horrid, holy, unholy—these pages overrun with the unhinged, intrusive thoughts that obsess us all late into nighttime.

For the poet, even the most minute details of the natural world are starting points for flights of the imagination, and the pages of this collection celebrating the four seasons are brimming with an extraordinary range of observation and imagery.Here are poets past and present, from Chaucer, Shakespeare, and Wordsworth to Whitman, Dickinson, and Thoreau, from Keats, Blake, and Hopkins to Elizabeth Bishop, Ted Hughes, Amy Clampitt, Mary Oliver, and W. S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.

Highly regarded throughout her prestigious literary career, and today seen as an undeniable master of her art, Elizabeth Bishop remains one of America's most influential and widely acclaimed poets. This is the definitive collection of her work. The Complete Poems includes the books North & South, A Cold Spring, Questions of Travel, and Geography III, as well as previously uncollected poems, translations, and juvenilia.

National Book Award FinalistStay, Illusion, the much-anticipated volume of poems by Lucie Brock-Broido, illuminates the broken but beautiful world she inhabits. Her poems are lit with magic and stark with truth: whether they speak from the imagined dwelling of her “Abandonarium,” or from habitats where animals are farmed and harmed “humanely,” or even from the surreal confines of death row, they find a voice like no other—dazzling, intimate, startling, heartbreaking.Eddying between the theater of the lavish and the enigmatic, between the gaudy and the unadorned, Brock-Broido’s verse scours America for material to render unflinchingly the here and now. Grandeur devolves into a comic irony: “We have come to terms with our Self / Like a marmoset getting out of her Great Ape suit.” She dares the unexplained: “The wings were left ajar / At the altar where I’ve knelt all night, trembling, leaning, rough / As sugar raw, and sweet.” Each poem is a rebellious chain of words: “Be good, they said, and so too I was / Good until I was not.” Strange narratives, interior and exterior, make a world that is foreign and yet our own; like Dickinson, Brock-Broido constructs a spider-sibling, commanding the “silk spool of the recluse as she confects her eventual mythomania.” And why create the web? Because: “If it is written down, you can’t rescind it.”