Empfehlungen basierend auf "Night of the Living Queers: 13 Tales of Terror & Delight"
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von Tom Fletcher and Shane Devries
The darkly magical new story about the monsters under the bed, from bestselling author of The Christmasaurus, Tom Fletcher.What silently waits in the shadows at night? What's under your bed, keeping just out of sight?Do you ever hear strange, creaking noises at night? Ever wonder what makes those noises?Lucy Dungston always did.Until, one morning, Lucy discovers that all the grown-ups have disappeared - as if into thin air. Chaos descends as the children in Lucy's town run riot. It's mayhem. It's madness. To most kids, it's amazing!But Lucy wants to find out the truth. Lucy lost her dad not long ago, and she's determined not to lose her mum too. She's going to get her back - and nothing is going to stop her . . .. . . except maybe the Creakers.
von Jason Segel, Kirsten Miller
“Coraline meets Monsters, Inc. in this delightfully entertaining offering from actor [Jason] Segel and co-author [Kirsten] Miller.” —Publishers Weekly, on book one in the seriesStay up late with the hilariously frightening middle-grade novel Nightmares! The Sleepwalker Tonic. If you snooze, you lose!Charlie Laird has a dream life.1) He has a weirdo stepmom who runs an herbarium.2) He lives in a purple mansion with a portal to the Netherworld.3) Since they escaped from the Netherworld, he and his best friends have been sleeping like babies.But Charlie can’t shake the feeling that something strange is afoot. Charlotte’s herbarium used to be one of the busiest stores in Cypress Creek. Now her loyal following is heading to Orville Falls for their herbal potions. Weirder, though, Orville Falls is suddenly filled with . . . zombies? At least, they sure look like the walking dead. Rumor has it that no one’s sleeping in Orville Falls. And Charlie knows what that means. Things are getting freaky again.Praise for the Nightmares!series“Charlie Laird, who learns fear will eat you alive if you feed it, makes an impression, and . . . readers will want to accompany him again.” —The New York Times Book Review“A touching comical saga . . . about facing things that go bump in the night.” —US Weekly“[Nightmares!] succeeds at scaring and amusing in equal measure. . . . [It’s] sweet, charming, and imaginative.” —Kirkus Reviews
von Neil Gaiman
The 10th anniversary edition of The Graveyard Book includes a foreword by Margaret Atwood as well as sketches from the illustrator, handwritten drafts, and Neil Gaiman’s Newbery acceptance speech.IT TAKES A GRAVEYARD TO RAISE A CHILD.Nobody Owens, known as Bod, is a normal boy. He would be completely normal if he didn’t live in a graveyard, being raised by ghosts, with a guardian who belongs to neither the world of the living nor the dead. There are adventures in the graveyard for a boy—an ancient Indigo Man, a gateway to the abandoned city of ghouls, the strange and terrible Sleer. But if Bod leaves the graveyard, he will be in danger from the man Jack—who has already killed Bod’s family.The Graveyard Book, a modern classic, is the only work ever to win both the Newbery (US) and Carnegie (UK) medals.
von Adam Lowenstein
What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.
von Rob Thurman
Half-human Cal Leandros and his brother Niko aren’t exactly prospering with their preternatural detective agency. Who could have guessed that business could dry up in New York City, where vampires, trolls, and other creepy crawlies are all over the place—if you know where to look.But now there’s a new arrival in the Big Apple. A malevolent evil with ancient powers is picking off humans like sheep, dead-set on making history with an orgy of blood and murder. And for Cal and Niko, this is one paycheck they’re going to have to earn. If they live long enough to collect it…
von Neil Gaiman, Dave McKean
Neil Gaiman'sperennial favorite, The Graveyard Book, has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal.Bod is an unusual boy who inhabits an unusual place—he's the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians' time as well as their ghostly teachings—such as the ability to Fade so mere mortals cannot see him.Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association's "Best Indie Young Adult Buzz Book, " a Horn Book Honor, and Audio Book of the Year. Don't miss this modern classic—whether shared as a read-aloud or read independently, it's sure to appeal to readers ages 8 and up.
von C.J. Skuse
Liked the Sweetpea TV series on Sky Atlantic? You'll love the books... ‘This isn’t a book for the squeamish or the faint-hearted ... think Bridget Jones meets American Psycho’ Red
von Kate Klise
The International Movement for the Safety & Protection Of Our Kids & Youth (IMSPOOKY) dictates that Seymour cannot live in the mansion at 43 Old Cemetery Road "without the benefit of parents." Ignatius B. Grumply tries to explain to Dick Tater, the head of IMSPOOKY, that he and Seymour are in a lovely living (and publishing!) arrangement with the ghost of Olive C. Spence. Dick Tater is not convinced. But this clever trio can’t be broken up as easily as he imagines . . .This companion to Dying to Meet You, the first book in the 43 Old Cemetery Road series, is another spooky tale told in letters, drawings, newspaper articles, and television scripts.
von Kudan Naduka
When Rachel Gardner Wakes Up In The Basement Of An Unfamiliar Building, She Finds Herself Face-to-face With Zack, A Serial Killer Wrapped From Head To Toe In Bandages. Narrowly Escaping His Bloody Scythe, She Makes It To The Next Floor, Where She Meets A Man Named Danny Who Claims To Be Her Doctor. Rachel Breathes A Sigh Of Relief, But She Can't Help Noticing That Danny's Got A Strange Look In His Eyes...
von Aubrey Hartman
A delightfully grim tale about an undead fox whose lonely existence is turned upside down when he learns his job as usher of souls is in jeopardy, perfect for fans of Kate DiCamillo and Tim Burton.Clare is the undead fox of Deadwood Forest. Here, leaves grow in a perpetual state of fall: not quite dead, but not quite alive…just like Clare. Long ago, he was struck by a car, and, hovering between life and death, he was given the choice to either cross into the Afterlife or become an Usher of wandering souls. Clare chose the latter: stepping into a solitary life of helping souls meet their destiny.Clare’s quiet and predictable days are met with upheaval when a badger soul named Gingersnipes knocks on his door. Despite Clare’s efforts to usher her into the Afterlife, the badger is unable to find her way out of Deadwood. This is unprecedented. Baffling. A disturbing mystery which threatens the delicate balance of the living and the dead. Clare seeks the help of Hesterfowl—the visionary grouse who recently foretold of turmoil in Deadwood. But Hesterfowl divulges a shocking revelation about the badger that leaves Clare devastated, outraged, and determined to do anything to change their fate.